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A Psychological Guide to Harmonic Mixing and Composing

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Harmonic mixing is an advanced technique used by top DJs and producers worldwide. It involves mixing tracks that are in the same or related keys, enabling long blends and mashups. The Simple Harmonic Mixing Tool on my website is designed to make this process even more straightforward. It’s an evolution of the Camelot Wheel, providing you with a unique code for each of the 24 possible musical keys (12 major and 12 minor keys). This tool is not just for DJs but also for music theory students and musicians who want to better understand the relationships between different musical keys.

The Emotional Landscape of Musical Keys

Understanding the emotional nuances of each key can add another layer of depth to your mixes or compositions. Let’s delve into the psychological characteristics of each key, along with examples from the electronic music world to illustrate these points.

Major Keys

  1. C Major (8B): Often considered the “default” key in Western music, C Major is straightforward and lacks sharps or flats. It’s the key of choice for simplicity and purity, often used to convey innocence and straightforward emotions.
    • Example: “Xtal” by Aphex Twin captures a sense of nostalgia and simplicity, making it a go-to for ambient sets.

  2. Db Major (3B): A somewhat rare key that’s often used for unique, ethereal sounds. It can evoke a sense of mystery or otherworldliness.
    • Example: “Polygon Window” by Aphex Twin uses this key to create a haunting, yet ethereal atmosphere.

  3. D Major (10B): Known for its uplifting and triumphant feel, D Major is frequently used to convey joy and happiness. It’s a key that’s often used to elevate the mood of a piece, making it ideal for peak moments in a set.
    • Example: “Spastik” by Plastikman uses this key to create a hypnotic, yet uplifting atmosphere.

  4. Eb Major (5B): This key is often used to convey a sense of majesty and grandiosity. It’s the key of the epic, of the grandiose, often used in anthemic tracks.
    • Example: “Strings of Life” by Derrick May uses this key to create a sense of uplifting grandeur.

  5. E Major (12B): Known for its majestic and heroic qualities, E Major is often used in anthems and other grandiose pieces. It can evoke a sense of grandeur and majesty, making it ideal for tracks that aim to inspire or uplift.
    • Example: “Why Does the World Exist” by Max Cooper offers a complex, yet majestic auditory experience.

  6. F Major (7B): Known for its warmth and harmony, F Major is often used in songs that offer comfort, solace, and a sense of belonging. It’s a key that can evoke a sense of warmth and envelopment, making it ideal for more introspective moments in a set.
    • Example: “Vanishing Point” by Matrixxman uses this key to create a warm, enveloping soundscape.

  7. Gb Major (2B): A rare key that’s often used to convey complex emotional textures. It can evoke a sense of complexity and depth, making it ideal for tracks that aim to provoke thought or introspection.
    • Example: “Mentasm” by Second Phase uses this key to create a complex, thought-provoking atmosphere.

  8. G Major (9B): Often associated with the pastoral and the rustic, G Major is the key of the outdoors, of the countryside, and of the simple life. It can evoke a sense of earthiness and groundedness.
    • Example: “Tha” by Aphex Twin captures a sense of pastoral tranquility, making it ideal for more laid-back moments.

  9. Ab Major (4B): Known for its dreamy and heavenly qualities, Ab Major is often used to convey a sense of ethereal beauty. It’s the key of the otherworldly, of the sublime, often used in tracks that aim to evoke a sense of dreaminess or transcendence.
    • Example: “Energy Flash” by Joey Beltram captures a sense of ethereal intensity, making it a go-to for more transcendent moments.

  10. A Major (11B): A bright and cheerful key, A Major is often used in songs that are upbeat, happy, and optimistic. It can evoke a sense of brightness and cheerfulness, making it ideal for uplifting moments.
    • Example: “Inspector Norse” by Todd Terje is a cheerful track that’s both danceable and uplifting, making it a crowd-pleaser in many sets.

  11. Bb Major (6B): Known for its optimistic yet complex qualities, Bb Major is often used to convey a sense of complexity tinged with optimism. It’s a key that can evoke a sense of layered emotion, making it ideal for tracks that aim to provoke thought while uplifting.
    • Example: “Acid Tracks” by Phuture uses this key to create a complex yet uplifting atmosphere, making it a staple in many acid house sets.

