red and orange galaxy illustration

Why I’m a Pantheist. And What About My Album “GOD”?

From my earliest memories, the universe has always been a source of profound fascination. The night sky, a tapestry of stars and cosmic wonder, seemed to pose questions that penetrated the very core of my being. My quest for answers led me through various domains – religion, philosophy, and empirical science. Yet, none offered the holistic understanding I yearned for. That is, until I discovered Pantheism.

At its core, Pantheism is a worldview that is both elegantly simple and profoundly deep: the universe and everything within it is divine. But let’s clarify what I mean by “divine,” as it’s a term often misunderstood. For me, divinity is not about an anthropomorphic God sitting on a celestial throne. I’m an atheist in that regard, finding no logical or empirical basis for such a deity. Instead, my sense of the divine is rooted in the inherent order that permeates the universe – an order that allows for the existence and functioning of all things.

This divine order is not a set of commandments but a natural, self-organizing system that can be observed in everything from the laws of physics to the complexity of biological systems. It’s the reason why planets orbit stars, why ecosystems maintain their balance, and why we, as conscious beings, can ponder our place in the cosmos. This order is the closest thing to “God” in my Pantheistic view, and it’s an understanding that fills me with awe and wonder.

When I first encountered the concept of quantum entanglement, it felt like a scientific affirmation of this divine order. Here were particles, separated by vast distances, yet intrinsically connected in a way that defied classical understanding. It was as if the universe itself was giving a nod to the Pantheistic idea of interconnectedness, an inherent feature of this divine order.

The first law of thermodynamics further resonated with my Pantheistic beliefs. This law, stating that energy cannot be created or destroyed but only transformed, seemed like another expression of this divine order. It’s a principle that can be observed in the water cycle, where water evaporates, forms clouds, and returns as rain, never being destroyed but merely changing form. This eternal cycle of energy and matter is a testament to the inherent order that governs all things.

The cyclical nature of the universe, as suggested by theories like the Big Bang and the Big Crunch, also aligns with this view. These theories propose a universe in a constant cycle of birth, expansion, and eventual contraction, mirroring the eternal cycles that are a cornerstone of Pantheistic thought and another manifestation of this divine order.

The concept of emergence, where complex systems arise from the interactions of simpler entities, offers yet another glimpse into this inherent order. Consider a termite mound: each termite contributes to a complex, self-regulating system, a microcosm of the divine order that I see as permeating the universe at all levels.

Fractals, with their infinitely complex patterns that are self-similar across scales, serve as a beautiful metaphor for this divine order. Whether it’s the branching of trees, the course of rivers, or the structure of our lungs, these fractal patterns are a testament to the inherent order that underlies all existence.

So, why am I a Pantheist? Because Pantheism offers a framework that harmonizes the spiritual with the scientific. It provides a lens through which the mysteries and realities of existence can be explored and appreciated. In embracing Pantheism, I’ve found a spiritual home that satisfies my intellectual curiosity, fills my soul with a sense of divine wonder, and aligns perfectly with my atheistic rejection of a traditional deity. For me, Pantheism is not just a belief; it’s a profound understanding of the divine order that makes us, and everything around us, a part of this wondrous cosmos.

The Irony of “God”: My Musical Perspective

Now, you might be wondering about my album titled “GOD.” I have never explained this. This is a first.

Contrary to what the title might suggest, it’s not a religious work. In fact, it’s quite the opposite – it’s a satire, a commentary on how religious teachings, particularly those surrounding figures like Jesus, have been misunderstood and distorted over time.

I have immense respect for Jesus as a historical figure. He was a revolutionary who preached love, tolerance, and understanding in a time when such ideas were radical. However, I believe that his messages have been twisted and turned into something he never intended. My album “God” aims to poke fun at this religious misinterpretation while also shedding light on how I see the divine order that governs the universe.

Back then I have been accused of blasphemy and even been threatened by religious fanatics.

In the album, I explore themes that resonate with my Pantheistic beliefs, using music as a medium to express the inherent order and interconnectedness that I see in the cosmos. It’s my way of challenging conventional religious thought and encouraging listeners to consider a more harmonious and scientifically coherent understanding of divinity.

