Beyond Words: Why the Generic Masculine Still Holds Value

In a world that’s constantly changing, where every word is dissected and every phrase analyzed, the debate over the generic masculine stands as a testament to the complexities of language and society. Words are tools, yes, but they are also more than that. They are the framework through which we interpret the world, and yet they are not the world itself. They are symbols, and like all symbols, they are subject to interpretation. Just like my music, which is mostly without lyrics. But despite that, music is a form of communication. It’s language, subject to interpretation.

The generic masculine has come under fire. Critics argue that it’s a relic, a leftover from a time when men were the default, the standard, the norm. They call for new language, inclusive language, language that reflects the diversity of human experience. But here’s the thing: language is a reflection of the mind, and the mind is where discrimination takes root. You can change the words all you want, but if the mind remains unaltered, you’ve achieved nothing. You’ve put a new coat of paint on a crumbling wall.

Before we go any further, let’s make one thing clear: the issue of gender identity is a separate matter altogether. My stance on the generic masculine should not be conflated with my views on gender identity. I am the best man to a queer couple, comprised of a trans woman and a cis woman. I understand that there are individuals who feel they were born into the wrong gender, and I respect their journey. This is not about denying the complexities of gender identity; it’s about the complexities of language and interpretation.

Equality, for me, is not just a matter of words; it’s a matter of action. It’s embedded in my daily behavior, emanating from my core beliefs. When I use the generic masculine, I do so with the full understanding that I am referring to all genders. My use of the term is not a reflection of bias or exclusion, but a linguistic choice rooted in a broader perspective of equality.

This brings me to the topic of gendered language, a subject that has become increasingly contentious. I reject the push for gendered language for two fundamental reasons. First, we already have a well-functioning language. It has evolved over centuries, shaped by countless influences, and it serves its purpose well. To dismantle it in the name of progress is to ignore the richness and complexity that make it what it is. Second, language and culture cannot be forced; they must evolve organically. You can’t dictate how people speak or think; you can only influence it. And influence is a slow, gradual process, one that takes place over generations, not overnight.

Interpretation is a tricky thing. It’s influenced by our experiences, our culture, our personal biases. When you hear the word “man,” you bring to it a lifetime of experiences that color its meaning. It’s never just a word; it’s a word seen through the lens of your life. And that lens is never neutral; it’s always weighted, always influenced by a myriad of factors that you may not even be aware of. You hear “man,” and you think “human,” encompassing both male and female. Someone else hears “man,” and they think “male.” Neither interpretation is right or wrong; they’re just different, shaped by different lives, different experiences.

And that brings us to the crux of the matter: responsibility. I can’t control how you interpret my words. I can’t control the lens through which you see the world. I can only control my own lens, my own interpretation. And for the vast majority of people, “man” means “human,” irrespective of gender. When I use the generic masculine, I do so with the understanding that it includes everyone, not just one sex or gender. I don’t intend to discriminate or to exclude. But I also can’t be responsible for how you interpret my words. That’s your responsibility, shaped by your lens, your life.

So where does that leave us? It leaves us with a choice. We can focus on the words, dissect them, analyze them, change them. Or we can focus on the real issue: the mind. Changing the words without changing the mind achieves nothing. It’s a superficial solution to a deep-rooted problem. But change the mind, and the words will follow naturally. They’ll become what they were always meant to be: tools to communicate, not the final destination.

The 10 Best Drummers of All Time (According to Me)

In the world of music, there are legends who have the power to move souls with their rhythmic magic. Among them, the drummers stand tall as the untamed giants of the beat, the fiery guardians of the groove. Spanning across genres, from the smoky realms of jazz to the thunderous realms of rock, these sonic revolutionaries ignite fires within our hearts. Now, behold the divine pantheon of the ten awe-inspiring drummers who have transcended mere virtuosity to become symbols of passion, power, and pure musical wizardry!

(In no particular order, although Gavin Harrison and Simon Phillips are my 2 absolute favorites)

🥁 Drum roll, please! 🥁

Gavin Harrison

  • Biography: Born in 1963 in England, Gavin Harrison showed an early interest in drumming. He joined Renaissance at 19 and later became a sought-after session drummer. His work with Porcupine Tree and King Crimson has earned him numerous awards and accolades.
  • Current Projects: King Crimson, Solo Work
  • Artists/Bands: Porcupine Tree, King Crimson, The Pineapple Thief
  • Equipment: Sonor Drums, Zildjian Cymbals, Vic Firth Sticks, Remo Skins
  • Why I Love Him: Gavin’s precision and creativity are unmatched. His ability to weave complex rhythms into accessible music is pure genius.
  • Fun Fact: Gavin has authored several drumming books!
  • Watch Him in Action:

