how Archives • INGO VOGELMANN https://ingovogelmann.net/tag/how/ Composer • Producer • Audio Engineer Fri, 12 Jan 2024 15:19:41 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.2 https://ingovogelmann.net/wp-content/uploads/2023/03/cropped-iv_icon_2023.png how Archives • INGO VOGELMANN https://ingovogelmann.net/tag/how/ 32 32 120855996 Peter Gabriel’s “i/o” Album Review: He’s Back, Better Than Ever Before https://ingovogelmann.net/2024/01/12/peter-gabriels-i-o-album-review-hes-back-better-than-ever-before/ https://ingovogelmann.net/2024/01/12/peter-gabriels-i-o-album-review-hes-back-better-than-ever-before/#respond Fri, 12 Jan 2024 18:00:00 +0000 https://ingovogelmann.net/?p=29637 Peter Gabriel’s latest album “i/o” stands not only as a testament to his enduring creativity but also as a potential crowning achievement in a career already brimming with groundbreaking work. Gabriel, a legend in the music industry, has been known for his innovative approach to music, particularly through the 80s and 90s, and “i/o” might very well be considered his best work to date. The Legacy of Peter Gabriel Gabriel’s influence on the music world has been profound and multifaceted. Rising to fame with Genesis in the 1970s, he quickly established himself as a visionary artist. His departure from Genesis and subsequent solo career in the 1980s and 90s saw him breaking new ground, particularly with albums like “So” and “Us.” These works were not just commercially successful; they were also artistically daring, blending world music with electronic and art-rock elements, and they solidified his reputation as an innovative and fearless artist. Groundbreaking Work in the 80s and 90s During the 80s and 90s, Gabriel was at the forefront of the world music movement, integrating sounds and rhythms from various cultures into his music. His use of innovative recording techniques and embrace of new technologies set him apart. Albums like “So” (1986), with its hit “Sledgehammer,” showcased his ability to merge artistic depth with mainstream appeal, featuring groundbreaking music videos that revolutionized the medium. “i/o”: A Culmination of Artistic Evolution Now, with “i/o,” Gabriel seems to have distilled his decades of musical exploration into a singularly impressive work. The album encapsulates his signature sound while pushing into new territories. The dual “Bright-Side” and “Dark-Side” mixes are a clear indication of his continued innovation, offering listeners two distinct ways to experience…

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]]> https://ingovogelmann.net/2024/01/12/peter-gabriels-i-o-album-review-hes-back-better-than-ever-before/feed/ 0 29637 Aaron Spears: A Rhythm That Never Ends https://ingovogelmann.net/2023/11/01/aaron-spears-a-rhythm-that-never-ends/ https://ingovogelmann.net/2023/11/01/aaron-spears-a-rhythm-that-never-ends/#respond Wed, 01 Nov 2023 17:00:00 +0000 https://ingovogelmann.net/?p=29585 The music world has been left with a void that’s hard to fill with the sudden passing of Aaron Spears. Although I never had the chance to witness his artistry live, his music and influence have deeply resonated with me. Aaron was not just a drummer; he was a musical savant whose talents transcended what one might expect from a “typical” musician. He had an uncanny ability to craft complex rhythms and melodies that were not just technically demanding but emotionally profound. His drumming was a language of its own, speaking to the hearts of those who listened. Interestingly, while the artists he drummed for – names like Ariana Grande, Justin Bieber, Usher, and Chris Brown – never quite aligned with my musical taste, Aaron’s drumming itself was a different story. His skill and artistry were so compelling that they transcended genre and personal preference, serving as an inspiration to me and countless others. Aaron was a pioneer, always pushing the boundaries of what music could be. He was a master at blending different musical styles, creating something entirely new and groundbreaking. His work in various genres, from pop to jazz to gospel, showcased his versatility and depth as an artist. But Aaron was more than just an extraordinary musician. He was a man filled with warmth and humor, inspiring those around him. He had the rare gift of creating an atmosphere of community and cohesion in a room full of strangers. His humility and genuine love for his craft made him not just respected, but deeply loved by his peers and fans alike. The news of his sudden death at the age of just 47 has shaken us all.…

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]]> https://ingovogelmann.net/2023/11/01/aaron-spears-a-rhythm-that-never-ends/feed/ 0 29585 You Need to Fail to Succeed https://ingovogelmann.net/2023/10/28/you-need-to-fail-to-succeed/ https://ingovogelmann.net/2023/10/28/you-need-to-fail-to-succeed/#respond Sat, 28 Oct 2023 08:47:45 +0000 https://ingovogelmann.net/?p=29578 And I did, many times. That doesn’t mean I always succeeded after I failed, but whenever I succeeded it never came without failure before. That said… A New Paradigm for Music Makers In an industry that’s constantly evolving, The Crow Hill Company emerges as a breath of fresh air. While still in its early stages, the platform promises an ever-growing collection of free professional resources for music makers. But what sets it apart is its philosophy: it aims to be a “love letter to music makers.” This isn’t just a repository of tools; it’s a community, a support system, and most importantly, a philosophy that values the process as much as the product. What’s in the Vault? While the company is tight-lipped about upcoming content, they’ve teased that it’s something they’re “incredibly reluctant to share,” which only adds to the intrigue. Given the secrecy, one can only speculate about the revolutionary tools and resources that might be in store for members. The Maestro Behind the Mission Christian Henson is a name that commands respect in the world of music composition. With a career that boasts multiple nominations and awards, he’s a versatile talent who’s worked on everything from TV shows to epic sci-fi films. But what truly sets him apart is his unique, self-taught approach to working with the orchestra, a skill honed through collaborations with a diverse range of artists. The Spitfire Legacy Before The Crow Hill Company, Henson made waves with Spitfire Audio, a company that provides essential tools for composers. Spitfire developed a cult following and became a significant supporter of the music industry. This experience undoubtedly informs his new venture, bringing a level of expertise and…

