Rick Beato Interviews Steven Wilson

Ingo — Tue, 29 Nov 2022 18:00:00 +0000

Yes, an interview with Steven Wilson again. This is no intention, it just happens. It doesn’t matter whether you are a prospective, young producer or an old, experienced dog, this interview contains everything you need to know. Two producer legends talk deeply about production, songwriting, mixing, recording, and everyone can only learn from it. Tags: Audio mixing (recorded music), British musicians, Guitarists, mix, mixing, Musicians, Record producer, recording, Steven Wilson Related posts The Best Albums of All Time, According to Me (With Occasional Commentary) (2) The Ultimate Harmonic Mixing & Composing Chart (12) Steven Wilson Openly Talks About the Music Industry (1) Peter Gabriel’s “i/o” Album Review: He’s Back, Better Than Ever Before (0) I Suffer From Sensorineural Hearing Loss (4)

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The Ultimate Harmonic Mixing & Composing Chart

Ingo — Wed, 22 Oct 2014 05:09:57 +0000

Before you dig in… The Ultimate Harmonic Mixing & Composing Chart is a visual aid for musicians, producers, composers and DJs to easily create music that always has harmonic chord progressions. This sheet is now widely used worldwide as a teaching and practical tool in music and DJ schools and has been downloaded hundreds of thousands of times. The situation As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t). So yes, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always. As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, Mark Davis came up with Camelot Keys (used in Mixed in Key, which I prefer, because of its accuracy) and then there are the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key). In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This…

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Audio mixing (recorded music) Archives • INGO VOGELMANN

Rick Beato Interviews Steven Wilson

The Ultimate Harmonic Mixing & Composing Chart