Simon Phillips

  • Biography: Born in 1957 in London, Simon Phillips began playing professionally at the age of 12. He’s played with a wide range of artists, including The Who and Toto. His powerful style and versatility have made him one of the most respected drummers in the world.
  • Current Projects: Solo Work, Protocol
  • Artists/Bands: Toto, Mike Oldfield, The Who, Judas Priest, Michael Schenker
  • Equipment: Tama Drums, Zildjian Cymbals, Pro-Mark Sticks, Remo Skins
  • Why I Love Him: Simon’s versatility and power behind the kit make him a force to be reckoned with.
  • Fun Fact: He’s played on over 400 albums!
  • Watch Him in Action:

Mike Mangini

  • Biography: Born in 1963 in Newton, Massachusetts, Mike Mangini’s drumming journey began at age 2. He’s played with Extreme and Steve Vai, and in 2011, he became the official drummer for Dream Theater. His incredible speed and precision have earned him several World’s Fastest Drummer records.
  • Current Projects: Dream Theater
  • Artists/Bands: Dream Theater, Extreme, Steve Vai
  • Equipment: Pearl Drums, Zildjian Cymbals, Vater Sticks, Remo Skins
  • Why I Love Him: Mike’s technical prowess and speed are jaw-dropping. His solos are a rollercoaster ride!
  • Fun Fact: He holds five World’s Fastest Drummer records.
  • Watch Him in Action:

Gergo Borlai

  • Biography: Born in 1978 in Hungary, Gergo Borlai was a child prodigy, starting to play drums at age three. He’s known for his fusion of jazz, rock, and funk and has played with artists like Scott Kinsey and Gary Willis. His unique style has made him a prominent figure in the drumming community.
  • Current Projects: Solo Work, Various Collaborations
  • Artists/Bands: Scott Kinsey, Gary Willis, Tribal Tech
  • Equipment: Ludwig Drums, Meinl Cymbals, Vic Firth Sticks, Evans Skins
  • Why I Love Him: Gergo’s fusion of jazz, rock, and funk is a rhythmic feast for the ears.
  • Fun Fact: He started drumming at age three!
  • Watch Him in Action:

Nick D’Virgilio

  • Biography: Born in 1968 in California, Nick D’Virgilio is known for his work with progressive rock bands like Spock’s Beard, Big Big Train and Genesis. He’s also a talented singer and has contributed to numerous albums as a session musician. His melodic sensibility and technical prowess have earned him a dedicated fan base.
  • Current Projects: Big Big Train, Solo Work
  • Artists/Bands: Spock’s Beard, Genesis, Tears for Fears
  • Equipment: DW Drums (and many others), Sabian Cymbals, Pro-Mark Sticks, Evans Skins
  • Why I Love Him: Nick’s progressive rock chops and melodic sensibility are second to none.
  • Fun Fact: He’s also a talented singer and plays the guitar!
  • Watch Him in Action:

Sarah Thawer

  • Biography: Based in Toronto, Canada, Sarah Thawer is a self-taught drummer known for her unique blend of traditional Indian rhythms with modern jazz. She’s a YouTube sensation and has performed with various jazz ensembles. Her innovative approach to drumming has made her a rising star in the music world.
  • Current Projects: Various Collaborations, Educational Work
  • Artists/Bands: Independent, Various Jazz Ensembles
  • Equipment: Yamaha Drums, Zildjian Cymbals, Vic Firth Sticks, Remo Skins
  • Why I Love Her: Sarah’s blend of traditional Indian rhythms with modern jazz is refreshing and unique.
  • Fun Fact: She’s a self-taught YouTube sensation! And she drums with her face, too. Her facial expressions are something!
  • Watch Her in Action:

Buddy Rich

  • Biography: Born in 1917 in Brooklyn, New York, Buddy Rich was a jazz drumming legend known for his incredible technique and showmanship. He led his own big band and played with greats like Frank Sinatra. His influence on drumming continues to be felt today.
  • Current Projects: Passed away in 1987
  • Artists/Bands: Buddy Rich Big Band, Frank Sinatra, Tommy Dorsey
  • Equipment: Slingerland Drums, Zildjian Cymbals, Buddy Rich Signature Sticks, Remo Skins
  • Why I Love Him: Buddy’s showmanship and technique are legendary. He’s the original drumming superstar.
  • Fun Fact: He once had a drum battle with Animal from The Muppets!
  • Watch Him in Action:

Jeff Porcaro

  • Biography: Born in 1954 in Connecticut, Jeff Porcaro was a founding member of Toto and an in-demand session drummer. His groove in songs like “Rosanna” is timeless, and his feel for the music made him one of the most recorded drummers in history.
  • Current Projects: Passed away in 1992
  • Artists/Bands: Toto, Steely Dan, Michael Jackson
  • Equipment: Pearl Drums, Paiste Cymbals, Regal Tip Sticks, Remo Skins
  • Why I Love Him: Jeff’s groove in songs like “Rosanna” is legendary. His feel is simply magical.
  • Fun Fact: He’s one of the most recorded drummers in history.
  • Watch Him in Action:

Marco Minnemann

  • Biography: Born in 1970 in Germany, Marco Minnemann is known for his incredible independence and creativity on the drums. He’s played with The Aristocrats, Steven Wilson, and Joe Satriani. His ability to play a different rhythm with each limb is mind-blowing.
  • Current Projects: The Aristocrats, Solo Work
  • Artists/Bands: The Aristocrats, Steven Wilson, Joe Satriani
  • Equipment: DW Drums, Zyn Cymbals, Pro-Mark Sticks, Evans Skins
  • Why I Love Him: Marco’s creativity and independence on the kit are out of this world.
  • Fun Fact: He can play a different rhythm with each limb! He always seems to have the most fun behind the kit.
  • Watch Him in Action:

Chris Coleman

  • Biography: Born in 1977 in Michigan, Chris Coleman is known for his gospel chops and has played with a wide range of artists, including Prince, Chaka Khan, and Stevie Wonder. His soulful playing and finesse have made him a favorite among musicians and fans alike.
  • Current Projects: Various Collaborations, Educational Work
  • Artists/Bands: Prince, Chaka Khan, Stevie Wonder
  • Equipment: Sonor Drums, Meinl Cymbals, Vic Firth Sticks, Remo Skins
  • Why I Love Him: Chris’s chops and musicality are insane. He plays with soul, power and finesse. Very hard hitter, super groovy.
  • Fun Fact: He’s played with everyone from Chaka Khan to Prince.
  • Watch Him in Action:

So, there you have it, my personal top 10 drummers who’ve ever graced a drum throne. From legends of the past to modern maestros, these drummers have shaped the way I hear and feel music. 🥁💥


A Personal Take On Rammstein

I’ve always been one to appreciate a wide range of music, but there’s one band that I’ve never been able to get on board with: Rammstein. The German metal band has long been a source of controversy, and for me, their actions and representations have always been a step too far.

Let’s start with their performances. Rammstein is known for their grandiose shows, complete with pyrotechnics and dramatic theatrics. Generally, not really my thing. Plus, beneath the spectacle, there’s an element that’s deeply unsettling. The band’s use of Nazi propaganda aesthetics and right-wing iconography is, in my opinion, a blatant disregard for the historical trauma associated with these symbols.

As the taz article “Verharmlosung von Rammstein: Eiertanz ums Eiserne Kreuz” aptly points out, their shows “[deliver] a celebration of flame-encircled masses as updated staging strategies of the NS propagandists Leni Riefenstahl and Albert Speer and imitate these models under the insignia of the musical shock troop, an Iron Cross.”

Some might argue that this is all part of their artistic expression. But let’s cut the crap here. This isn’t just about pushing boundaries or being edgy. This is about using loaded symbols for shock value and, as some suggest, as a marketing strategy. And that, my friends, is where I draw the line.

But the controversy doesn’t end there. The band’s lead singer, Till Lindemann, is currently embroiled in a MeToo scandal, facing allegations of sexual assaults against young female fans. This, coupled with Lindemann’s past lyrics that fantasize about the rape of a drugged woman, paints a troubling picture.

The taz article states, “If the just exploding scandal gains further substance in the face of the alleged pattern of sexual assaults by frontman Till Lindemann against young female fans, Rammstein would again be number one in Germany, but in the biggest MeToo case.” This is a stark reminder that we need to hold our idols accountable, regardless of their artistic contributions.

And then there’s the academic trivialization of Rammstein’s actions. A book titled “Rammstein’s ‘Deutschland’. Pop – Politics – Provokation” presents the band’s controversial actions as “complex works of art”. The taz article criticizes this perspective, stating, “The reader ‘Rammstein’s ‘Germany’. Pop – Politics – Provokation’… presents the result of cultural science research on Rammstein’s pop-cultural total work of art permeated with fascist aesthetics, right-wing iconography, and sexual violence fantasies.”

To me, this feels like a dangerous oversimplification that overlooks the potential harm such portrayals can cause. It’s like saying, “Sure, they’re playing with fire, but look at how pretty the flames are!” It’s a way of avoiding the hard questions, of sidestepping the uncomfortable truths.

While some may appreciate Rammstein’s boldness and refusal to conform, I find their actions deeply problematic. The controversy surrounding Rammstein serves as a reminder that as consumers of art, we need to keep our eyes open and our minds critical. We need to hold artists accountable for their actions, especially when they exploit historical trauma and personal boundaries for shock value.

At the end of the day, it’s not just about the music. It’s also about the message. And when that message is wrapped up in controversy and exploitation, it’s time to take a step back and ask ourselves: is this the kind of art we want to support?