harmonic Archives • INGO VOGELMANN https://ingovogelmann.net/tag/harmonic/ Composer • Producer • Audio Engineer Sat, 26 Aug 2023 09:21:25 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.2 https://ingovogelmann.net/wp-content/uploads/2023/03/cropped-iv_icon_2023.png harmonic Archives • INGO VOGELMANN https://ingovogelmann.net/tag/harmonic/ 32 32 120855996 A Psychological Guide to Harmonic Mixing and Composing https://ingovogelmann.net/2023/08/26/a-psychological-guide-to-harmonic-mixing-and-composing/ https://ingovogelmann.net/2023/08/26/a-psychological-guide-to-harmonic-mixing-and-composing/#respond Sat, 26 Aug 2023 09:21:18 +0000 https://ingovogelmann.net/?p=29467 Harmonic mixing is an advanced technique used by top DJs and producers worldwide. It involves mixing tracks that are in the same or related keys, enabling long blends and mashups. The Simple Harmonic Mixing Tool on my website is designed to make this process even more straightforward. It’s an evolution of the Camelot Wheel, providing you with a unique code for each of the 24 possible musical keys (12 major and 12 minor keys). This tool is not just for DJs but also for music theory students and musicians who want to better understand the relationships between different musical keys. The Emotional Landscape of Musical Keys Understanding the emotional nuances of each key can add another layer of depth to your mixes or compositions. Let’s delve into the psychological characteristics of each key, along with examples from the electronic music world to illustrate these points. Major Keys Minor Keys Practical Uses and Personal Recommendations The Camelot Wheel and the Simple Harmonic Mixing Tool are primarily used by DJs and music producers to group keys based on their harmonic relationships. Keys adjacent to each other on the wheel are considered compatible and can be mixed or transitioned between more easily than keys that are further apart. This avoids dissonance or clashes between different musical keys, making your mixes smoother and more emotionally resonant. It’s worth noting that my recommendations for chord progressions are based on my personal experience and expertise as a musician and composer. There are 7 possible following keys that I find harmonious or serve a meaningful corresponding purpose. However, these are my personal recommendations and should always be taken with a grain of salt. Conclusion Understanding the emotional…

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Harmonic Mixing and Composing with the Camelot Wheel https://ingovogelmann.net/2023/03/29/harmonic-mixing-and-composing-with-the-camelot-wheel/ https://ingovogelmann.net/2023/03/29/harmonic-mixing-and-composing-with-the-camelot-wheel/#respond Wed, 29 Mar 2023 06:00:00 +0000 https://ingovogelmann.net/?p=29077 Harmonic mixing and composing have become essential skills for modern DJs and music producers, as they strive to create seamless, engaging, and emotionally resonant mixes and compositions. The Camelot Wheel, a popular tool in the electronic dance music scene, offers a systematic and intuitive approach to harmonic mixing, making it easier for artists to identify compatible musical keys and create harmonious transitions between songs. This essay explores the concept of harmonic mixing, the functionality of the Camelot Wheel, and its practical applications in both mixing and composing. Harmonic Mixing Harmonic mixing refers to the process of blending two or more musical tracks that are harmonically compatible, meaning they share the same key or a closely related key. This technique allows DJs and producers to create smooth transitions between tracks, enhancing the overall flow and emotional impact of a mix or composition. By paying close attention to the harmonic relationships between songs, artists can build tension, create moments of release, and maintain a consistent musical narrative throughout their sets or compositions. The Camelot Wheel: A Practical Tool for Harmonic Mixing The Camelot Wheel, also known as the Circle of Fifths, is a circular diagram that visually represents the relationships between the twelve major and twelve minor keys in Western music. Each key is assigned a unique alphanumeric code, with major keys labeled from 1B to 12B and minor keys labeled from 1A to 12A. Adjacent keys on the wheel share a close harmonic relationship, making them suitable for mixing or composing. The simplicity of the Camelot Wheel lies in its ability to quickly identify harmonically compatible keys. DJs and producers can easily find the next track by moving one step clockwise,…

