C major Archives • INGO VOGELMANN https://ingovogelmann.net/tag/c-major/ Composer • Producer • Audio Engineer Sat, 26 Aug 2023 09:21:25 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.2 https://ingovogelmann.net/wp-content/uploads/2023/03/cropped-iv_icon_2023.png C major Archives • INGO VOGELMANN https://ingovogelmann.net/tag/c-major/ 32 32 120855996 A Psychological Guide to Harmonic Mixing and Composing https://ingovogelmann.net/2023/08/26/a-psychological-guide-to-harmonic-mixing-and-composing/ https://ingovogelmann.net/2023/08/26/a-psychological-guide-to-harmonic-mixing-and-composing/#respond Sat, 26 Aug 2023 09:21:18 +0000 https://ingovogelmann.net/?p=29467 Harmonic mixing is an advanced technique used by top DJs and producers worldwide. It involves mixing tracks that are in the same or related keys, enabling long blends and mashups. The Simple Harmonic Mixing Tool on my website is designed to make this process even more straightforward. It’s an evolution of the Camelot Wheel, providing you with a unique code for each of the 24 possible musical keys (12 major and 12 minor keys). This tool is not just for DJs but also for music theory students and musicians who want to better understand the relationships between different musical keys. The Emotional Landscape of Musical Keys Understanding the emotional nuances of each key can add another layer of depth to your mixes or compositions. Let’s delve into the psychological characteristics of each key, along with examples from the electronic music world to illustrate these points. Major Keys Minor Keys Practical Uses and Personal Recommendations The Camelot Wheel and the Simple Harmonic Mixing Tool are primarily used by DJs and music producers to group keys based on their harmonic relationships. Keys adjacent to each other on the wheel are considered compatible and can be mixed or transitioned between more easily than keys that are further apart. This avoids dissonance or clashes between different musical keys, making your mixes smoother and more emotionally resonant. It’s worth noting that my recommendations for chord progressions are based on my personal experience and expertise as a musician and composer. There are 7 possible following keys that I find harmonious or serve a meaningful corresponding purpose. However, these are my personal recommendations and should always be taken with a grain of salt. Conclusion Understanding the emotional…

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The Ultimate Harmonic Mixing & Composing Chart https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/ https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/#comments Wed, 22 Oct 2014 05:09:57 +0000 http://vogelmann.me/?p=6300 Before you dig in… The Ultimate Harmonic Mixing & Composing Chart is a visual aid for musicians, producers, composers and DJs to easily create music that always has harmonic chord progressions. This sheet is now widely used worldwide as a teaching and practical tool in music and DJ schools and has been downloaded hundreds of thousands of times. The situation As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t). So yes, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always. As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, Mark Davis came up with Camelot Keys (used in Mixed in Key, which I prefer, because of its accuracy) and then there are the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key). In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This…

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