  12. B Major (1B): Known for its brilliance and optimism, B Major is often used to convey a sense of optimism and brightness, albeit with a level of sophistication. It’s a key that can evoke a sense of sophisticated optimism.
    • Example: “Clear” by Cybotron uses this key to create a futuristic, yet optimistic atmosphere, making it a classic in many techno sets.

Minor Keys

  1. A Minor (8A): A versatile key that’s often used to convey a range of emotions from sadness to introspection. It’s a key that’s as flexible as it is popular, often used in tracks that aim to evoke complex emotional landscapes.
    • Example: “Windowlicker” by Aphex Twin uses this key to create a complex emotional landscape, making it a versatile track for various moods.

  2. Bb Minor (3A): Known for its mysterious and introspective qualities, Bb Minor is often used to convey a sense of mystery or introspection. It’s a key that can evoke a sense of inward focus, making it ideal for more introspective moments in a set.
    • Example: “Voyage” by Gregor Tresher uses this key to create a mysterious, introspective atmosphere.

  3. B Minor (10A): Known for its darker tones, B Minor is often used to convey a sense of melancholy, introspection, and sometimes even despair. It’s a key that can evoke a sense of emotional depth, making it ideal for more emotionally charged moments in a set.
    • Example: “Dead Skin Cells” by Future Sound of London is a haunting track that perfectly captures the essence of this key.

  4. C Minor (5A): Often used to convey a sense of tragedy or heaviness, C Minor is the key of the dramatic. It can evoke a sense of weight and gravitas, making it ideal for tracks that aim to create a sense of emotional intensity.
    • Example: “Risingson” by Massive Attack uses this key to create a brooding, intense atmosphere.

  5. Db Minor (12A): A rare key that’s often used for deeply emotional pieces. It can evoke a sense of emotional depth and complexity, making it ideal for tracks that aim to provoke thought or introspection.
    • Example: “Schöneberg” by Marmion uses this key to create a deeply emotional atmosphere.

  6. D Minor (7A): Known as the “saddest of all keys,” D Minor is often used to convey a sense of deep emotional weight, often tinged with a sense of finality or loss. It can evoke a sense of melancholy and depth, making it ideal for more emotionally intense moments in a set.
    • Example: “Halcyon On and On” by Orbital captures a sense of melancholic beauty, making it a staple in many chillout sets.

  7. Eb Minor (2A): A complex key that’s often used to convey intricate emotional textures. It can evoke a sense of complexity and depth, making it ideal for tracks that aim to provoke thought or introspection.
    • Example: “Dominas” by Carl Craig uses this key to create a complex, thought-provoking atmosphere.

  8. E Minor (9A): Known for its melancholic yet hopeful qualities, E Minor is often used to convey a sense of melancholy tinged with hope. It’s the key of the bittersweet, of the hopeful lament, often used in tracks that aim to evoke a sense of complex emotion.
    • Example: “Porcelain” by Moby captures the essence of this key with its melancholic yet hopeful tones.

  9. F Minor (4A): Known for its depth and its ability to convey a sense of gloom, sorrow, or existential angst. It’s a key that can evoke a sense of emotional depth, making it ideal for more introspective or moody moments in a set.
    • Example: “Knights of the Jaguar” by DJ Rolando is a deep, introspective track that captures the essence of this key.

  10. Gb Minor (11A): An enigmatic key that’s often used to convey a sense of mystery or otherworldliness. It’s a key that can evoke a sense of enigma and complexity, making it ideal for tracks that aim to provoke thought or introspection.
    • Example: “Age Of Love” by Age Of Love captures a sense of timeless, mystical allure.

  11. G Minor (6A): Known for its ability to convey a sense of sadness tinged with passion or a sense of urgent longing. It’s a key that can evoke a sense of emotional urgency, making it ideal for more emotionally charged moments in a set.
    • Example: “Rez” by Underworld uses this key to create a sense of urgency and emotional depth.

  12. Ab Minor (1A): A rare key that’s often used to convey a sense of haunting or otherworldly qualities. It can evoke a sense of haunting beauty or etherealness, making it ideal for tracks that aim to create a sense of emotional complexity.
    • Example: “Born Slippy .NUXX” by Underworld uses this key to create a haunting, yet uplifting atmosphere.