So, when you listen to “GOD,” know that it’s not an homage to a deity in the sky but a musical journey that invites you to question, explore, and ultimately find your own understanding of the divine order that makes this universe so incredibly awe-inspiring.

black and white book composing document

A Psychological Guide to Harmonic Mixing and Composing

Harmonic mixing is an advanced technique used by top DJs and producers worldwide. It involves mixing tracks that are in the same or related keys, enabling long blends and mashups. The Simple Harmonic Mixing Tool on my website is designed to make this process even more straightforward. It’s an evolution of the Camelot Wheel, providing you with a unique code for each of the 24 possible musical keys (12 major and 12 minor keys). This tool is not just for DJs but also for music theory students and musicians who want to better understand the relationships between different musical keys.

The Emotional Landscape of Musical Keys

Understanding the emotional nuances of each key can add another layer of depth to your mixes or compositions. Let’s delve into the psychological characteristics of each key, along with examples from the electronic music world to illustrate these points.

Major Keys

  1. C Major (8B): Often considered the “default” key in Western music, C Major is straightforward and lacks sharps or flats. It’s the key of choice for simplicity and purity, often used to convey innocence and straightforward emotions.
    • Example: “Xtal” by Aphex Twin captures a sense of nostalgia and simplicity, making it a go-to for ambient sets.

  2. Db Major (3B): A somewhat rare key that’s often used for unique, ethereal sounds. It can evoke a sense of mystery or otherworldliness.
    • Example: “Polygon Window” by Aphex Twin uses this key to create a haunting, yet ethereal atmosphere.

  3. D Major (10B): Known for its uplifting and triumphant feel, D Major is frequently used to convey joy and happiness. It’s a key that’s often used to elevate the mood of a piece, making it ideal for peak moments in a set.
    • Example: “Spastik” by Plastikman uses this key to create a hypnotic, yet uplifting atmosphere.

  4. Eb Major (5B): This key is often used to convey a sense of majesty and grandiosity. It’s the key of the epic, of the grandiose, often used in anthemic tracks.
    • Example: “Strings of Life” by Derrick May uses this key to create a sense of uplifting grandeur.

  5. E Major (12B): Known for its majestic and heroic qualities, E Major is often used in anthems and other grandiose pieces. It can evoke a sense of grandeur and majesty, making it ideal for tracks that aim to inspire or uplift.
    • Example: “Why Does the World Exist” by Max Cooper offers a complex, yet majestic auditory experience.

  6. F Major (7B): Known for its warmth and harmony, F Major is often used in songs that offer comfort, solace, and a sense of belonging. It’s a key that can evoke a sense of warmth and envelopment, making it ideal for more introspective moments in a set.
    • Example: “Vanishing Point” by Matrixxman uses this key to create a warm, enveloping soundscape.

  7. Gb Major (2B): A rare key that’s often used to convey complex emotional textures. It can evoke a sense of complexity and depth, making it ideal for tracks that aim to provoke thought or introspection.
    • Example: “Mentasm” by Second Phase uses this key to create a complex, thought-provoking atmosphere.

  8. G Major (9B): Often associated with the pastoral and the rustic, G Major is the key of the outdoors, of the countryside, and of the simple life. It can evoke a sense of earthiness and groundedness.
    • Example: “Tha” by Aphex Twin captures a sense of pastoral tranquility, making it ideal for more laid-back moments.

  9. Ab Major (4B): Known for its dreamy and heavenly qualities, Ab Major is often used to convey a sense of ethereal beauty. It’s the key of the otherworldly, of the sublime, often used in tracks that aim to evoke a sense of dreaminess or transcendence.
    • Example: “Energy Flash” by Joey Beltram captures a sense of ethereal intensity, making it a go-to for more transcendent moments.

  10. A Major (11B): A bright and cheerful key, A Major is often used in songs that are upbeat, happy, and optimistic. It can evoke a sense of brightness and cheerfulness, making it ideal for uplifting moments.
    • Example: “Inspector Norse” by Todd Terje is a cheerful track that’s both danceable and uplifting, making it a crowd-pleaser in many sets.

  11. Bb Major (6B): Known for its optimistic yet complex qualities, Bb Major is often used to convey a sense of complexity tinged with optimism. It’s a key that can evoke a sense of layered emotion, making it ideal for tracks that aim to provoke thought while uplifting.
    • Example: “Acid Tracks” by Phuture uses this key to create a complex yet uplifting atmosphere, making it a staple in many acid house sets.