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]]> https://ingovogelmann.net/2023/10/28/you-need-to-fail-to-succeed/feed/ 0 29578 The Complexity of Engaging With My Russian Fans https://ingovogelmann.net/2023/09/26/the-complexity-of-engaging-with-my-russian-fans/ https://ingovogelmann.net/2023/09/26/the-complexity-of-engaging-with-my-russian-fans/#respond Tue, 26 Sep 2023 17:00:00 +0000 https://ingovogelmann.net/?p=29525 Disclaimer for Russian Readers Before we proceed, I want to make it abundantly clear that I fully support Ukraine in the ongoing conflict. This post may contain viewpoints that are upsetting to some, particularly my Russian fans. While I appreciate your support for my music, it’s crucial to be transparent about where I stand on this issue. As you might know, I have a diverse fan base that spans across the globe. I’m grateful for the love and support I receive from all corners of the world. Especially strong are the Latin American countries, the Baltic region, but also Turkey, Northern Africa, Southeast Asia, Japan and – of course – Russia. However, the ongoing Russian invasion of Ukraine has put me in a difficult position, particularly when it comes to engaging with my Russian fans. I feel compelled to address this issue openly, as it’s something that has been weighing heavily on my mind. Music has an unparalleled ability to bring people together, regardless of their geographical location, cultural background, or political affiliations. However, in a world increasingly divided by geopolitical conflicts – most notably the ongoing crisis between Russia and Ukraine – I find myself grappling with a complex moral dilemma. Specifically, how do I navigate interactions with my fans from countries embroiled in such conflicts? To delve deeper into this issue, I’ve compiled a comprehensive Top 50 ranking of countries where my music is most popular, based on data from SoundCloud, Spotify, and Apple Music. The Global Footprint of My Music: A Comprehensive Top 50 Ranking First and foremost, I want to express my deepest gratitude to all my fans around the globe. Your unwavering support has been…

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]]> https://ingovogelmann.net/2023/09/26/the-complexity-of-engaging-with-my-russian-fans/feed/ 0 29525 Beyond Words: Why the Generic Masculine Still Holds Value https://ingovogelmann.net/2023/09/05/beyond-words-why-the-generic-masculine-still-holds-value/ https://ingovogelmann.net/2023/09/05/beyond-words-why-the-generic-masculine-still-holds-value/#respond Tue, 05 Sep 2023 16:01:19 +0000 https://ingovogelmann.net/?p=29499 In a world that’s constantly changing, where every word is dissected and every phrase analyzed, the debate over the generic masculine stands as a testament to the complexities of language and society. Words are tools, yes, but they are also more than that. They are the framework through which we interpret the world, and yet they are not the world itself. They are symbols, and like all symbols, they are subject to interpretation. Just like my music, which is mostly without lyrics. But despite that, music is a form of communication. It’s language, subject to interpretation. The generic masculine has come under fire. Critics argue that it’s a relic, a leftover from a time when men were the default, the standard, the norm. They call for new language, inclusive language, language that reflects the diversity of human experience. But here’s the thing: language is a reflection of the mind, and the mind is where discrimination takes root. You can change the words all you want, but if the mind remains unaltered, you’ve achieved nothing. You’ve put a new coat of paint on a crumbling wall. Before we go any further, let’s make one thing clear: the issue of gender identity is a separate matter altogether. My stance on the generic masculine should not be conflated with my views on gender identity. I am the best man to a queer couple, comprised of a trans woman and a cis woman. I understand that there are individuals who feel they were born into the wrong gender, and I respect their journey. This is not about denying the complexities of gender identity; it’s about the complexities of language and interpretation. Equality, for me,…

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]]> https://ingovogelmann.net/2023/09/05/beyond-words-why-the-generic-masculine-still-holds-value/feed/ 0 29499 Why I’m a Pantheist. And What About My Album “GOD”? https://ingovogelmann.net/2023/08/28/why-im-a-pantheist-and-what-about-my-album-god/ https://ingovogelmann.net/2023/08/28/why-im-a-pantheist-and-what-about-my-album-god/#respond Mon, 28 Aug 2023 19:37:51 +0000 https://ingovogelmann.net/?p=29489 From my earliest memories, the universe has always been a source of profound fascination. The night sky, a tapestry of stars and cosmic wonder, seemed to pose questions that penetrated the very core of my being. My quest for answers led me through various domains – religion, philosophy, and empirical science. Yet, none offered the holistic understanding I yearned for. That is, until I discovered Pantheism. At its core, Pantheism is a worldview that is both elegantly simple and profoundly deep: the universe and everything within it is divine. But let’s clarify what I mean by “divine,” as it’s a term often misunderstood. For me, divinity is not about an anthropomorphic God sitting on a celestial throne. I’m an atheist in that regard, finding no logical or empirical basis for such a deity. Instead, my sense of the divine is rooted in the inherent order that permeates the universe – an order that allows for the existence and functioning of all things. This divine order is not a set of commandments but a natural, self-organizing system that can be observed in everything from the laws of physics to the complexity of biological systems. It’s the reason why planets orbit stars, why ecosystems maintain their balance, and why we, as conscious beings, can ponder our place in the cosmos. This order is the closest thing to “God” in my Pantheistic view, and it’s an understanding that fills me with awe and wonder. When I first encountered the concept of quantum entanglement, it felt like a scientific affirmation of this divine order. Here were particles, separated by vast distances, yet intrinsically connected in a way that defied classical understanding. It was as…

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]]> https://ingovogelmann.net/2023/08/28/why-im-a-pantheist-and-what-about-my-album-god/feed/ 0 29489 A Psychological Guide to Harmonic Mixing and Composing https://ingovogelmann.net/2023/08/26/a-psychological-guide-to-harmonic-mixing-and-composing/ https://ingovogelmann.net/2023/08/26/a-psychological-guide-to-harmonic-mixing-and-composing/#respond Sat, 26 Aug 2023 09:21:18 +0000 https://ingovogelmann.net/?p=29467 Harmonic mixing is an advanced technique used by top DJs and producers worldwide. It involves mixing tracks that are in the same or related keys, enabling long blends and mashups. The Simple Harmonic Mixing Tool on my website is designed to make this process even more straightforward. It’s an evolution of the Camelot Wheel, providing you with a unique code for each of the 24 possible musical keys (12 major and 12 minor keys). This tool is not just for DJs but also for music theory students and musicians who want to better understand the relationships between different musical keys. The Emotional Landscape of Musical Keys Understanding the emotional nuances of each key can add another layer of depth to your mixes or compositions. Let’s delve into the psychological characteristics of each key, along with examples from the electronic music world to illustrate these points. Major Keys Minor Keys Practical Uses and Personal Recommendations The Camelot Wheel and the Simple Harmonic Mixing Tool are primarily used by DJs and music producers to group keys based on their harmonic relationships. Keys adjacent to each other on the wheel are considered compatible and can be mixed or transitioned between more easily than keys that are further apart. This avoids dissonance or clashes between different musical keys, making your mixes smoother and more emotionally resonant. It’s worth noting that my recommendations for chord progressions are based on my personal experience and expertise as a musician and composer. There are 7 possible following keys that I find harmonious or serve a meaningful corresponding purpose. However, these are my personal recommendations and should always be taken with a grain of salt. Conclusion Understanding the emotional…