Practical Uses and Personal Recommendations

The Camelot Wheel and the Simple Harmonic Mixing Tool are primarily used by DJs and music producers to group keys based on their harmonic relationships. Keys adjacent to each other on the wheel are considered compatible and can be mixed or transitioned between more easily than keys that are further apart. This avoids dissonance or clashes between different musical keys, making your mixes smoother and more emotionally resonant.

It’s worth noting that my recommendations for chord progressions are based on my personal experience and expertise as a musician and composer. There are 7 possible following keys that I find harmonious or serve a meaningful corresponding purpose. However, these are my personal recommendations and should always be taken with a grain of salt.

Conclusion

Understanding the emotional nuances of musical keys can significantly enhance your harmonic mixing skills. Whether you’re a DJ looking to create a seamless mix or a composer aiming for a particular emotional impact, the Simple Harmonic Mixing Tool can be an invaluable resource. It simplifies the complex world of harmonic relationships between keys, making it easier for you to create emotionally resonant mixes and compositions.

Feel free to explore the Simple Harmonic Mixing Tool to get a hands-on experience and make your musical journey even more enriching.

I hope this deep dive into the emotional nuances of each key provides you with valuable insights for your next musical project. Happy mixing and composing!

Ancestry.com

My DNA: A Restless Globetrotter with Viking Echoes

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Every one of us is a unique tapestry of stories, experiences, and ancestral whispers. Born in Germany, a land steeped in history and culture, I always believed it to be the anchor of my identity. But life, with its intricate twists, had other plans.

While Germany provided the canvas for my early years and ignited my passion for electronic music, it never truly felt like home. An inner restlessness, a yearning for distant shores, always stirred within me. My mother – never too fond of my adventurous mind – often called me “restless” and a “globetrotter,” and she couldn’t have been more accurate.

An exploration into my DNA paints a vivid picture that resonates deeply with my inner wanderer:

  • England and Northwestern Europe: 44%
  • Sweden and Denmark: 16%
  • Wales: 4%
  • Northern Italy: 2%
  • Ireland: 2%
  • German-speaking regions of Europe: 32%

While the Germanic heritage was evident, it was the Northern influences that truly resonates. Every journey to the North, whether to England, Sweden, or Denmark, feels like a homecoming. The landscapes, the people, the very ethos of the North seem familiar. With a a bit of a physical appearance reminiscent of a Viking and a northern-like seriousness, coupled with a dry and dark humor, I often feel more at home among the fjords and northern lights than in the center of Europe.

And amidst these revelations was another that leaves me in awe: Ernest Hemingway, the literary titan, is my 9th cousin, meaning we share common relatives 9 generations back. To think that I share a lineage with a man whose words have touched the very soul of humanity is both humbling and exhilarating.

This exploration into my DNA is a testament to the intricate web of existence. We are more than the sum of our parts, shaped by a myriad of influences and histories. Our true essence isn’t just defined by our birthplace but by the myriad experiences, memories, and ancestral calls that resonate within us.

As I continue that odyssey, finding fragments of home in the most unexpected places, I’m reminded of Hemingway’s words:

It is good to have an end to journey toward; but it is the journey that matters, in the end.

Reflecting on this journey of discovery, both of self and ancestry, it’s evident that life has been a whirlwind. The path has been filled with challenges, moments of breathtaking beauty, and experiences that seem enough for more than one lifetime. Through it all, I’ve come to a place of acceptance. I take life as it comes, embracing each moment, each revelation, and each challenge. And while the journey has been incredibly full and often relentless, I find solace in the knowledge that when the day comes, I’ll be in acceptance of that too, having lived and experienced enough for multiple lifetimes.

P.S. fun facts:

  • I’m also related to the Heavy Metal singer Doro Pesch (which I like as a person but am not a fan of her music) and artist/painter Franz Kels, both from Düsseldorf, Germany. A huge bunch of my ancestors are from Düsseldorf, starting in the year of 1490.
  • My great granduncle went to the USA on the “Fürst Bismarck” in 1902. That’s why I still have many relatives in the Philadelphia area today.
people, emotions, feelings

The Exasperating Trilogy of Modern Speech: Upspeak, Vocal Fry, and the ‘Like’ Epidemic

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Modern communication – a brilliant, marvelous tapestry weaved with an array of eloquent sounds, linguistic acrobatics, and… upspeak, vocal fry, and the incessant use of “like”. The grand opera of language has been hijacked by these three renegade stars, ensuring every sentence sounds like a question, a dying engine, or a Facebook algorithm’s dream.

