Opinion Archives • INGO VOGELMANN https://ingovogelmann.net/category/opinion/ Composer • Producer • Audio Engineer Tue, 26 Sep 2023 08:51:31 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.2 https://ingovogelmann.net/wp-content/uploads/2023/03/cropped-iv_icon_2023.png Opinion Archives • INGO VOGELMANN https://ingovogelmann.net/category/opinion/ 32 32 120855996 The Complexity of Engaging With My Russian Fans https://ingovogelmann.net/2023/09/26/the-complexity-of-engaging-with-my-russian-fans/ https://ingovogelmann.net/2023/09/26/the-complexity-of-engaging-with-my-russian-fans/#respond Tue, 26 Sep 2023 17:00:00 +0000 https://ingovogelmann.net/?p=29525 Disclaimer for Russian Readers Before we proceed, I want to make it abundantly clear that I fully support Ukraine in the ongoing conflict. This post may contain viewpoints that are upsetting to some, particularly my Russian fans. While I appreciate your support for my music, it’s crucial to be transparent about where I stand on this issue. As you might know, I have a diverse fan base that spans across the globe. I’m grateful for the love and support I receive from all corners of the world. Especially strong are the Latin American countries, the Baltic region, but also Turkey, Northern Africa, Southeast Asia, Japan and – of course – Russia. However, the ongoing Russian invasion of Ukraine has put me in a difficult position, particularly when it comes to engaging with my Russian fans. I feel compelled to address this issue openly, as it’s something that has been weighing heavily on my mind. Music has an unparalleled ability to bring people together, regardless of their geographical location, cultural background, or political affiliations. However, in a world increasingly divided by geopolitical conflicts – most notably the ongoing crisis between Russia and Ukraine – I find myself grappling with a complex moral dilemma. Specifically, how do I navigate interactions with my fans from countries embroiled in such conflicts? To delve deeper into this issue, I’ve compiled a comprehensive Top 50 ranking of countries where my music is most popular, based on data from SoundCloud, Spotify, and Apple Music. The Global Footprint of My Music: A Comprehensive Top 50 Ranking First and foremost, I want to express my deepest gratitude to all my fans around the globe. Your unwavering support has been…

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Why I’m a Pantheist. And What About My Album “GOD”? https://ingovogelmann.net/2023/08/28/why-im-a-pantheist-and-what-about-my-album-god/ https://ingovogelmann.net/2023/08/28/why-im-a-pantheist-and-what-about-my-album-god/#respond Mon, 28 Aug 2023 19:37:51 +0000 https://ingovogelmann.net/?p=29489 From my earliest memories, the universe has always been a source of profound fascination. The night sky, a tapestry of stars and cosmic wonder, seemed to pose questions that penetrated the very core of my being. My quest for answers led me through various domains – religion, philosophy, and empirical science. Yet, none offered the holistic understanding I yearned for. That is, until I discovered Pantheism. At its core, Pantheism is a worldview that is both elegantly simple and profoundly deep: the universe and everything within it is divine. But let’s clarify what I mean by “divine,” as it’s a term often misunderstood. For me, divinity is not about an anthropomorphic God sitting on a celestial throne. I’m an atheist in that regard, finding no logical or empirical basis for such a deity. Instead, my sense of the divine is rooted in the inherent order that permeates the universe – an order that allows for the existence and functioning of all things. This divine order is not a set of commandments but a natural, self-organizing system that can be observed in everything from the laws of physics to the complexity of biological systems. It’s the reason why planets orbit stars, why ecosystems maintain their balance, and why we, as conscious beings, can ponder our place in the cosmos. This order is the closest thing to “God” in my Pantheistic view, and it’s an understanding that fills me with awe and wonder. When I first encountered the concept of quantum entanglement, it felt like a scientific affirmation of this divine order. Here were particles, separated by vast distances, yet intrinsically connected in a way that defied classical understanding. It was as…