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]]> https://ingovogelmann.net/2023/08/26/a-psychological-guide-to-harmonic-mixing-and-composing/feed/ 0 29467 The 10 Best Drummers of All Time (According to Me) https://ingovogelmann.net/2023/08/04/the-10-best-drummers-of-all-time-according-to-me/ https://ingovogelmann.net/2023/08/04/the-10-best-drummers-of-all-time-according-to-me/#respond Fri, 04 Aug 2023 18:18:55 +0000 https://ingovogelmann.net/?p=29420 In the world of music, there are legends who have the power to move souls with their rhythmic magic. Among them, the drummers stand tall as the untamed giants of the beat, the fiery guardians of the groove. Spanning across genres, from the smoky realms of jazz to the thunderous realms of rock, these sonic revolutionaries ignite fires within our hearts. Now, behold the divine pantheon of the ten awe-inspiring drummers who have transcended mere virtuosity to become symbols of passion, power, and pure musical wizardry! (In no particular order, although Gavin Harrison and Simon Phillips are my 2 absolute favorites) 🥁 Drum roll, please! 🥁 Gavin Harrison Simon Phillips Mike Mangini Gergo Borlai Nick D’Virgilio Sarah Thawer Buddy Rich Jeff Porcaro Marco Minnemann Chris Coleman So, there you have it, my personal top 10 drummers who’ve ever graced a drum throne. From legends of the past to modern maestros, these drummers have shaped the way I hear and feel music. 🥁💥 Tags: album, Albums, Autodidacticism, Avedis Zildjian Company, Beat (music), Big Big Train, Buddy Rich, Creativity, DJ, Dream Theater, Drum, Drum kit, Drum stick, Drum Workshop, Drummer, education, Evolution, Extreme, Facial expression, Finesse (song), Funk, Gavin Harrison, Genesis (band), Germany, Groove (music), guitar, Heavy metal music, History, how, jazz, Jazz drumming, Jazz fusion, Jeff Porcaro, Joe Satriani, King Crimson, Like, love, Ludwig Drums, Marco Minnemann, Meinl Percussion, Michael Jackson, music, musical, Musician, Musicians, Nick D'Virgilio, ost, Paiste, Pearl Drums, play, pop, Porcupine Tree, Pro-Mark, Progressive metal, Progressive rock, Pure Genius, Remo, Rhythm, Rhythm section, Rock music, Rosanna (song), Sabian Cymbals, Session musician, Simon Phillips (drummer), singer, Slingerland Drum Company, Solo (music), Sonor, sound, Spock's Beard, Star, Steve Vai, Steven…

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]]> https://ingovogelmann.net/2023/08/04/the-10-best-drummers-of-all-time-according-to-me/feed/ 0 29420 Brexit: The Massive After Party Hangover https://ingovogelmann.net/2023/06/20/brexit-the-massive-after-party-hangover/ https://ingovogelmann.net/2023/06/20/brexit-the-massive-after-party-hangover/#respond Tue, 20 Jun 2023 16:57:34 +0000 https://ingovogelmann.net/?p=29396 Ah, Brexit. The political equivalent of deciding to break up with your long-term partner because you’re tired of them leaving the cap off the toothpaste. It was a decision that promised sovereignty, prosperity, and control. But, like waking up after a night of heavy drinking, the reality has been a little less rosy. Let’s take a look at the ‘morning after’ effects of this political bender. So, there you have it. The ‘Brexit Bonanza’ in all its glory. A smorgasbord of economic contraction, trade disruptions, labor shortages, and a whole lot more. But hey, at least they’ve got control, right? And isn’t that what it’s all about? Control over your own destiny, even if that destiny looks a bit like a car crash in slow motion. But don’t worry, I’m sure it’ll all work out in the end. After all, they’re British. A stiff upper lip, a love of queuing, and a knack for making the best of a bad situation. Let’s raise a cup of tea to Brexit, the gift that keeps on giving. Cheers! And remember, that’s what happens when you decide to jump off a cliff and then try to build a parachute on the way down. Tags: BBC News, Brexit, Business, Consumer, Cost, Economic effects of Brexit, Economy, European Union, Euroscepticism in the United Kingdom, Export, Extreme, Food, Germany, Globalization, Goods, how, Impact of Brexit, Inflation, Labour economics, Like, love, OECD, ost, play, Price, Real income, Reality, Shortage, Sovereignty, Trade, Uncertainty, United Kingdom, Withdrawal from the European Union, Workforce Related posts The Complexity of Engaging With My Russian Fans (0) The 10 Best Drummers of All Time (According to Me) (0) Who Gets to Stay Afloat?…

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]]> https://ingovogelmann.net/2023/06/20/brexit-the-massive-after-party-hangover/feed/ 0 29396 REVIEW: Extreme’s “SIX” – A Symphony of Sonic Surprises and Unapologetic Authenticity https://ingovogelmann.net/2023/06/09/review-extremes-six-a-symphony-of-sonic-surprises-and-unapologetic-authenticity/ https://ingovogelmann.net/2023/06/09/review-extremes-six-a-symphony-of-sonic-surprises-and-unapologetic-authenticity/#respond Fri, 09 Jun 2023 16:11:50 +0000 https://ingovogelmann.net/?p=29375 (Isn’t the album cover extremely awesome?) As a grizzled veteran of the rock ‘n’ roll rollercoaster, having clocked up a half-century on this spinning rock we call Earth, I’ve been a passenger on the Extreme journey since the band’s genesis in 1985. Their latest offering, “SIX”, is a testament to their musical evolution, a sonic tapestry that weaves together the threads of their past while boldly striding into uncharted territory. “SIX” opens with “Rise“, a track that hits you like a shot of adrenaline straight to the heart. It’s a powerful opener that sets the tone for the album, a narrative about the fickle nature of fame that resonates with anyone who’s been around the block a few times. It’s a reminder that success is transient, a theme that echoes through the annals of rock history and reverberates in the hearts of seasoned fans like me. Next up is “#Rebel“, a track that lives up to its name in every sense. It’s a rebellious anthem that channels the spirit of Marilyn Manson, a stark departure from Extreme’s usual style. It’s a bold move, but it’s this willingness to push boundaries and experiment with new sounds that has kept Extreme relevant over the years. “Banshee” and “Other Side of the Rainbow” offer a softer side of Extreme, with their intimate ballads that hark back to the band’s earlier days. These tracks are a comforting reminder of the band’s roots, a nostalgic nod to the past that old fans like me can appreciate. They’re like a warm blanket on a cold night, a familiar comfort that wraps you in a cocoon of melodic memories. “Small Town Beautiful” and “The Mask” continue this…