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The Simple Harmonic Mixing Tool https://ingovogelmann.net/2023/03/21/the-simple-harmonic-mixing-tool/ https://ingovogelmann.net/2023/03/21/the-simple-harmonic-mixing-tool/#respond Tue, 21 Mar 2023 18:36:56 +0000 https://ingovogelmann.net/?p=29131 Ladies and gentlemen, allow me to present to you: The Simple Harmonic Mixing Tool, which is designed to help you always mix or compose harmoniously. No matter which recommendation you follow, the result will always fit. All you have to do is decide on the direction you want your mix or composition to go. Here you will find the very simple tool, easy to use for everyone. You can also find it at the top of the menu under “Stuff“. Let me know what your experience with the tool is, and I wish you much joy and success with it! Tags: camelot, chord progression, chord progressions, chords, compose, composing music, composition, dance, Disc jockey, DJ, dj mixing, djing, electronic, Electronic dance music, electronic music, Energy, harmonic, harmonic mix, harmonic mixing, harmonics, harmonies, help, how to, how to dj, key, mix, mixed, mixed in key, mixing, music, music production, music theory, musical, recommendation, Relative key, sound, techno, tips, tools, traktor Related posts The Ultimate Harmonic Mixing & Composing Chart (12) Harmonic Mixing and Composing with the Camelot Wheel (0) Why I Abandoned Social Media (3) The Best Albums of All Time, According to Me (With Occasional Commentary) (2) A Psychological Guide to Harmonic Mixing and Composing (0)

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The Best Albums of All Time, According to Me (With Occasional Commentary) https://ingovogelmann.net/2023/02/26/the-best-albums-of-all-time-according-to-me-with-occasional-commentary/ https://ingovogelmann.net/2023/02/26/the-best-albums-of-all-time-according-to-me-with-occasional-commentary/#comments Sun, 26 Feb 2023 14:12:26 +0000 https://ingovogelmann.net/?p=27558 They say you are what you like, and if that’s true, then my taste in music speaks volumes about my private and musical personality. These albums have been with me for ages, some newer than others, but all of them share a common thread: they’re all incredibly good. I’m not trying to sound like an old fogey pining for the good old days, but I do feel sorry for the youngins who missed out on the era when this music was being created. Luckily for them, it still exists and is audible. But buyer beware: just because something’s labeled “remastered” doesn’t necessarily mean it’s an improvement. Some remasters are, dare I say it, worse than the original tracks. It’s not ideal, but we can’t control the rights holders who sometimes replace the original tracks with these subpar versions. Fortunately, the listening technology these days is better than ever, so there’s that. Back in the day, getting noticed as an artist was almost as hard as finding a needle in a haystack because there was no internet. Record managers were the gatekeepers who decided who was worth investing in, and when they did, they invested big. I’m talking piles of cash, enough to set everyone up for life. But hey, that’s what you had to do to get the best musicians, sound engineers, and technology available. Producing an album was a massive undertaking, and failure wasn’t an option. Sure, that whole process might seem a bit shady, but there were some advantages to it. If you could sing or play your instrument like nobody’s business, you had a chance to become a superstar. If you looked good too, well, let’s just…

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Why I Abandoned Social Media https://ingovogelmann.net/2022/11/07/why-i-abandoned-social-media/ https://ingovogelmann.net/2022/11/07/why-i-abandoned-social-media/#comments Mon, 07 Nov 2022 16:04:05 +0000 https://ingovogelmann.net/?p=24470 When social media became “the new thing” and every artist was recommended to join the hype, I was very skeptical at first. I came late to the party of the two top dogs, Twitter in 2007, Facebook only in 2009, after the pressure on me from all sides grew too great. At least that’s how it felt to me at the time, or what I told myself… but there’s a good chance I just had the same need for recognition as everyone else and was afraid of missing out and not being recognized appropriately. As you grow older, fortunately that disappears. Instagram was about photography once I thought Instagram was pretty good at first… the filters looked cool and it was more about the photos than anything else. Until Facebook took over and turned it into a drug for people with an inferiority complex. Anti-Social Media I’ve never really felt comfortable with anti-social media, and I’ve also struggled to generate huge followings. There were decent numbers lately, but not enormous. That may have something to do with the fact that my audience has a rather limited affinity for social media. Something like that always has a direct connection with the kind of music you make. In all these years, I have experienced everything on social media that internet experts and psychologists are now warning of: abuse, hate, completely pointless and unnecessary discussions, exposing the private to the public (something I don’t like at all) and a very stupid thing: living out conflicts in public, in front of people you don’t really know. Necessary for artists? For a long time, I myself succumbed to the belief that as an artist you…

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The Ultimate Harmonic Mixing & Composing Chart https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/ https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/#comments Wed, 22 Oct 2014 05:09:57 +0000 http://vogelmann.me/?p=6300 Before you dig in… The Ultimate Harmonic Mixing & Composing Chart is a visual aid for musicians, producers, composers and DJs to easily create music that always has harmonic chord progressions. This sheet is now widely used worldwide as a teaching and practical tool in music and DJ schools and has been downloaded hundreds of thousands of times. The situation As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t). So yes, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always. As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, Mark Davis came up with Camelot Keys (used in Mixed in Key, which I prefer, because of its accuracy) and then there are the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key). In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This…

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