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The 10 Best Drummers of All Time (According to Me) https://ingovogelmann.net/2023/08/04/the-10-best-drummers-of-all-time-according-to-me/ https://ingovogelmann.net/2023/08/04/the-10-best-drummers-of-all-time-according-to-me/#respond Fri, 04 Aug 2023 18:18:55 +0000 https://ingovogelmann.net/?p=29420 In the world of music, there are legends who have the power to move souls with their rhythmic magic. Among them, the drummers stand tall as the untamed giants of the beat, the fiery guardians of the groove. Spanning across genres, from the smoky realms of jazz to the thunderous realms of rock, these sonic revolutionaries ignite fires within our hearts. Now, behold the divine pantheon of the ten awe-inspiring drummers who have transcended mere virtuosity to become symbols of passion, power, and pure musical wizardry! (In no particular order, although Gavin Harrison and Simon Phillips are my 2 absolute favorites) 🥁 Drum roll, please! 🥁 Gavin Harrison Simon Phillips Mike Mangini Gergo Borlai Nick D’Virgilio Sarah Thawer Buddy Rich Jeff Porcaro Marco Minnemann Chris Coleman So, there you have it, my personal top 10 drummers who’ve ever graced a drum throne. From legends of the past to modern maestros, these drummers have shaped the way I hear and feel music. 🥁💥 Tags: album, Albums, Autodidacticism, Avedis Zildjian Company, Beat (music), Big Big Train, Buddy Rich, Creativity, DJ, Dream Theater, Drum, Drum kit, Drum stick, Drum Workshop, Drummer, education, Evolution, Extreme, Facial expression, Finesse (song), Funk, Gavin Harrison, Genesis (band), Germany, Groove (music), guitar, Heavy metal music, History, how, jazz, Jazz drumming, Jazz fusion, Jeff Porcaro, Joe Satriani, King Crimson, Like, love, Ludwig Drums, Marco Minnemann, Meinl Percussion, Michael Jackson, music, musical, Musician, Musicians, Nick D'Virgilio, ost, Paiste, Pearl Drums, play, pop, Porcupine Tree, Pro-Mark, Progressive metal, Progressive rock, Pure Genius, Remo, Rhythm, Rhythm section, Rock music, Rosanna (song), Sabian Cymbals, Session musician, Simon Phillips (drummer), singer, Slingerland Drum Company, Solo (music), Sonor, sound, Spock's Beard, Star, Steve Vai, Steven…

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Who Gets to Stay Afloat? https://ingovogelmann.net/2023/06/21/who-gets-to-stay-afloat/ https://ingovogelmann.net/2023/06/21/who-gets-to-stay-afloat/#respond Wed, 21 Jun 2023 20:08:18 +0000 https://ingovogelmann.net/?p=29407 Alright, let’s get this straight. We’ve got five business dudes who thought it would be a hoot to drop $250,000 each to get up close and personal with the Titanic wreck. You heard that right. A quarter of a million bucks to see a sunken ship. Now, they’re lost at sea and the world is on the edge of its seat, biting its nails, waiting for news. And don’t get me wrong, I feel for them. I really do. And for their loved ones waiting in agony for any shred of news. It’s a fsitucked up and rather sad situation, no doubt about it. Meanwhile, hundreds of refugees are drowning in the Mediterranean and it’s like everyone collectively decided to play a giant game of ‘see no evil, hear no evil’. Why? Because they aren’t rich? Because their journey wasn’t some luxury adventure, but a desperate escape from war and poverty? Here’s the thing. Both these groups of people are (one even literally) in deep shit. But for entirely different reasons. The adventurers are in trouble because they chose to be, because they wanted a thrill, a story to tell. The refugees? They’re in trouble because they had no other choice. Because staying where they were was even more dangerous than the perilous journey they embarked on. And yet, we’re more invested in the fate of five rich guys who willingly put themselves in danger than in the lives of thousands of people who had no other choice. So, what can we do? We can start by shifting our attention and compassion to those who need it most. And that’s not the rich adventurers in their luxury submarine, but the…