  12. B Major (1B): Known for its brilliance and optimism, B Major is often used to convey a sense of optimism and brightness, albeit with a level of sophistication. It’s a key that can evoke a sense of sophisticated optimism.
    • Example: “Clear” by Cybotron uses this key to create a futuristic, yet optimistic atmosphere, making it a classic in many techno sets.

Minor Keys

  1. A Minor (8A): A versatile key that’s often used to convey a range of emotions from sadness to introspection. It’s a key that’s as flexible as it is popular, often used in tracks that aim to evoke complex emotional landscapes.
    • Example: “Windowlicker” by Aphex Twin uses this key to create a complex emotional landscape, making it a versatile track for various moods.

  2. Bb Minor (3A): Known for its mysterious and introspective qualities, Bb Minor is often used to convey a sense of mystery or introspection. It’s a key that can evoke a sense of inward focus, making it ideal for more introspective moments in a set.
    • Example: “Voyage” by Gregor Tresher uses this key to create a mysterious, introspective atmosphere.

  3. B Minor (10A): Known for its darker tones, B Minor is often used to convey a sense of melancholy, introspection, and sometimes even despair. It’s a key that can evoke a sense of emotional depth, making it ideal for more emotionally charged moments in a set.
    • Example: “Dead Skin Cells” by Future Sound of London is a haunting track that perfectly captures the essence of this key.

  4. C Minor (5A): Often used to convey a sense of tragedy or heaviness, C Minor is the key of the dramatic. It can evoke a sense of weight and gravitas, making it ideal for tracks that aim to create a sense of emotional intensity.
    • Example: “Risingson” by Massive Attack uses this key to create a brooding, intense atmosphere.

  5. Db Minor (12A): A rare key that’s often used for deeply emotional pieces. It can evoke a sense of emotional depth and complexity, making it ideal for tracks that aim to provoke thought or introspection.
    • Example: “Schöneberg” by Marmion uses this key to create a deeply emotional atmosphere.

  6. D Minor (7A): Known as the “saddest of all keys,” D Minor is often used to convey a sense of deep emotional weight, often tinged with a sense of finality or loss. It can evoke a sense of melancholy and depth, making it ideal for more emotionally intense moments in a set.
    • Example: “Halcyon On and On” by Orbital captures a sense of melancholic beauty, making it a staple in many chillout sets.

  7. Eb Minor (2A): A complex key that’s often used to convey intricate emotional textures. It can evoke a sense of complexity and depth, making it ideal for tracks that aim to provoke thought or introspection.
    • Example: “Dominas” by Carl Craig uses this key to create a complex, thought-provoking atmosphere.

  8. E Minor (9A): Known for its melancholic yet hopeful qualities, E Minor is often used to convey a sense of melancholy tinged with hope. It’s the key of the bittersweet, of the hopeful lament, often used in tracks that aim to evoke a sense of complex emotion.
    • Example: “Porcelain” by Moby captures the essence of this key with its melancholic yet hopeful tones.

  9. F Minor (4A): Known for its depth and its ability to convey a sense of gloom, sorrow, or existential angst. It’s a key that can evoke a sense of emotional depth, making it ideal for more introspective or moody moments in a set.
    • Example: “Knights of the Jaguar” by DJ Rolando is a deep, introspective track that captures the essence of this key.

  10. Gb Minor (11A): An enigmatic key that’s often used to convey a sense of mystery or otherworldliness. It’s a key that can evoke a sense of enigma and complexity, making it ideal for tracks that aim to provoke thought or introspection.
    • Example: “Age Of Love” by Age Of Love captures a sense of timeless, mystical allure.

  11. G Minor (6A): Known for its ability to convey a sense of sadness tinged with passion or a sense of urgent longing. It’s a key that can evoke a sense of emotional urgency, making it ideal for more emotionally charged moments in a set.
    • Example: “Rez” by Underworld uses this key to create a sense of urgency and emotional depth.