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]]> https://ingovogelmann.net/2023/06/09/review-extremes-six-a-symphony-of-sonic-surprises-and-unapologetic-authenticity/feed/ 0 29375 A Personal Take On Rammstein https://ingovogelmann.net/2023/06/07/a-personal-take-on-rammstein/ https://ingovogelmann.net/2023/06/07/a-personal-take-on-rammstein/#respond Wed, 07 Jun 2023 18:57:40 +0000 https://ingovogelmann.net/?p=29363 I’ve always been one to appreciate a wide range of music, but there’s one band that I’ve never been able to get on board with: Rammstein. The German metal band has long been a source of controversy, and for me, their actions and representations have always been a step too far. Let’s start with their performances. Rammstein is known for their grandiose shows, complete with pyrotechnics and dramatic theatrics. Generally, not really my thing. Plus, beneath the spectacle, there’s an element that’s deeply unsettling. The band’s use of Nazi propaganda aesthetics and right-wing iconography is, in my opinion, a blatant disregard for the historical trauma associated with these symbols. As the taz article “Verharmlosung von Rammstein: Eiertanz ums Eiserne Kreuz” aptly points out, their shows “[deliver] a celebration of flame-encircled masses as updated staging strategies of the NS propagandists Leni Riefenstahl and Albert Speer and imitate these models under the insignia of the musical shock troop, an Iron Cross.” Some might argue that this is all part of their artistic expression. But let’s cut the crap here. This isn’t just about pushing boundaries or being edgy. This is about using loaded symbols for shock value and, as some suggest, as a marketing strategy. And that, my friends, is where I draw the line. But the controversy doesn’t end there. The band’s lead singer, Till Lindemann, is currently embroiled in a MeToo scandal, facing allegations of sexual assaults against young female fans. This, coupled with Lindemann’s past lyrics that fantasize about the rape of a drugged woman, paints a troubling picture. The taz article states, “If the just exploding scandal gains further substance in the face of the alleged pattern of…

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]]> https://ingovogelmann.net/2023/06/07/a-personal-take-on-rammstein/feed/ 0 29363 The Best-Selling Songs of the 80s in the UK and Germany https://ingovogelmann.net/2023/05/21/the-best-selling-songs-of-the-80s-in-the-uk-and-germany/ https://ingovogelmann.net/2023/05/21/the-best-selling-songs-of-the-80s-in-the-uk-and-germany/#respond Sun, 21 May 2023 07:00:00 +0000 https://ingovogelmann.net/?p=29325 I’m delighted to take you on a nostalgic journey again, back to the heart of my youth and a remarkable decade in music – the 1980s. Being born in 1973, my formative years were spent in the midst of an explosive era of music innovation and creativity. The unforgettable melodies, the iconic artists, and the cultural movements that framed this period have left a lasting imprint on me. Each song on this list sparks a unique memory, a moment of time encapsulated within the chords and lyrics of these classic tunes. Back then, we saw a massive shift in the music landscape, from the raw acoustic and earthy sounds of the 70s, transitioning into the vibrant, electronic, and synthesized beats of the 80s. This era was marked by its pioneering use of new technology, synthesizers, and production techniques, a stark contrast to today’s music that thrives on digital platforms, streaming services, and social media influence. And of course, let’s not forget the extraordinary fashion statements – the big hair, the neon colors, and the shoulder pads that were as bold as the music itself! Now, join me as we travel back in time, revisit the top-selling and most popular songs in the UK and Germany for each year of the 80s, and explore how these hits shaped the music and culture of the time. Right before we dive into this musical journey, a little surprise awaits you at the end of this post – a link to a carefully curated Spotify playlist featuring all the top-selling songs from the 80s in the UK and Germany that we’re about to explore. Keep reading and enjoy this nostalgic trip, knowing that a…

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]]> https://ingovogelmann.net/2023/05/21/the-best-selling-songs-of-the-80s-in-the-uk-and-germany/feed/ 0 29325 The Top 50 Most Successful Albums of All Time https://ingovogelmann.net/2023/05/18/the-top-50-most-successful-albums-of-all-time/ https://ingovogelmann.net/2023/05/18/the-top-50-most-successful-albums-of-all-time/#respond Thu, 18 May 2023 12:26:47 +0000 https://ingovogelmann.net/?p=29272 Music has the power to move us, to make us feel, and to bring us together. Each song carries its own story, but when songs are woven together into an album, they form a narrative that’s bigger than the sum of its parts. And while every album tells a story, there are those that resonate on such a profound level that they transcend time and place, becoming cultural phenomena in their own right. In this post, we’ll journey through the annals of music history, exploring the top 50 most successful albums of all time. These albums have left an indelible mark not just on the music industry, but on society at large. We’ll look at the incredible artists behind these masterpieces, the years they were released, and the net worth these musicians have amassed over their careers. From The Beatles to Michael Jackson, from Madonna to Pink Floyd, this list encompasses a diverse range of musical styles and eras. So, whether you’re a music aficionado seeking a nostalgic trip down memory lane, or a newcomer wanting to discover some of the greatest albums ever made, join me as I delve into the tales of triumph, creativity, and innovation that have made these albums the most successful in music history. Let’s tune in to their stories! The Playlist Here’s the playlist containing each album with every song (763 songs, 51 hours and 38 minutes) in it in the order of the list above: Artist’s Net Worth Ranking Based on the above, I’ve compiled a list of artists ordered by their estimated net worth. These figures are associated with the success of some of the world’s most iconic albums, with releases spanning…

From INGO VOGELMANN.