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Brexit: The Massive After Party Hangover https://ingovogelmann.net/2023/06/20/brexit-the-massive-after-party-hangover/ https://ingovogelmann.net/2023/06/20/brexit-the-massive-after-party-hangover/#respond Tue, 20 Jun 2023 16:57:34 +0000 https://ingovogelmann.net/?p=29396 Ah, Brexit. The political equivalent of deciding to break up with your long-term partner because you’re tired of them leaving the cap off the toothpaste. It was a decision that promised sovereignty, prosperity, and control. But, like waking up after a night of heavy drinking, the reality has been a little less rosy. Let’s take a look at the ‘morning after’ effects of this political bender. So, there you have it. The ‘Brexit Bonanza’ in all its glory. A smorgasbord of economic contraction, trade disruptions, labor shortages, and a whole lot more. But hey, at least they’ve got control, right? And isn’t that what it’s all about? Control over your own destiny, even if that destiny looks a bit like a car crash in slow motion. But don’t worry, I’m sure it’ll all work out in the end. After all, they’re British. A stiff upper lip, a love of queuing, and a knack for making the best of a bad situation. Let’s raise a cup of tea to Brexit, the gift that keeps on giving. Cheers! And remember, that’s what happens when you decide to jump off a cliff and then try to build a parachute on the way down. Tags: BBC News, Brexit, Business, Consumer, Cost, Economic effects of Brexit, Economy, European Union, Euroscepticism in the United Kingdom, Export, Extreme, Food, Germany, Globalization, Goods, how, Impact of Brexit, Inflation, Labour economics, Like, love, OECD, ost, play, Price, Real income, Reality, Shortage, Sovereignty, Trade, Uncertainty, United Kingdom, Withdrawal from the European Union, Workforce Related posts The Complexity of Engaging With My Russian Fans (0) The 10 Best Drummers of All Time (According to Me) (0) Who Gets to Stay Afloat?…

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REVIEW: Extreme’s “SIX” – A Symphony of Sonic Surprises and Unapologetic Authenticity https://ingovogelmann.net/2023/06/09/review-extremes-six-a-symphony-of-sonic-surprises-and-unapologetic-authenticity/ https://ingovogelmann.net/2023/06/09/review-extremes-six-a-symphony-of-sonic-surprises-and-unapologetic-authenticity/#respond Fri, 09 Jun 2023 16:11:50 +0000 https://ingovogelmann.net/?p=29375 (Isn’t the album cover extremely awesome?) As a grizzled veteran of the rock ‘n’ roll rollercoaster, having clocked up a half-century on this spinning rock we call Earth, I’ve been a passenger on the Extreme journey since the band’s genesis in 1985. Their latest offering, “SIX”, is a testament to their musical evolution, a sonic tapestry that weaves together the threads of their past while boldly striding into uncharted territory. “SIX” opens with “Rise“, a track that hits you like a shot of adrenaline straight to the heart. It’s a powerful opener that sets the tone for the album, a narrative about the fickle nature of fame that resonates with anyone who’s been around the block a few times. It’s a reminder that success is transient, a theme that echoes through the annals of rock history and reverberates in the hearts of seasoned fans like me. Next up is “#Rebel“, a track that lives up to its name in every sense. It’s a rebellious anthem that channels the spirit of Marilyn Manson, a stark departure from Extreme’s usual style. It’s a bold move, but it’s this willingness to push boundaries and experiment with new sounds that has kept Extreme relevant over the years. “Banshee” and “Other Side of the Rainbow” offer a softer side of Extreme, with their intimate ballads that hark back to the band’s earlier days. These tracks are a comforting reminder of the band’s roots, a nostalgic nod to the past that old fans like me can appreciate. They’re like a warm blanket on a cold night, a familiar comfort that wraps you in a cocoon of melodic memories. “Small Town Beautiful” and “The Mask” continue this…