  12. Ab Minor (1A): A rare key that’s often used to convey a sense of haunting or otherworldly qualities. It can evoke a sense of haunting beauty or etherealness, making it ideal for tracks that aim to create a sense of emotional complexity.
    • Example: “Born Slippy .NUXX” by Underworld uses this key to create a haunting, yet uplifting atmosphere.

Practical Uses and Personal Recommendations

The Camelot Wheel and the Simple Harmonic Mixing Tool are primarily used by DJs and music producers to group keys based on their harmonic relationships. Keys adjacent to each other on the wheel are considered compatible and can be mixed or transitioned between more easily than keys that are further apart. This avoids dissonance or clashes between different musical keys, making your mixes smoother and more emotionally resonant.

It’s worth noting that my recommendations for chord progressions are based on my personal experience and expertise as a musician and composer. There are 7 possible following keys that I find harmonious or serve a meaningful corresponding purpose. However, these are my personal recommendations and should always be taken with a grain of salt.

Conclusion

Understanding the emotional nuances of musical keys can significantly enhance your harmonic mixing skills. Whether you’re a DJ looking to create a seamless mix or a composer aiming for a particular emotional impact, the Simple Harmonic Mixing Tool can be an invaluable resource. It simplifies the complex world of harmonic relationships between keys, making it easier for you to create emotionally resonant mixes and compositions.

Feel free to explore the Simple Harmonic Mixing Tool to get a hands-on experience and make your musical journey even more enriching.

I hope this deep dive into the emotional nuances of each key provides you with valuable insights for your next musical project. Happy mixing and composing!

Ancestry.com

My DNA: A Restless Globetrotter with Viking Echoes

Every one of us is a unique tapestry of stories, experiences, and ancestral whispers. Born in Germany, a land steeped in history and culture, I always believed it to be the anchor of my identity. But life, with its intricate twists, had other plans.

While Germany provided the canvas for my early years and ignited my passion for electronic music, it never truly felt like home. An inner restlessness, a yearning for distant shores, always stirred within me. My mother – never too fond of my adventurous mind – often called me “restless” and a “globetrotter,” and she couldn’t have been more accurate.

An exploration into my DNA paints a vivid picture that resonates deeply with my inner wanderer:

  • England and Northwestern Europe: 44%
  • Sweden and Denmark: 16%
  • Wales: 4%
  • Northern Italy: 2%
  • Ireland: 2%
  • German-speaking regions of Europe: 32%

While the Germanic heritage was evident, it was the Northern influences that truly resonates. Every journey to the North, whether to England, Sweden, or Denmark, feels like a homecoming. The landscapes, the people, the very ethos of the North seem familiar. With a a bit of a physical appearance reminiscent of a Viking and a northern-like seriousness, coupled with a dry and dark humor, I often feel more at home among the fjords and northern lights than in the center of Europe.

And amidst these revelations was another that leaves me in awe: Ernest Hemingway, the literary titan, is my 9th cousin, meaning we share common relatives 9 generations back. To think that I share a lineage with a man whose words have touched the very soul of humanity is both humbling and exhilarating.

This exploration into my DNA is a testament to the intricate web of existence. We are more than the sum of our parts, shaped by a myriad of influences and histories. Our true essence isn’t just defined by our birthplace but by the myriad experiences, memories, and ancestral calls that resonate within us.

As I continue that odyssey, finding fragments of home in the most unexpected places, I’m reminded of Hemingway’s words:

It is good to have an end to journey toward; but it is the journey that matters, in the end.

Reflecting on this journey of discovery, both of self and ancestry, it’s evident that life has been a whirlwind. The path has been filled with challenges, moments of breathtaking beauty, and experiences that seem enough for more than one lifetime. Through it all, I’ve come to a place of acceptance. I take life as it comes, embracing each moment, each revelation, and each challenge. And while the journey has been incredibly full and often relentless, I find solace in the knowledge that when the day comes, I’ll be in acceptance of that too, having lived and experienced enough for multiple lifetimes.

P.S. fun facts:

  • I’m also related to the Heavy Metal singer Doro Pesch (which I like as a person but am not a fan of her music) and artist/painter Franz Kels, both from Düsseldorf, Germany. A huge bunch of my ancestors are from Düsseldorf, starting in the year of 1490.
  • My great granduncle went to the USA on the “Fürst Bismarck” in 1902. That’s why I still have many relatives in the Philadelphia area today.