Upspeak: The Question that Never Ends

Upspeak is fascinating in its ability to leave listeners in a perpetual state of suspense. Imagine listening to a thrilling murder mystery where every sentence ends on a cliffhanger. Now, apply that to every conversation in your life. Every declarative statement, every assertion is turned into an open-ended question. The suspense, initially thrilling, soon becomes like a song stuck on loop – it’s fun at first, then it starts to grate on your nerves.

Moreover, upspeak can undermine the speaker’s authority and credibility. In professional settings, constant questioning inflections can signal uncertainty or a lack of confidence. It’s as if the speaker is continually seeking validation, which can be quite irksome when you’re looking for decisive, assertive communication.

Example:

This linguistic accident has become pretty popular among the younger demographic. Gone are the days of confident, assertive statements. Instead, we’re now serenaded by a constant stream of interrogatives. Whether you’re ordering coffee or presenting a groundbreaking scientific discovery, with upspeak, everything sounds like you’re asking for directions to the nearest surf shop.

Vocal Fry: The Groan that Grows on You

Vocal fry is the audio equivalent of nails on a chalkboard for some. That low, creaky vibration that has become extremely popular is grating to the ear, especially when it’s used excessively. It makes conversations sound tedious and monotonous, sucking the energy out of interactions.

Furthermore, the overuse of vocal fry can come across as affectation, an attempt to emulate celebrities or fit into a certain image. This pretense is quite irritating, especially when it masks genuine emotion and intonation. It also impacts the clarity of speech, making it challenging to follow a conversation.

Example:

I find this also extremely well and funny acted.

Vocal fry is fabulous for those who want to add a touch of mystery to their persona. Why sound enthusiastic or lively when you can emulate a bored crocodile, right? Nothing screams ‘I’m interested in this conversation’ quite like making every word sound like an effort.

The Everlasting “Like”

Finally, we come to the pièce de résistance of modern linguistic quirks: the excessive use of “like.” No longer satisfied with its humble origins as a preposition or a verb, “like” has metamorphosed into a filler word, a verbal crutch that has lodged itself firmly in the lexicon of the masses.

And why not? Why say, “I went to the store,” when you can say, “I was like, going to the store”? Why describe things as they are when you can add a few extra “likes” to ensure your listener has the time to zone out, make a sandwich, and plan their weekend getaway in the time it takes for you to finish your sentence?

Example:

They do this in every episode. “Like” … “like” … “like” … “like” … “like” … “like” …

Perhaps the most charming aspect of this trend is how “like” robs sentences of their impact. “I’m scared” is a clear, powerful statement. “I’m, like, scared?” Well, that just leaves room for doubt. Are you scared, or are you “like” scared? Is this a genuine emotion or are we in simile territory?

So?

Upspeak, vocal fry, and the overuse of “like” are less of charming idiosyncrasies and more of constant tests to our auditory endurance. They are the linguistic equivalent of running nails across a chalkboard, an endless loop of linguistic calamities that prickle our nerves and boggle our minds.

Upspeak, with its insistent questioning, shreds the fabric of assertive communication, leaving in its wake a trail of needless uncertainty. Vocal fry, on the other hand, grates against the harmony of conversation, replacing the musicality of varied intonations with a monotonous drone that could bore even the most patient listeners.

And then we have “like,” the reigning monarch of verbal fillers. Its relentless presence in every sentence, every phrase, is a testament to our collective inability to utter a single coherent thought without resorting to linguistic crutches. It’s a constant, gnawing distraction that turns even the simplest of narratives into a labyrinth of superfluous words.

These linguistic trends, in their unyielding persistence, have managed to take the art of conversation, a dance of words and meanings, and turn it into an obstacle course of irritation and frustration. They’ve proven that language, in all its dynamic glory, is not immune to trends that test the limits of our patience and our fondness for effective communication.

So, here’s a plea to the speakers of the world: Let’s reclaim the beauty of language, the clarity of thought, and the assertiveness of well-formed sentences. Let’s bid adieu to the eternal question mark of upspeak, the sizzling ennui of vocal fry, and the relentless filler that is “like.” After all, isn’t it high time our conversations mirrored the richness and precision of our thoughts, instead of sounding like a broken record of linguistic annoyances?