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A Personal Take On Rammstein https://ingovogelmann.net/2023/06/07/a-personal-take-on-rammstein/ https://ingovogelmann.net/2023/06/07/a-personal-take-on-rammstein/#respond Wed, 07 Jun 2023 18:57:40 +0000 https://ingovogelmann.net/?p=29363 I’ve always been one to appreciate a wide range of music, but there’s one band that I’ve never been able to get on board with: Rammstein. The German metal band has long been a source of controversy, and for me, their actions and representations have always been a step too far. Let’s start with their performances. Rammstein is known for their grandiose shows, complete with pyrotechnics and dramatic theatrics. Generally, not really my thing. Plus, beneath the spectacle, there’s an element that’s deeply unsettling. The band’s use of Nazi propaganda aesthetics and right-wing iconography is, in my opinion, a blatant disregard for the historical trauma associated with these symbols. As the taz article “Verharmlosung von Rammstein: Eiertanz ums Eiserne Kreuz” aptly points out, their shows “[deliver] a celebration of flame-encircled masses as updated staging strategies of the NS propagandists Leni Riefenstahl and Albert Speer and imitate these models under the insignia of the musical shock troop, an Iron Cross.” Some might argue that this is all part of their artistic expression. But let’s cut the crap here. This isn’t just about pushing boundaries or being edgy. This is about using loaded symbols for shock value and, as some suggest, as a marketing strategy. And that, my friends, is where I draw the line. But the controversy doesn’t end there. The band’s lead singer, Till Lindemann, is currently embroiled in a MeToo scandal, facing allegations of sexual assaults against young female fans. This, coupled with Lindemann’s past lyrics that fantasize about the rape of a drugged woman, paints a troubling picture. The taz article states, “If the just exploding scandal gains further substance in the face of the alleged pattern of…

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The Exasperating Trilogy of Modern Speech: Upspeak, Vocal Fry, and the ‘Like’ Epidemic https://ingovogelmann.net/2023/05/10/the-exasperating-trilogy-of-modern-speech-upspeak-vocal-fry-and-the-like-epidemic/ https://ingovogelmann.net/2023/05/10/the-exasperating-trilogy-of-modern-speech-upspeak-vocal-fry-and-the-like-epidemic/#respond Wed, 10 May 2023 15:00:00 +0000 https://ingovogelmann.net/?p=29074 Modern communication – a brilliant, marvelous tapestry weaved with an array of eloquent sounds, linguistic acrobatics, and… upspeak, vocal fry, and the incessant use of “like”. The grand opera of language has been hijacked by these three renegade stars, ensuring every sentence sounds like a question, a dying engine, or a Facebook algorithm’s dream. Upspeak: The Question that Never Ends Upspeak is fascinating in its ability to leave listeners in a perpetual state of suspense. Imagine listening to a thrilling murder mystery where every sentence ends on a cliffhanger. Now, apply that to every conversation in your life. Every declarative statement, every assertion is turned into an open-ended question. The suspense, initially thrilling, soon becomes like a song stuck on loop – it’s fun at first, then it starts to grate on your nerves. Moreover, upspeak can undermine the speaker’s authority and credibility. In professional settings, constant questioning inflections can signal uncertainty or a lack of confidence. It’s as if the speaker is continually seeking validation, which can be quite irksome when you’re looking for decisive, assertive communication. Example: This linguistic accident has become pretty popular among the younger demographic. Gone are the days of confident, assertive statements. Instead, we’re now serenaded by a constant stream of interrogatives. Whether you’re ordering coffee or presenting a groundbreaking scientific discovery, with upspeak, everything sounds like you’re asking for directions to the nearest surf shop. Vocal Fry: The Groan that Grows on You Vocal fry is the audio equivalent of nails on a chalkboard for some. That low, creaky vibration that has become extremely popular is grating to the ear, especially when it’s used excessively. It makes conversations sound tedious and monotonous, sucking…

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Are We Consuming Too Much Low-Effort Content? https://ingovogelmann.net/2023/03/20/are-we-consuming-too-much-low-effort-content/ https://ingovogelmann.net/2023/03/20/are-we-consuming-too-much-low-effort-content/#respond Mon, 20 Mar 2023 07:00:00 +0000 https://ingovogelmann.net/?p=29046 There was a time when video footage of hilarious mishaps was a rare and valuable commodity. It was 1987, and every week on German television, viewers tuned in to “Pleiten, Pech und Pannen” (“Disasters, Bad Luck and Breakdowns”) hosted by a not-so-funny, but charmingly coiffed Max Schautzer. This was a show dedicated to sharing amateur footage of people’s embarrassing moments and mishaps. The audience then voted on the “funniest video of the week” and the winner walked away with the coveted “Golden Raven” trophy and some cold hard cash. Back then, capturing these moments on video was like striking gold. Camcorders were an expensive luxury item, and it was rare to catch these moments on camera. Having a compilation of the best camcorder clips in one place was something special. But now, things are different. Thanks to smartphones and social media, we can watch videos of people slipping on banana peels all day long. There’s an endless stream of videos on TikTok and Instagram, and we can scroll through them for hours on end. We’ve gone from limited supply to a never-ending stream of content. But why are we so obsessed with these videos? Some might argue that our desire for this type of content has grown to ridiculous proportions, especially since March 2020. When the pandemic hit, millions of people found themselves stuck at home, bored, and unhappy. They turned to low-effort, easily consumable content to pass the time. Even with billions of people posting videos online, only a few are actually good enough to satisfy our insatiable appetite for entertainment. As someone born in 1973, I remember a time when real life was the primary source of entertainment.…

