edm Archives • INGO VOGELMANN https://ingovogelmann.net/tag/edm/ Composer • Producer • Audio Engineer Tue, 28 Mar 2023 18:50:29 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.2 https://ingovogelmann.net/wp-content/uploads/2023/03/cropped-iv_icon_2023.png edm Archives • INGO VOGELMANN https://ingovogelmann.net/tag/edm/ 32 32 120855996 Harmonic Mixing and Composing with the Camelot Wheel https://ingovogelmann.net/2023/03/29/harmonic-mixing-and-composing-with-the-camelot-wheel/ https://ingovogelmann.net/2023/03/29/harmonic-mixing-and-composing-with-the-camelot-wheel/#respond Wed, 29 Mar 2023 06:00:00 +0000 https://ingovogelmann.net/?p=29077 Harmonic mixing and composing have become essential skills for modern DJs and music producers, as they strive to create seamless, engaging, and emotionally resonant mixes and compositions. The Camelot Wheel, a popular tool in the electronic dance music scene, offers a systematic and intuitive approach to harmonic mixing, making it easier for artists to identify compatible musical keys and create harmonious transitions between songs. This essay explores the concept of harmonic mixing, the functionality of the Camelot Wheel, and its practical applications in both mixing and composing. Harmonic Mixing Harmonic mixing refers to the process of blending two or more musical tracks that are harmonically compatible, meaning they share the same key or a closely related key. This technique allows DJs and producers to create smooth transitions between tracks, enhancing the overall flow and emotional impact of a mix or composition. By paying close attention to the harmonic relationships between songs, artists can build tension, create moments of release, and maintain a consistent musical narrative throughout their sets or compositions. The Camelot Wheel: A Practical Tool for Harmonic Mixing The Camelot Wheel, also known as the Circle of Fifths, is a circular diagram that visually represents the relationships between the twelve major and twelve minor keys in Western music. Each key is assigned a unique alphanumeric code, with major keys labeled from 1B to 12B and minor keys labeled from 1A to 12A. Adjacent keys on the wheel share a close harmonic relationship, making them suitable for mixing or composing. The simplicity of the Camelot Wheel lies in its ability to quickly identify harmonically compatible keys. DJs and producers can easily find the next track by moving one step clockwise,…

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The Ultimate Harmonic Mixing & Composing Chart https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/ https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/#comments Wed, 22 Oct 2014 05:09:57 +0000 http://vogelmann.me/?p=6300 Before you dig in… The Ultimate Harmonic Mixing & Composing Chart is a visual aid for musicians, producers, composers and DJs to easily create music that always has harmonic chord progressions. This sheet is now widely used worldwide as a teaching and practical tool in music and DJ schools and has been downloaded hundreds of thousands of times. The situation As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t). So yes, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always. As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, Mark Davis came up with Camelot Keys (used in Mixed in Key, which I prefer, because of its accuracy) and then there are the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key). In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This…

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