Symbol Archives • INGO VOGELMANN

Beyond Words: Why the Generic Masculine Still Holds Value

Ingo — Tue, 05 Sep 2023 16:01:19 +0000

In a world that’s constantly changing, where every word is dissected and every phrase analyzed, the debate over the generic masculine stands as a testament to the complexities of language and society. Words are tools, yes, but they are also more than that. They are the framework through which we interpret the world, and yet they are not the world itself. They are symbols, and like all symbols, they are subject to interpretation. Just like my music, which is mostly without lyrics. But despite that, music is a form of communication. It’s language, subject to interpretation. The generic masculine has come under fire. Critics argue that it’s a relic, a leftover from a time when men were the default, the standard, the norm. They call for new language, inclusive language, language that reflects the diversity of human experience. But here’s the thing: language is a reflection of the mind, and the mind is where discrimination takes root. You can change the words all you want, but if the mind remains unaltered, you’ve achieved nothing. You’ve put a new coat of paint on a crumbling wall. Before we go any further, let’s make one thing clear: the issue of gender identity is a separate matter altogether. My stance on the generic masculine should not be conflated with my views on gender identity. I am the best man to a queer couple, comprised of a trans woman and a cis woman. I understand that there are individuals who feel they were born into the wrong gender, and I respect their journey. This is not about denying the complexities of gender identity; it’s about the complexities of language and interpretation. Equality, for me,…

From INGO VOGELMANN.

The 10 Best Drummers of All Time (According to Me)

Ingo — Fri, 04 Aug 2023 18:18:55 +0000

In the world of music, there are legends who have the power to move souls with their rhythmic magic. Among them, the drummers stand tall as the untamed giants of the beat, the fiery guardians of the groove. Spanning across genres, from the smoky realms of jazz to the thunderous realms of rock, these sonic revolutionaries ignite fires within our hearts. Now, behold the divine pantheon of the ten awe-inspiring drummers who have transcended mere virtuosity to become symbols of passion, power, and pure musical wizardry! (In no particular order, although Gavin Harrison and Simon Phillips are my 2 absolute favorites) 🥁 Drum roll, please! 🥁 Gavin Harrison Simon Phillips Mike Mangini Gergo Borlai Nick D’Virgilio Sarah Thawer Buddy Rich Jeff Porcaro Marco Minnemann Chris Coleman So, there you have it, my personal top 10 drummers who’ve ever graced a drum throne. From legends of the past to modern maestros, these drummers have shaped the way I hear and feel music. 🥁💥 Tags: album, Albums, Autodidacticism, Avedis Zildjian Company, Beat (music), Big Big Train, Buddy Rich, Creativity, DJ, Dream Theater, Drum, Drum kit, Drum stick, Drum Workshop, Drummer, education, Evolution, Extreme, Facial expression, Finesse (song), Funk, Gavin Harrison, Genesis (band), Germany, Groove (music), guitar, Heavy metal music, History, how, jazz, Jazz drumming, Jazz fusion, Jeff Porcaro, Joe Satriani, King Crimson, Like, love, Ludwig Drums, Marco Minnemann, Meinl Percussion, Michael Jackson, music, musical, Musician, Musicians, Nick D'Virgilio, ost, Paiste, Pearl Drums, play, pop, Porcupine Tree, Pro-Mark, Progressive metal, Progressive rock, Pure Genius, Remo, Rhythm, Rhythm section, Rock music, Rosanna (song), Sabian Cymbals, Session musician, Simon Phillips (drummer), singer, Slingerland Drum Company, Solo (music), Sonor, sound, Spock's Beard, Star, Steve Vai, Steven…

From INGO VOGELMANN.

A Personal Take On Rammstein

Ingo — Wed, 07 Jun 2023 18:57:40 +0000

I’ve always been one to appreciate a wide range of music, but there’s one band that I’ve never been able to get on board with: Rammstein. The German metal band has long been a source of controversy, and for me, their actions and representations have always been a step too far. Let’s start with their performances. Rammstein is known for their grandiose shows, complete with pyrotechnics and dramatic theatrics. Generally, not really my thing. Plus, beneath the spectacle, there’s an element that’s deeply unsettling. The band’s use of Nazi propaganda aesthetics and right-wing iconography is, in my opinion, a blatant disregard for the historical trauma associated with these symbols. As the taz article “Verharmlosung von Rammstein: Eiertanz ums Eiserne Kreuz” aptly points out, their shows “[deliver] a celebration of flame-encircled masses as updated staging strategies of the NS propagandists Leni Riefenstahl and Albert Speer and imitate these models under the insignia of the musical shock troop, an Iron Cross.” Some might argue that this is all part of their artistic expression. But let’s cut the crap here. This isn’t just about pushing boundaries or being edgy. This is about using loaded symbols for shock value and, as some suggest, as a marketing strategy. And that, my friends, is where I draw the line. But the controversy doesn’t end there. The band’s lead singer, Till Lindemann, is currently embroiled in a MeToo scandal, facing allegations of sexual assaults against young female fans. This, coupled with Lindemann’s past lyrics that fantasize about the rape of a drugged woman, paints a troubling picture. The taz article states, “If the just exploding scandal gains further substance in the face of the alleged pattern of…

From INGO VOGELMANN.