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“Free Download” Scam https://ingovogelmann.net/2023/03/17/free-download-scam/ https://ingovogelmann.net/2023/03/17/free-download-scam/#respond Fri, 17 Mar 2023 07:00:00 +0000 https://ingovogelmann.net/?p=28925 Ugh, those “free download” apps that turn out to be nothing but scams. Infuriating! These sneaky software companies lure you in with promises of a “free download,” only to reveal later on that it’s just a limited or trial version. And the kicker? Once you want to continue using it, they hit you with a demand to buy a license or subscription. It’s not only misleading, but also downright dishonest. These companies are preying on unsuspecting users who think they get a free app. They should be upfront about the limitations of the “free” version and the costs associated with the full working version. They’re using our time and attention to market their product, only to hit us with a paywall later. It’s disrespectful and shows a complete lack of consideration for other people. Do yourself a favor and read the fine print before you hit that download button. Don’t let scammers take advantage of you and your time and energy. Tags: Crime, Energy, free app, how, Human behavior, ost, Paywall, scam Related posts Why I Abandoned Social Media (3) The Ultimate Harmonic Mixing & Composing Chart (12) The Top 50 Most Successful Albums of All Time (0) The Exasperating Trilogy of Modern Speech: Upspeak, Vocal Fry, and the ‘Like’ Epidemic (0) The Complexity of Engaging With My Russian Fans (0)

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Spotify: My Love-Hate Relationship with the World’s No. 1 Streaming Service https://ingovogelmann.net/2023/03/13/spotify-my-love-hate-relationship-with-the-worlds-no-1-streaming-service/ https://ingovogelmann.net/2023/03/13/spotify-my-love-hate-relationship-with-the-worlds-no-1-streaming-service/#respond Mon, 13 Mar 2023 07:00:00 +0000 https://ingovogelmann.net/?p=29003 As an artist, I have my fair share of frustrations with Spotify, believe it or not, as much as I promote my music on the platform. I do it because it’s the easiest and shortest route for fans to access my music. For no other reason. Spotify Spotify is a streaming service that has taken the world by storm. It offers millions of songs, podcasts, and other audio content to users around the globe. On the surface, it seems like a great service that provides a lot of value to its users. However, if you scratch beneath the surface, you’ll find that Spotify is far from perfect. In fact, there are several reasons why Spotify should be criticized. First of all, let’s talk about the way Spotify treats artists. As a musician myself, I know firsthand how difficult it can be to make a living from your art. Spotify pays artists a fraction of a penny per stream. In other words, if you’re a musician on Spotify, you’re most likely not going to make much money. You might get a lot of streams, but those streams aren’t going to pay the bills. But it’s not just the low pay that’s the problem. It’s also the fact that Spotify doesn’t give artists any control over how their music is presented on the platform. The algorithms that Spotify uses to curate playlists and recommend music are a mystery to everyone, including the artists themselves. This means that even if you’re a talented musician with a unique sound, you might never get discovered on Spotify because the algorithm doesn’t favor your style of music. And then there’s the issue of Spotify’s business model.…

