bandcamp Archives • INGO VOGELMANN

Spotify: My Love-Hate Relationship with the World’s No. 1 Streaming Service

Ingo — Mon, 13 Mar 2023 07:00:00 +0000

As an artist, I have my fair share of frustrations with Spotify, believe it or not, as much as I promote my music on the platform. I do it because it’s the easiest and shortest route for fans to access my music. For no other reason. Spotify Spotify is a streaming service that has taken the world by storm. It offers millions of songs, podcasts, and other audio content to users around the globe. On the surface, it seems like a great service that provides a lot of value to its users. However, if you scratch beneath the surface, you’ll find that Spotify is far from perfect. In fact, there are several reasons why Spotify should be criticized. First of all, let’s talk about the way Spotify treats artists. As a musician myself, I know firsthand how difficult it can be to make a living from your art. Spotify pays artists a fraction of a penny per stream. In other words, if you’re a musician on Spotify, you’re most likely not going to make much money. You might get a lot of streams, but those streams aren’t going to pay the bills. But it’s not just the low pay that’s the problem. It’s also the fact that Spotify doesn’t give artists any control over how their music is presented on the platform. The algorithms that Spotify uses to curate playlists and recommend music are a mystery to everyone, including the artists themselves. This means that even if you’re a talented musician with a unique sound, you might never get discovered on Spotify because the algorithm doesn’t favor your style of music. And then there’s the issue of Spotify’s business model.…

From INGO VOGELMANN.

“Elegy for the Living” Info and Pre-order

Ingo — Mon, 06 Mar 2023 07:01:56 +0000

I’ve been sitting on this material for a very long time, 7 years to be exact. It never turned out the way I originally intended because life kept getting in the way. I’ve finally reopened it, remixed and mastered it (especially for Tidal, by the way, lossless in 48khz and 24bit), took care of the artwork and handed the thing over to the distribution. You can pre-order the album now (Spotify for streaming, iTunes, Amazon and Bandcamp for sales), just note that — as of now — it may be a few more days before it becomes available for pre-order on the platforms mentioned. As always, you get the best sound quality from Bandcamp, and you can also pre-order the album there now and get 1 track right now. I would strongly recommend this version to anyone who cares a little bit about high sound quality, or at least Tidal if you have an account there. The album is sonically produced and mastered to a very high standard, in other words: it sounds absolutely extraordinary. The official release is on June 2, 2023, 0:00 in your time zone. Thank you for your patience with me and for your loyalty over these many years. It means everything to me. I will try to make up for the long wait with a lot of new, exciting, upcoming music in the near future. I’ll work a bit more on the new studio until the summer, and then nothing will stand in the way of the next big thing. Tags: album, bandcamp, mix, mixed, music, music production, remix, sound, Spotify, Streaming music services, Tidal Related posts The Best Albums of All Time, According to…

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NEW ALBUM: “As Above, So Below”

Ingo — Thu, 22 Dec 2022 09:41:05 +0000

I made a new record titled “As Above, So Below“. It’s electronic, atmospheric, and dark. It will be released on January 4th, 2023 (on my 50th birthday) first on bandcamp as high resolution 24bit 48khz lossless files. On that day I’ll be celebrating my birthday in a hut somewhere at 3,000 meters in the Swiss Alps and I’ll be happy if you buy the album. You can listen to one track before the release on bandcamp. 4 weeks later, on February 3rd, 2023, it will be released on every imaginable streaming platform and store worldwide. It will be available on Spotify, Apple Music, iTunes, Instagram, Facebook, TikTok, Resso, Luna, YouTube Music, Amazon, Soundtrack by Twitch, Pandora, Deezer, Tidal, iHeartRadio, ClaroMusica, Saavn, Boomplay, Anghami, KKBox, NetEase, Tencent, Qobuz, Triller, Joox, Kuack Media, Yandex Music, Adaptr, Flo, MediaNet, Snapchat. Tags: album, ambient, Ambient music, Apple Music, bandcamp, electro, electronic, electronic music, facebook, hd, Instagram, music, play, sound, soundtrack, Spotify, Streaming music services Related posts The Best Albums of All Time, According to Me (With Occasional Commentary) (2) The Best-Selling Songs of the 80s in the UK and Germany (0) Peter Gabriel’s “i/o” Album Review: He’s Back, Better Than Ever Before (0) The Ultimate Harmonic Mixing & Composing Chart (12) Spotify: My Love-Hate Relationship with the World’s No. 1 Streaming Service (0)

From INGO VOGELMANN.

The Ultimate Harmonic Mixing & Composing Chart

Ingo — Wed, 22 Oct 2014 05:09:57 +0000

Before you dig in… The Ultimate Harmonic Mixing & Composing Chart is a visual aid for musicians, producers, composers and DJs to easily create music that always has harmonic chord progressions. This sheet is now widely used worldwide as a teaching and practical tool in music and DJ schools and has been downloaded hundreds of thousands of times. The situation As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t). So yes, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always. As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, Mark Davis came up with Camelot Keys (used in Mixed in Key, which I prefer, because of its accuracy) and then there are the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key). In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This…

From INGO VOGELMANN.