]]> https://ingovogelmann.net/2023/05/18/the-top-50-most-successful-albums-of-all-time/feed/ 0 29272 The Exasperating Trilogy of Modern Speech: Upspeak, Vocal Fry, and the ‘Like’ Epidemic https://ingovogelmann.net/2023/05/10/the-exasperating-trilogy-of-modern-speech-upspeak-vocal-fry-and-the-like-epidemic/ https://ingovogelmann.net/2023/05/10/the-exasperating-trilogy-of-modern-speech-upspeak-vocal-fry-and-the-like-epidemic/#respond Wed, 10 May 2023 15:00:00 +0000 https://ingovogelmann.net/?p=29074 Modern communication – a brilliant, marvelous tapestry weaved with an array of eloquent sounds, linguistic acrobatics, and… upspeak, vocal fry, and the incessant use of “like”. The grand opera of language has been hijacked by these three renegade stars, ensuring every sentence sounds like a question, a dying engine, or a Facebook algorithm’s dream. Upspeak: The Question that Never Ends Upspeak is fascinating in its ability to leave listeners in a perpetual state of suspense. Imagine listening to a thrilling murder mystery where every sentence ends on a cliffhanger. Now, apply that to every conversation in your life. Every declarative statement, every assertion is turned into an open-ended question. The suspense, initially thrilling, soon becomes like a song stuck on loop – it’s fun at first, then it starts to grate on your nerves. Moreover, upspeak can undermine the speaker’s authority and credibility. In professional settings, constant questioning inflections can signal uncertainty or a lack of confidence. It’s as if the speaker is continually seeking validation, which can be quite irksome when you’re looking for decisive, assertive communication. Example: This linguistic accident has become pretty popular among the younger demographic. Gone are the days of confident, assertive statements. Instead, we’re now serenaded by a constant stream of interrogatives. Whether you’re ordering coffee or presenting a groundbreaking scientific discovery, with upspeak, everything sounds like you’re asking for directions to the nearest surf shop. Vocal Fry: The Groan that Grows on You Vocal fry is the audio equivalent of nails on a chalkboard for some. That low, creaky vibration that has become extremely popular is grating to the ear, especially when it’s used excessively. It makes conversations sound tedious and monotonous, sucking…

From INGO VOGELMANN.

]]> https://ingovogelmann.net/2023/05/10/the-exasperating-trilogy-of-modern-speech-upspeak-vocal-fry-and-the-like-epidemic/feed/ 0 29074 The Power of Simplicity: Unraveling the Secret to Crafting Memorable Music https://ingovogelmann.net/2023/04/20/the-power-of-simplicity-unraveling-the-secret-to-crafting-memorable-music/ https://ingovogelmann.net/2023/04/20/the-power-of-simplicity-unraveling-the-secret-to-crafting-memorable-music/#respond Thu, 20 Apr 2023 06:00:00 +0000 https://ingovogelmann.net/?p=29227 I can’t stop thinking about the beauty that lies in the simplicity of things. In all kinds of things, including music. And so the idea for a small blogpost on this topic was born. In the world of music, simplicity can be a powerful and often overlooked tool. Many musicians and composers – me too, at times – may be tempted to believe that complexity and technical prowess are the keys to creating compelling and memorable music. This is not always the case. It is often the simplest melodies and arrangements that resonate most deeply with listeners and stand the test of time. In this blog post, we will explore the concept of simplicity in music, why it works so well, and provide examples of iconic musical works that have harnessed the power of simplicity to achieve greatness. The Importance of Simplicity in Music Simplicity allows music to be easily understood and enjoyed by a wide range of listeners. A simple melody or chord progression can often evoke a stronger emotional response than a complex, intricate arrangement. This is because our brains are wired to appreciate patterns and predictability, making simpler music more accessible and memorable. Some of history’s most iconic songs and compositions have utilized simplicity to create a lasting impact. For example, Beethoven’s Symphony No. 5 begins with a simple four-note motif that is instantly recognizable and has become synonymous with the composer’s genius. This motif, known as the “fate motif,” is repeated and developed throughout the symphony, demonstrating the power of a simple musical idea. Another example is The Beatles’ “Let It Be.” This song features a simple piano melody accompanied by basic chords and a straightforward…

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]]> https://ingovogelmann.net/2023/04/20/the-power-of-simplicity-unraveling-the-secret-to-crafting-memorable-music/feed/ 0 29227 Harmonic Mixing and Composing with the Camelot Wheel https://ingovogelmann.net/2023/03/29/harmonic-mixing-and-composing-with-the-camelot-wheel/ https://ingovogelmann.net/2023/03/29/harmonic-mixing-and-composing-with-the-camelot-wheel/#respond Wed, 29 Mar 2023 06:00:00 +0000 https://ingovogelmann.net/?p=29077 Harmonic mixing and composing have become essential skills for modern DJs and music producers, as they strive to create seamless, engaging, and emotionally resonant mixes and compositions. The Camelot Wheel, a popular tool in the electronic dance music scene, offers a systematic and intuitive approach to harmonic mixing, making it easier for artists to identify compatible musical keys and create harmonious transitions between songs. This essay explores the concept of harmonic mixing, the functionality of the Camelot Wheel, and its practical applications in both mixing and composing. Harmonic Mixing Harmonic mixing refers to the process of blending two or more musical tracks that are harmonically compatible, meaning they share the same key or a closely related key. This technique allows DJs and producers to create smooth transitions between tracks, enhancing the overall flow and emotional impact of a mix or composition. By paying close attention to the harmonic relationships between songs, artists can build tension, create moments of release, and maintain a consistent musical narrative throughout their sets or compositions. The Camelot Wheel: A Practical Tool for Harmonic Mixing The Camelot Wheel, also known as the Circle of Fifths, is a circular diagram that visually represents the relationships between the twelve major and twelve minor keys in Western music. Each key is assigned a unique alphanumeric code, with major keys labeled from 1B to 12B and minor keys labeled from 1A to 12A. Adjacent keys on the wheel share a close harmonic relationship, making them suitable for mixing or composing. The simplicity of the Camelot Wheel lies in its ability to quickly identify harmonically compatible keys. DJs and producers can easily find the next track by moving one step clockwise,…