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My Take on AI like ChatGPT (and the Real Threats) https://ingovogelmann.net/2023/02/16/my-take-on-ai-like-chatgpt-and-the-real-threats/ https://ingovogelmann.net/2023/02/16/my-take-on-ai-like-chatgpt-and-the-real-threats/#respond Thu, 16 Feb 2023 06:14:18 +0000 https://ingovogelmann.net/?p=27868 I fear slowing down the development and implementation of AI more than the everyday use of it. AI is not inherently good or evil, it’s basically a tool that can be used for a variety of purposes, and it is up to humans to decide how to use it. Many of the concerns about AI are based on science fiction and exaggerations rather than real-world applications and limitations of current AI technology. The development of AI is still in its early stages, and while it has shown significant progress recently, it is still far from reaching a point where it can pose a threat to humanity. AI like ChatGPT is useful and somewhat impressive (or not) but far from dangerous. It knows less than humanity actually does. It has no capacity for opinion, emotion or decision-making. And it is precisely these 3 things that get us into trouble as humans. Artificial intelligence is only as “intelligent” as we feed such a system with data. So, it always depends on how intelligent the feeder is and how extensive and balanced the data is. I highly doubt very stupid people would have access to this feeding process or even understand how to feed. That brings me to our real problem: ignorant or stupid people. Now if you think I’m about to bash people with a lack of mental abilities, read on first. The actions of unintelligent or ignorant people have a greater negative impact on society than those of intentionally malicious individuals, like say Donald Trump (who is both stupid and ignorant, the most dangerous combination). While both ignorance and intentional malice can and do certainly have negative consequences, it is also…

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Spotify vs. Apple Music — Distribution — How to Pursue a Musical Career — From an Artist’s Perspective https://ingovogelmann.net/2022/12/16/spotify-vs-apple-music-distribution-how-to-pursue-a-musical-career-from-an-artists-perspective/ https://ingovogelmann.net/2022/12/16/spotify-vs-apple-music-distribution-how-to-pursue-a-musical-career-from-an-artists-perspective/#respond Fri, 16 Dec 2022 19:31:53 +0000 https://ingovogelmann.net/?p=26860 In this article, I’ll look at the two biggest music streaming providers, we’ll look at a good distribution service, and we’ll look at if and how you can or should pursue a music career. The two big boys in the music streaming business As an artist, it is important to choose the right streaming platform to showcase and distribute your music. There are many options available, but two of the most popular are Spotify and Apple Music. While both platforms have their pros and cons, it is important to weigh the options and consider which one is the best fit for your needs as an artist. First, let’s take a look at Spotify. With over 345 million monthly active users, Spotify is the largest streaming platform in the world. It offers a wide range of features for both artists and listeners, including personalized playlists, podcasts, and live audio. For artists, Spotify provides a variety of tools to help promote and monetize their music, including the ability to create artist profiles, upload music, and track streams and listeners. One of the biggest benefits of Spotify for artists is the potential to reach a large audience. With millions of users, there is a good chance that your music will be discovered by new listeners. Additionally, Spotify offers a program called Spotify for Artists, which provides resources and insights for artists to help them grow their careers. However, there are some downsides to consider as well. For one, the royalty rates on Spotify can be relatively low, with artists earning around $0.004 to $0.0084 per stream. This can make it difficult for independent artists to earn a significant amount of money from their…

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Why I Abandoned Social Media https://ingovogelmann.net/2022/11/07/why-i-abandoned-social-media/ https://ingovogelmann.net/2022/11/07/why-i-abandoned-social-media/#comments Mon, 07 Nov 2022 16:04:05 +0000 https://ingovogelmann.net/?p=24470 When social media became “the new thing” and every artist was recommended to join the hype, I was very skeptical at first. I came late to the party of the two top dogs, Twitter in 2007, Facebook only in 2009, after the pressure on me from all sides grew too great. At least that’s how it felt to me at the time, or what I told myself… but there’s a good chance I just had the same need for recognition as everyone else and was afraid of missing out and not being recognized appropriately. As you grow older, fortunately that disappears. Instagram was about photography once I thought Instagram was pretty good at first… the filters looked cool and it was more about the photos than anything else. Until Facebook took over and turned it into a drug for people with an inferiority complex. Anti-Social Media I’ve never really felt comfortable with anti-social media, and I’ve also struggled to generate huge followings. There were decent numbers lately, but not enormous. That may have something to do with the fact that my audience has a rather limited affinity for social media. Something like that always has a direct connection with the kind of music you make. In all these years, I have experienced everything on social media that internet experts and psychologists are now warning of: abuse, hate, completely pointless and unnecessary discussions, exposing the private to the public (something I don’t like at all) and a very stupid thing: living out conflicts in public, in front of people you don’t really know. Necessary for artists? For a long time, I myself succumbed to the belief that as an artist you…

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