electro Archives • INGO VOGELMANN https://ingovogelmann.net/tag/electro/ Composer • Producer • Audio Engineer Fri, 12 Jan 2024 15:19:41 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.2 https://ingovogelmann.net/wp-content/uploads/2023/03/cropped-iv_icon_2023.png electro Archives • INGO VOGELMANN https://ingovogelmann.net/tag/electro/ 32 32 120855996 Peter Gabriel’s “i/o” Album Review: He’s Back, Better Than Ever Before https://ingovogelmann.net/2024/01/12/peter-gabriels-i-o-album-review-hes-back-better-than-ever-before/ https://ingovogelmann.net/2024/01/12/peter-gabriels-i-o-album-review-hes-back-better-than-ever-before/#respond Fri, 12 Jan 2024 18:00:00 +0000 https://ingovogelmann.net/?p=29637 Peter Gabriel’s latest album “i/o” stands not only as a testament to his enduring creativity but also as a potential crowning achievement in a career already brimming with groundbreaking work. Gabriel, a legend in the music industry, has been known for his innovative approach to music, particularly through the 80s and 90s, and “i/o” might very well be considered his best work to date. The Legacy of Peter Gabriel Gabriel’s influence on the music world has been profound and multifaceted. Rising to fame with Genesis in the 1970s, he quickly established himself as a visionary artist. His departure from Genesis and subsequent solo career in the 1980s and 90s saw him breaking new ground, particularly with albums like “So” and “Us.” These works were not just commercially successful; they were also artistically daring, blending world music with electronic and art-rock elements, and they solidified his reputation as an innovative and fearless artist. Groundbreaking Work in the 80s and 90s During the 80s and 90s, Gabriel was at the forefront of the world music movement, integrating sounds and rhythms from various cultures into his music. His use of innovative recording techniques and embrace of new technologies set him apart. Albums like “So” (1986), with its hit “Sledgehammer,” showcased his ability to merge artistic depth with mainstream appeal, featuring groundbreaking music videos that revolutionized the medium. “i/o”: A Culmination of Artistic Evolution Now, with “i/o,” Gabriel seems to have distilled his decades of musical exploration into a singularly impressive work. The album encapsulates his signature sound while pushing into new territories. The dual “Bright-Side” and “Dark-Side” mixes are a clear indication of his continued innovation, offering listeners two distinct ways to experience…

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An Homage to Danny Tenaglia https://ingovogelmann.net/2023/11/10/an-homage-to-danny-tenaglia/ https://ingovogelmann.net/2023/11/10/an-homage-to-danny-tenaglia/#respond Fri, 10 Nov 2023 18:00:00 +0000 https://ingovogelmann.net/?p=29594 In the rich tapestry of electronic music, Danny Tenaglia stands as an artist whose works transcend genre boundaries and touch the heartstrings of listeners. His latest magnum opus, “GU45: Brooklyn,” is more than just a DJ mix album; it is the essence of a life dedicated to curating soundscapes that defy norms and embody the soul of a city. It’s a journey through House music, and it bangs like only Danny Tenaglia can make it bang. Brooklyn: A Love Letter “Brooklyn” is an homage to Williamsburg, Brooklyn – the cradle of Danny’s musical odyssey. Comprising 42 tracks, the album is a rich collection of stories narrated through the beats of artists like Guy J, Moderat, Ralph Falcon, and Monika Kruse. It serves as the perfect finale to the Global Underground series, which already features milestones in Tenaglia’s career like “Athens” and “London” which I as a young DJ grew up with. In my opinion, “Brooklyn” is the best of Danny. Ever. Tenaglia’s career is a sequence of moments that have shaped not just a genre but the entire club culture. From his beginnings at Paradise Garage to his influential stint at Cheers in Miami, he has always created soundscapes that cross boundaries. His remix of “Surrender Yourself” in 1992 was more than just a hit; it was an expression of his musical ethos. “Mix This Pussy” (1994) and his residency at Twilo (1996) further solidified his status as a visionary. When I met Danny about 15 years ago at the Winter Music Conference in Miami, I encountered a person whose warmth and attentiveness were as profound as his music. He is just the the nicest and sweetest guy, and an…