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]]> https://ingovogelmann.net/2023/03/29/harmonic-mixing-and-composing-with-the-camelot-wheel/feed/ 0 29077 The Future of Jobs in the Music Industry https://ingovogelmann.net/2023/03/24/the-future-of-jobs-in-the-music-industry/ https://ingovogelmann.net/2023/03/24/the-future-of-jobs-in-the-music-industry/#respond Fri, 24 Mar 2023 07:00:00 +0000 https://ingovogelmann.net/?p=28939 As we enter the age of automation and artificial intelligence, many industries are undergoing significant changes, and the music industry is no exception. From the way music is produced and distributed to how it is consumed, the music industry is evolving rapidly. But what does the future hold for jobs in the music industry? Will machines take over and leave musicians out of work? Let’s take a closer look. The music industry has always been notoriously difficult to break into. Even with the advent of digital technology and social media, it’s still a highly competitive industry that requires talent, perseverance, and a little bit lot of luck. That said, the digital age has created a whole host of new opportunities for musicians, songwriters, and producers. With platforms like YouTube, SoundCloud and whatnot, artists can now reach a global audience from the comfort of their bedroom, without the need for a record label or a massive marketing budget. But what about the more traditional jobs in the music industry? The jobs that require certain expertise? Well, it’s true that some of these jobs may become automated in the future. For example, there are already AI programs that can compose music and even write lyrics. However, machines can’t replace the human touch when it comes to music. Music is an art form, and there will always be a demand for talented musicians who can connect with audiences on an emotional level. In fact, the rise of technology in the music industry has created new job opportunities that didn’t exist before. For example, there is now a growing demand for experts in music data analysis. With the rise of streaming services, record labels…

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]]> https://ingovogelmann.net/2023/03/24/the-future-of-jobs-in-the-music-industry/feed/ 0 28939 Are We Consuming Too Much Low-Effort Content? https://ingovogelmann.net/2023/03/20/are-we-consuming-too-much-low-effort-content/ https://ingovogelmann.net/2023/03/20/are-we-consuming-too-much-low-effort-content/#respond Mon, 20 Mar 2023 07:00:00 +0000 https://ingovogelmann.net/?p=29046 There was a time when video footage of hilarious mishaps was a rare and valuable commodity. It was 1987, and every week on German television, viewers tuned in to “Pleiten, Pech und Pannen” (“Disasters, Bad Luck and Breakdowns”) hosted by a not-so-funny, but charmingly coiffed Max Schautzer. This was a show dedicated to sharing amateur footage of people’s embarrassing moments and mishaps. The audience then voted on the “funniest video of the week” and the winner walked away with the coveted “Golden Raven” trophy and some cold hard cash. Back then, capturing these moments on video was like striking gold. Camcorders were an expensive luxury item, and it was rare to catch these moments on camera. Having a compilation of the best camcorder clips in one place was something special. But now, things are different. Thanks to smartphones and social media, we can watch videos of people slipping on banana peels all day long. There’s an endless stream of videos on TikTok and Instagram, and we can scroll through them for hours on end. We’ve gone from limited supply to a never-ending stream of content. But why are we so obsessed with these videos? Some might argue that our desire for this type of content has grown to ridiculous proportions, especially since March 2020. When the pandemic hit, millions of people found themselves stuck at home, bored, and unhappy. They turned to low-effort, easily consumable content to pass the time. Even with billions of people posting videos online, only a few are actually good enough to satisfy our insatiable appetite for entertainment. As someone born in 1973, I remember a time when real life was the primary source of entertainment.…

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]]> https://ingovogelmann.net/2023/03/20/are-we-consuming-too-much-low-effort-content/feed/ 0 29046 “Free Download” Scam https://ingovogelmann.net/2023/03/17/free-download-scam/ https://ingovogelmann.net/2023/03/17/free-download-scam/#respond Fri, 17 Mar 2023 07:00:00 +0000 https://ingovogelmann.net/?p=28925 Ugh, those “free download” apps that turn out to be nothing but scams. Infuriating! These sneaky software companies lure you in with promises of a “free download,” only to reveal later on that it’s just a limited or trial version. And the kicker? Once you want to continue using it, they hit you with a demand to buy a license or subscription. It’s not only misleading, but also downright dishonest. These companies are preying on unsuspecting users who think they get a free app. They should be upfront about the limitations of the “free” version and the costs associated with the full working version. They’re using our time and attention to market their product, only to hit us with a paywall later. It’s disrespectful and shows a complete lack of consideration for other people. Do yourself a favor and read the fine print before you hit that download button. Don’t let scammers take advantage of you and your time and energy. Tags: Crime, Energy, free app, how, Human behavior, ost, Paywall, scam Related posts Why I Abandoned Social Media (3) The Ultimate Harmonic Mixing & Composing Chart (12) The Top 50 Most Successful Albums of All Time (0) The Exasperating Trilogy of Modern Speech: Upspeak, Vocal Fry, and the ‘Like’ Epidemic (0) The Complexity of Engaging With My Russian Fans (0)

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]]> https://ingovogelmann.net/2023/03/17/free-download-scam/feed/ 0 28925 Spotify: My Love-Hate Relationship with the World’s No. 1 Streaming Service https://ingovogelmann.net/2023/03/13/spotify-my-love-hate-relationship-with-the-worlds-no-1-streaming-service/ https://ingovogelmann.net/2023/03/13/spotify-my-love-hate-relationship-with-the-worlds-no-1-streaming-service/#respond Mon, 13 Mar 2023 07:00:00 +0000 https://ingovogelmann.net/?p=29003 As an artist, I have my fair share of frustrations with Spotify, believe it or not, as much as I promote my music on the platform. I do it because it’s the easiest and shortest route for fans to access my music. For no other reason. Spotify Spotify is a streaming service that has taken the world by storm. It offers millions of songs, podcasts, and other audio content to users around the globe. On the surface, it seems like a great service that provides a lot of value to its users. However, if you scratch beneath the surface, you’ll find that Spotify is far from perfect. In fact, there are several reasons why Spotify should be criticized. First of all, let’s talk about the way Spotify treats artists. As a musician myself, I know firsthand how difficult it can be to make a living from your art. Spotify pays artists a fraction of a penny per stream. In other words, if you’re a musician on Spotify, you’re most likely not going to make much money. You might get a lot of streams, but those streams aren’t going to pay the bills. But it’s not just the low pay that’s the problem. It’s also the fact that Spotify doesn’t give artists any control over how their music is presented on the platform. The algorithms that Spotify uses to curate playlists and recommend music are a mystery to everyone, including the artists themselves. This means that even if you’re a talented musician with a unique sound, you might never get discovered on Spotify because the algorithm doesn’t favor your style of music. And then there’s the issue of Spotify’s business model.…

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]]> https://ingovogelmann.net/2023/03/13/spotify-my-love-hate-relationship-with-the-worlds-no-1-streaming-service/feed/ 0 29003 The Best Albums of All Time, According to Me (With Occasional Commentary) https://ingovogelmann.net/2023/02/26/the-best-albums-of-all-time-according-to-me-with-occasional-commentary/ https://ingovogelmann.net/2023/02/26/the-best-albums-of-all-time-according-to-me-with-occasional-commentary/#comments Sun, 26 Feb 2023 14:12:26 +0000 https://ingovogelmann.net/?p=27558 They say you are what you like, and if that’s true, then my taste in music speaks volumes about my private and musical personality. These albums have been with me for ages, some newer than others, but all of them share a common thread: they’re all incredibly good. I’m not trying to sound like an old fogey pining for the good old days, but I do feel sorry for the youngins who missed out on the era when this music was being created. Luckily for them, it still exists and is audible. But buyer beware: just because something’s labeled “remastered” doesn’t necessarily mean it’s an improvement. Some remasters are, dare I say it, worse than the original tracks. It’s not ideal, but we can’t control the rights holders who sometimes replace the original tracks with these subpar versions. Fortunately, the listening technology these days is better than ever, so there’s that. Back in the day, getting noticed as an artist was almost as hard as finding a needle in a haystack because there was no internet. Record managers were the gatekeepers who decided who was worth investing in, and when they did, they invested big. I’m talking piles of cash, enough to set everyone up for life. But hey, that’s what you had to do to get the best musicians, sound engineers, and technology available. Producing an album was a massive undertaking, and failure wasn’t an option. Sure, that whole process might seem a bit shady, but there were some advantages to it. If you could sing or play your instrument like nobody’s business, you had a chance to become a superstar. If you looked good too, well, let’s just…

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]]> https://ingovogelmann.net/2023/02/26/the-best-albums-of-all-time-according-to-me-with-occasional-commentary/feed/ 2 27558 My Take on AI like ChatGPT (and the Real Threats) https://ingovogelmann.net/2023/02/16/my-take-on-ai-like-chatgpt-and-the-real-threats/ https://ingovogelmann.net/2023/02/16/my-take-on-ai-like-chatgpt-and-the-real-threats/#respond Thu, 16 Feb 2023 06:14:18 +0000 https://ingovogelmann.net/?p=27868 I fear slowing down the development and implementation of AI more than the everyday use of it. AI is not inherently good or evil, it’s basically a tool that can be used for a variety of purposes, and it is up to humans to decide how to use it. Many of the concerns about AI are based on science fiction and exaggerations rather than real-world applications and limitations of current AI technology. The development of AI is still in its early stages, and while it has shown significant progress recently, it is still far from reaching a point where it can pose a threat to humanity. AI like ChatGPT is useful and somewhat impressive (or not) but far from dangerous. It knows less than humanity actually does. It has no capacity for opinion, emotion or decision-making. And it is precisely these 3 things that get us into trouble as humans. Artificial intelligence is only as “intelligent” as we feed such a system with data. So, it always depends on how intelligent the feeder is and how extensive and balanced the data is. I highly doubt very stupid people would have access to this feeding process or even understand how to feed. That brings me to our real problem: ignorant or stupid people. Now if you think I’m about to bash people with a lack of mental abilities, read on first. The actions of unintelligent or ignorant people have a greater negative impact on society than those of intentionally malicious individuals, like say Donald Trump (who is both stupid and ignorant, the most dangerous combination). While both ignorance and intentional malice can and do certainly have negative consequences, it is also…

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]]> https://ingovogelmann.net/2023/02/16/my-take-on-ai-like-chatgpt-and-the-real-threats/feed/ 0 27868 Interview With Myself (And Then You) https://ingovogelmann.net/2023/02/13/interview-with-myself-and-then-you/ https://ingovogelmann.net/2023/02/13/interview-with-myself-and-then-you/#respond Mon, 13 Feb 2023 18:00:00 +0000 https://ingovogelmann.net/?p=26989 I did this many years ago, and here is a very recent (2023) version. The template for this comes from here: 33 Questions For An Interview With Yourself Feel free to pick this up and do it yourself. Link back to this post, so I can see it. 1. What Do You Do for a Living? Well, the fact that you ended up here means you already know at least part of the answer. I’m a music producer, composer and sound engineer, mainly. I work for myself, so I make my own music, and I work for others whose music I either write and produce or edit. I also have a “day job” that feeds me reliably and pays the bills, because I could no longer make a living from music alone. That used to be different, but unfortunately, that’s the way it is today. But I really like my second job. I work with great people, and I can do my work in a relatively free and creative way. I am a marketing manager and board member in the textile industry. There is no good reason to complain. 2. Who Do You Love? Okay, then I’ll be completely honest. You asked for it. I love my friends, some of whom I’ve had for a very long time, and my partner and our dogs. To put it succinctly to the point. Of course, the issue is more complicated. I have a big and fucked up family history that could be described as broken. In this respect, love is not dripping from every crack. I love certain people in this family in a certain way, but that’s more through blood ties…

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]]> https://ingovogelmann.net/2023/02/13/interview-with-myself-and-then-you/feed/ 0 26989 I Suffer From Sensorineural Hearing Loss https://ingovogelmann.net/2023/02/09/i-suffer-from-sensorineural-hearing-loss/ https://ingovogelmann.net/2023/02/09/i-suffer-from-sensorineural-hearing-loss/#comments Thu, 09 Feb 2023 18:00:00 +0000 https://ingovogelmann.net/?p=27856 During my lifetime I developed a condition known as sensorineural hearing loss which resulted in permanent loss of high frequency hearing. My right ear is affected a little more than the left, albeit due to a congenital auditory canal that is somewhat narrowed. This condition makes it difficult for me to hear certain frequencies like human speech, especially in noisy environments. A prominent example of someone having the same problem is Phil Collins. This type of hearing loss is caused by damage to the inner ear, specifically to the hair cells in the cochlea, and are — in my case — the result of many years of exposure to loud music both as a performer and as a producer. Today I want to be open about my hearing loss and speak about the challenges I’m facing as a result. Living with sensorineural hearing loss is a reality that I never thought I would face when I was younger, but it’s something that I have learned to live with over the years. Looking back today, I couldn’t hear certain frequencies too well very early on when I began playing music, especially when I was surrounded by background noise or chatting people. It’s a condition that has affected my (social) life significantly, and it’s something quite serious. I’m sharing my story in the hope that it will inspire others to take steps to protect their hearing, and to avoid the same fate that I’m enduring. Diagnosis I was officially diagnosed with sensorineural hearing loss in 2011, after I noticed that I was having more and more trouble hearing in even only lightly noisy environments, like a dish washer in a kitchen that…