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A Psychological Guide to Harmonic Mixing and Composing https://ingovogelmann.net/2023/08/26/a-psychological-guide-to-harmonic-mixing-and-composing/ https://ingovogelmann.net/2023/08/26/a-psychological-guide-to-harmonic-mixing-and-composing/#respond Sat, 26 Aug 2023 09:21:18 +0000 https://ingovogelmann.net/?p=29467 Harmonic mixing is an advanced technique used by top DJs and producers worldwide. It involves mixing tracks that are in the same or related keys, enabling long blends and mashups. The Simple Harmonic Mixing Tool on my website is designed to make this process even more straightforward. It’s an evolution of the Camelot Wheel, providing you with a unique code for each of the 24 possible musical keys (12 major and 12 minor keys). This tool is not just for DJs but also for music theory students and musicians who want to better understand the relationships between different musical keys. The Emotional Landscape of Musical Keys Understanding the emotional nuances of each key can add another layer of depth to your mixes or compositions. Let’s delve into the psychological characteristics of each key, along with examples from the electronic music world to illustrate these points. Major Keys Minor Keys Practical Uses and Personal Recommendations The Camelot Wheel and the Simple Harmonic Mixing Tool are primarily used by DJs and music producers to group keys based on their harmonic relationships. Keys adjacent to each other on the wheel are considered compatible and can be mixed or transitioned between more easily than keys that are further apart. This avoids dissonance or clashes between different musical keys, making your mixes smoother and more emotionally resonant. It’s worth noting that my recommendations for chord progressions are based on my personal experience and expertise as a musician and composer. There are 7 possible following keys that I find harmonious or serve a meaningful corresponding purpose. However, these are my personal recommendations and should always be taken with a grain of salt. Conclusion Understanding the emotional…

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My DNA: A Restless Globetrotter with Viking Echoes https://ingovogelmann.net/2023/08/11/my-dna-a-restless-globetrotter-with-viking-echoes/ https://ingovogelmann.net/2023/08/11/my-dna-a-restless-globetrotter-with-viking-echoes/#respond Fri, 11 Aug 2023 16:19:34 +0000 https://ingovogelmann.net/?p=29450 Every one of us is a unique tapestry of stories, experiences, and ancestral whispers. Born in Germany, a land steeped in history and culture, I always believed it to be the anchor of my identity. But life, with its intricate twists, had other plans. While Germany provided the canvas for my early years and ignited my passion for electronic music, it never truly felt like home. An inner restlessness, a yearning for distant shores, always stirred within me. My mother – never too fond of my adventurous mind – often called me “restless” and a “globetrotter,” and she couldn’t have been more accurate. An exploration into my DNA paints a vivid picture that resonates deeply with my inner wanderer: While the Germanic heritage was evident, it was the Northern influences that truly resonates. Every journey to the North, whether to England, Sweden, or Denmark, feels like a homecoming. The landscapes, the people, the very ethos of the North seem familiar. With a a bit of a physical appearance reminiscent of a Viking and a northern-like seriousness, coupled with a dry and dark humor, I often feel more at home among the fjords and northern lights than in the center of Europe. And amidst these revelations was another that leaves me in awe: Ernest Hemingway, the literary titan, is my 9th cousin, meaning we share common relatives 9 generations back. To think that I share a lineage with a man whose words have touched the very soul of humanity is both humbling and exhilarating. This exploration into my DNA is a testament to the intricate web of existence. We are more than the sum of our parts, shaped by a myriad…

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The Best-Selling Songs of the 80s in the UK and Germany https://ingovogelmann.net/2023/05/21/the-best-selling-songs-of-the-80s-in-the-uk-and-germany/ https://ingovogelmann.net/2023/05/21/the-best-selling-songs-of-the-80s-in-the-uk-and-germany/#respond Sun, 21 May 2023 07:00:00 +0000 https://ingovogelmann.net/?p=29325 I’m delighted to take you on a nostalgic journey again, back to the heart of my youth and a remarkable decade in music – the 1980s. Being born in 1973, my formative years were spent in the midst of an explosive era of music innovation and creativity. The unforgettable melodies, the iconic artists, and the cultural movements that framed this period have left a lasting imprint on me. Each song on this list sparks a unique memory, a moment of time encapsulated within the chords and lyrics of these classic tunes. Back then, we saw a massive shift in the music landscape, from the raw acoustic and earthy sounds of the 70s, transitioning into the vibrant, electronic, and synthesized beats of the 80s. This era was marked by its pioneering use of new technology, synthesizers, and production techniques, a stark contrast to today’s music that thrives on digital platforms, streaming services, and social media influence. And of course, let’s not forget the extraordinary fashion statements – the big hair, the neon colors, and the shoulder pads that were as bold as the music itself! Now, join me as we travel back in time, revisit the top-selling and most popular songs in the UK and Germany for each year of the 80s, and explore how these hits shaped the music and culture of the time. Right before we dive into this musical journey, a little surprise awaits you at the end of this post – a link to a carefully curated Spotify playlist featuring all the top-selling songs from the 80s in the UK and Germany that we’re about to explore. Keep reading and enjoy this nostalgic trip, knowing that a…

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Harmonic Mixing and Composing with the Camelot Wheel https://ingovogelmann.net/2023/03/29/harmonic-mixing-and-composing-with-the-camelot-wheel/ https://ingovogelmann.net/2023/03/29/harmonic-mixing-and-composing-with-the-camelot-wheel/#respond Wed, 29 Mar 2023 06:00:00 +0000 https://ingovogelmann.net/?p=29077 Harmonic mixing and composing have become essential skills for modern DJs and music producers, as they strive to create seamless, engaging, and emotionally resonant mixes and compositions. The Camelot Wheel, a popular tool in the electronic dance music scene, offers a systematic and intuitive approach to harmonic mixing, making it easier for artists to identify compatible musical keys and create harmonious transitions between songs. This essay explores the concept of harmonic mixing, the functionality of the Camelot Wheel, and its practical applications in both mixing and composing. Harmonic Mixing Harmonic mixing refers to the process of blending two or more musical tracks that are harmonically compatible, meaning they share the same key or a closely related key. This technique allows DJs and producers to create smooth transitions between tracks, enhancing the overall flow and emotional impact of a mix or composition. By paying close attention to the harmonic relationships between songs, artists can build tension, create moments of release, and maintain a consistent musical narrative throughout their sets or compositions. The Camelot Wheel: A Practical Tool for Harmonic Mixing The Camelot Wheel, also known as the Circle of Fifths, is a circular diagram that visually represents the relationships between the twelve major and twelve minor keys in Western music. Each key is assigned a unique alphanumeric code, with major keys labeled from 1B to 12B and minor keys labeled from 1A to 12A. Adjacent keys on the wheel share a close harmonic relationship, making them suitable for mixing or composing. The simplicity of the Camelot Wheel lies in its ability to quickly identify harmonically compatible keys. DJs and producers can easily find the next track by moving one step clockwise,…

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The Best Albums of All Time, According to Me (With Occasional Commentary) https://ingovogelmann.net/2023/02/26/the-best-albums-of-all-time-according-to-me-with-occasional-commentary/ https://ingovogelmann.net/2023/02/26/the-best-albums-of-all-time-according-to-me-with-occasional-commentary/#comments Sun, 26 Feb 2023 14:12:26 +0000 https://ingovogelmann.net/?p=27558 They say you are what you like, and if that’s true, then my taste in music speaks volumes about my private and musical personality. These albums have been with me for ages, some newer than others, but all of them share a common thread: they’re all incredibly good. I’m not trying to sound like an old fogey pining for the good old days, but I do feel sorry for the youngins who missed out on the era when this music was being created. Luckily for them, it still exists and is audible. But buyer beware: just because something’s labeled “remastered” doesn’t necessarily mean it’s an improvement. Some remasters are, dare I say it, worse than the original tracks. It’s not ideal, but we can’t control the rights holders who sometimes replace the original tracks with these subpar versions. Fortunately, the listening technology these days is better than ever, so there’s that. Back in the day, getting noticed as an artist was almost as hard as finding a needle in a haystack because there was no internet. Record managers were the gatekeepers who decided who was worth investing in, and when they did, they invested big. I’m talking piles of cash, enough to set everyone up for life. But hey, that’s what you had to do to get the best musicians, sound engineers, and technology available. Producing an album was a massive undertaking, and failure wasn’t an option. Sure, that whole process might seem a bit shady, but there were some advantages to it. If you could sing or play your instrument like nobody’s business, you had a chance to become a superstar. If you looked good too, well, let’s just…