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]]> https://ingovogelmann.net/2023/02/09/i-suffer-from-sensorineural-hearing-loss/feed/ 4 27856 Be the Person Your Dog Thinks You Are https://ingovogelmann.net/2023/01/12/be-the-person-your-dog-thinks-you-are/ https://ingovogelmann.net/2023/01/12/be-the-person-your-dog-thinks-you-are/#comments Thu, 12 Jan 2023 18:00:00 +0000 https://ingovogelmann.net/?p=27276 My doggy girl, Wilma, was the love of my life. She did not only believe in me, but she was also the one being on the planet within my lifetime who believed in me the most. She gave me everything she had and more. Because that’s what she wanted, just give me everything to make me feel good. I am tearing up as I write these words. I haven’t been able to talk about it for a very long time, and it’s still difficult for me now. She died on August 31, 2012, aged 12, full of cancer. That was the worst day of my entire life. And the deep sorrow for her never left me. It’s not as present as it used to be, but it hasn’t gone away at all. I have regular moments when this sadness overruns me like a steamroller. I miss her terribly, every damn day. In your dog’s eyes, the sun revolves around you, you are the center of the universe, everything depends on you. There is nothing you can do wrong, for your dog you are the absolute perfection and the benchmark for everything. Even abused dogs “love” their owners … even if they mostly fear them. Subordinate wolves in packs do this too. I wasn’t always the perfect dog dad, but she forgave me for every mistake. She has always adapted her few, simple needs to my many, complicated needs. And no, food wasn’t her first priority. The biggest thing for her was spending time with me, being outside with me, spending time in nature, playing and frolicking. I saved Wilma and she saved me. In fact, she has saved me more…

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]]> https://ingovogelmann.net/2023/01/12/be-the-person-your-dog-thinks-you-are/feed/ 2 27276 Spotify vs. Apple Music — Distribution — How to Pursue a Musical Career — From an Artist’s Perspective https://ingovogelmann.net/2022/12/16/spotify-vs-apple-music-distribution-how-to-pursue-a-musical-career-from-an-artists-perspective/ https://ingovogelmann.net/2022/12/16/spotify-vs-apple-music-distribution-how-to-pursue-a-musical-career-from-an-artists-perspective/#respond Fri, 16 Dec 2022 19:31:53 +0000 https://ingovogelmann.net/?p=26860 In this article, I’ll look at the two biggest music streaming providers, we’ll look at a good distribution service, and we’ll look at if and how you can or should pursue a music career. The two big boys in the music streaming business As an artist, it is important to choose the right streaming platform to showcase and distribute your music. There are many options available, but two of the most popular are Spotify and Apple Music. While both platforms have their pros and cons, it is important to weigh the options and consider which one is the best fit for your needs as an artist. First, let’s take a look at Spotify. With over 345 million monthly active users, Spotify is the largest streaming platform in the world. It offers a wide range of features for both artists and listeners, including personalized playlists, podcasts, and live audio. For artists, Spotify provides a variety of tools to help promote and monetize their music, including the ability to create artist profiles, upload music, and track streams and listeners. One of the biggest benefits of Spotify for artists is the potential to reach a large audience. With millions of users, there is a good chance that your music will be discovered by new listeners. Additionally, Spotify offers a program called Spotify for Artists, which provides resources and insights for artists to help them grow their careers. However, there are some downsides to consider as well. For one, the royalty rates on Spotify can be relatively low, with artists earning around $0.004 to $0.0084 per stream. This can make it difficult for independent artists to earn a significant amount of money from their…

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]]> https://ingovogelmann.net/2022/12/16/spotify-vs-apple-music-distribution-how-to-pursue-a-musical-career-from-an-artists-perspective/feed/ 0 26860 Why I Abandoned Social Media https://ingovogelmann.net/2022/11/07/why-i-abandoned-social-media/ https://ingovogelmann.net/2022/11/07/why-i-abandoned-social-media/#comments Mon, 07 Nov 2022 16:04:05 +0000 https://ingovogelmann.net/?p=24470 When social media became “the new thing” and every artist was recommended to join the hype, I was very skeptical at first. I came late to the party of the two top dogs, Twitter in 2007, Facebook only in 2009, after the pressure on me from all sides grew too great. At least that’s how it felt to me at the time, or what I told myself… but there’s a good chance I just had the same need for recognition as everyone else and was afraid of missing out and not being recognized appropriately. As you grow older, fortunately that disappears. Instagram was about photography once I thought Instagram was pretty good at first… the filters looked cool and it was more about the photos than anything else. Until Facebook took over and turned it into a drug for people with an inferiority complex. Anti-Social Media I’ve never really felt comfortable with anti-social media, and I’ve also struggled to generate huge followings. There were decent numbers lately, but not enormous. That may have something to do with the fact that my audience has a rather limited affinity for social media. Something like that always has a direct connection with the kind of music you make. In all these years, I have experienced everything on social media that internet experts and psychologists are now warning of: abuse, hate, completely pointless and unnecessary discussions, exposing the private to the public (something I don’t like at all) and a very stupid thing: living out conflicts in public, in front of people you don’t really know. Necessary for artists? For a long time, I myself succumbed to the belief that as an artist you…

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]]> https://ingovogelmann.net/2022/11/07/why-i-abandoned-social-media/feed/ 3 24470 The Ultimate Harmonic Mixing & Composing Chart https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/ https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/#comments Wed, 22 Oct 2014 05:09:57 +0000 http://vogelmann.me/?p=6300 Before you dig in… The Ultimate Harmonic Mixing & Composing Chart is a visual aid for musicians, producers, composers and DJs to easily create music that always has harmonic chord progressions. This sheet is now widely used worldwide as a teaching and practical tool in music and DJ schools and has been downloaded hundreds of thousands of times. The situation As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t). So yes, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always. As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, Mark Davis came up with Camelot Keys (used in Mixed in Key, which I prefer, because of its accuracy) and then there are the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key). In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This…

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]]> https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/feed/ 12 6300