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NEW ALBUM: “As Above, So Below” https://ingovogelmann.net/2022/12/22/new-album-as-above-so-below/ https://ingovogelmann.net/2022/12/22/new-album-as-above-so-below/#comments Thu, 22 Dec 2022 09:41:05 +0000 https://ingovogelmann.net/?p=27202 I made a new record titled “As Above, So Below“. It’s electronic, atmospheric, and dark. It will be released on January 4th, 2023 (on my 50th birthday) first on bandcamp as high resolution 24bit 48khz lossless files. On that day I’ll be celebrating my birthday in a hut somewhere at 3,000 meters in the Swiss Alps and I’ll be happy if you buy the album. You can listen to one track before the release on bandcamp. 4 weeks later, on February 3rd, 2023, it will be released on every imaginable streaming platform and store worldwide. It will be available on Spotify, Apple Music, iTunes, Instagram, Facebook, TikTok, Resso, Luna, YouTube Music, Amazon, Soundtrack by Twitch, Pandora, Deezer, Tidal, iHeartRadio, ClaroMusica, Saavn, Boomplay, Anghami, KKBox, NetEase, Tencent, Qobuz, Triller, Joox, Kuack Media, Yandex Music, Adaptr, Flo, MediaNet, Snapchat. Tags: album, ambient, Ambient music, Apple Music, bandcamp, electro, electronic, electronic music, facebook, hd, Instagram, music, play, sound, soundtrack, Spotify, Streaming music services Related posts The Best Albums of All Time, According to Me (With Occasional Commentary) (2) The Best-Selling Songs of the 80s in the UK and Germany (0) Peter Gabriel’s “i/o” Album Review: He’s Back, Better Than Ever Before (0) The Ultimate Harmonic Mixing & Composing Chart (12) Spotify: My Love-Hate Relationship with the World’s No. 1 Streaming Service (0)

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Recommendation: Solar Fields “Formations” (2022 Album) https://ingovogelmann.net/2022/11/10/recommendation-solar-fields-formations-2022-album/ https://ingovogelmann.net/2022/11/10/recommendation-solar-fields-formations-2022-album/#respond Thu, 10 Nov 2022 18:00:00 +0000 https://ingovogelmann.net/?p=26953 First of all, to be very clear: this is not meant to be a review, just a recommendation, but a hot one. I’ve been a big fan of Solar Fields for many years. Every production simply sits and fits perfectly. The new album is pretty much the best I’ve heard from him, ever. It also really tops the material for me that made him famous in the electronica/ambient scene and in game music. Check this out: Let me know what you think in the comments. Tags: 2022, album, ambient, Ambient music, Chill-out music, electro, electronic, electronica, formations, music, recommendation, Record producer, solar fields Related posts The Best Albums of All Time, According to Me (With Occasional Commentary) (2) Peter Gabriel’s “i/o” Album Review: He’s Back, Better Than Ever Before (0) NEW ALBUM: “As Above, So Below” (2) An Homage to Danny Tenaglia (0) A Psychological Guide to Harmonic Mixing and Composing (0)

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The Ultimate Harmonic Mixing & Composing Chart https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/ https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/#comments Wed, 22 Oct 2014 05:09:57 +0000 http://vogelmann.me/?p=6300 Before you dig in… The Ultimate Harmonic Mixing & Composing Chart is a visual aid for musicians, producers, composers and DJs to easily create music that always has harmonic chord progressions. This sheet is now widely used worldwide as a teaching and practical tool in music and DJ schools and has been downloaded hundreds of thousands of times. The situation As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t). So yes, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always. As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, Mark Davis came up with Camelot Keys (used in Mixed in Key, which I prefer, because of its accuracy) and then there are the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key). In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This…

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