how to Archives • INGO VOGELMANN https://ingovogelmann.net/tag/how-to/ Composer • Producer • Audio Engineer Sat, 28 Oct 2023 08:47:51 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.2 https://ingovogelmann.net/wp-content/uploads/2023/03/cropped-iv_icon_2023.png how to Archives • INGO VOGELMANN https://ingovogelmann.net/tag/how-to/ 32 32 120855996 You Need to Fail to Succeed https://ingovogelmann.net/2023/10/28/you-need-to-fail-to-succeed/ https://ingovogelmann.net/2023/10/28/you-need-to-fail-to-succeed/#respond Sat, 28 Oct 2023 08:47:45 +0000 https://ingovogelmann.net/?p=29578 And I did, many times. That doesn’t mean I always succeeded after I failed, but whenever I succeeded it never came without failure before. That said… A New Paradigm for Music Makers In an industry that’s constantly evolving, The Crow Hill Company emerges as a breath of fresh air. While still in its early stages, the platform promises an ever-growing collection of free professional resources for music makers. But what sets it apart is its philosophy: it aims to be a “love letter to music makers.” This isn’t just a repository of tools; it’s a community, a support system, and most importantly, a philosophy that values the process as much as the product. What’s in the Vault? While the company is tight-lipped about upcoming content, they’ve teased that it’s something they’re “incredibly reluctant to share,” which only adds to the intrigue. Given the secrecy, one can only speculate about the revolutionary tools and resources that might be in store for members. The Maestro Behind the Mission Christian Henson is a name that commands respect in the world of music composition. With a career that boasts multiple nominations and awards, he’s a versatile talent who’s worked on everything from TV shows to epic sci-fi films. But what truly sets him apart is his unique, self-taught approach to working with the orchestra, a skill honed through collaborations with a diverse range of artists. The Spitfire Legacy Before The Crow Hill Company, Henson made waves with Spitfire Audio, a company that provides essential tools for composers. Spitfire developed a cult following and became a significant supporter of the music industry. This experience undoubtedly informs his new venture, bringing a level of expertise and…

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The Power of Simplicity: Unraveling the Secret to Crafting Memorable Music https://ingovogelmann.net/2023/04/20/the-power-of-simplicity-unraveling-the-secret-to-crafting-memorable-music/ https://ingovogelmann.net/2023/04/20/the-power-of-simplicity-unraveling-the-secret-to-crafting-memorable-music/#respond Thu, 20 Apr 2023 06:00:00 +0000 https://ingovogelmann.net/?p=29227 I can’t stop thinking about the beauty that lies in the simplicity of things. In all kinds of things, including music. And so the idea for a small blogpost on this topic was born. In the world of music, simplicity can be a powerful and often overlooked tool. Many musicians and composers – me too, at times – may be tempted to believe that complexity and technical prowess are the keys to creating compelling and memorable music. This is not always the case. It is often the simplest melodies and arrangements that resonate most deeply with listeners and stand the test of time. In this blog post, we will explore the concept of simplicity in music, why it works so well, and provide examples of iconic musical works that have harnessed the power of simplicity to achieve greatness. The Importance of Simplicity in Music Simplicity allows music to be easily understood and enjoyed by a wide range of listeners. A simple melody or chord progression can often evoke a stronger emotional response than a complex, intricate arrangement. This is because our brains are wired to appreciate patterns and predictability, making simpler music more accessible and memorable. Some of history’s most iconic songs and compositions have utilized simplicity to create a lasting impact. For example, Beethoven’s Symphony No. 5 begins with a simple four-note motif that is instantly recognizable and has become synonymous with the composer’s genius. This motif, known as the “fate motif,” is repeated and developed throughout the symphony, demonstrating the power of a simple musical idea. Another example is The Beatles’ “Let It Be.” This song features a simple piano melody accompanied by basic chords and a straightforward…

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The Future of Jobs in the Music Industry https://ingovogelmann.net/2023/03/24/the-future-of-jobs-in-the-music-industry/ https://ingovogelmann.net/2023/03/24/the-future-of-jobs-in-the-music-industry/#respond Fri, 24 Mar 2023 07:00:00 +0000 https://ingovogelmann.net/?p=28939 As we enter the age of automation and artificial intelligence, many industries are undergoing significant changes, and the music industry is no exception. From the way music is produced and distributed to how it is consumed, the music industry is evolving rapidly. But what does the future hold for jobs in the music industry? Will machines take over and leave musicians out of work? Let’s take a closer look. The music industry has always been notoriously difficult to break into. Even with the advent of digital technology and social media, it’s still a highly competitive industry that requires talent, perseverance, and a little bit lot of luck. That said, the digital age has created a whole host of new opportunities for musicians, songwriters, and producers. With platforms like YouTube, SoundCloud and whatnot, artists can now reach a global audience from the comfort of their bedroom, without the need for a record label or a massive marketing budget. But what about the more traditional jobs in the music industry? The jobs that require certain expertise? Well, it’s true that some of these jobs may become automated in the future. For example, there are already AI programs that can compose music and even write lyrics. However, machines can’t replace the human touch when it comes to music. Music is an art form, and there will always be a demand for talented musicians who can connect with audiences on an emotional level. In fact, the rise of technology in the music industry has created new job opportunities that didn’t exist before. For example, there is now a growing demand for experts in music data analysis. With the rise of streaming services, record labels…

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The Simple Harmonic Mixing Tool https://ingovogelmann.net/2023/03/21/the-simple-harmonic-mixing-tool/ https://ingovogelmann.net/2023/03/21/the-simple-harmonic-mixing-tool/#respond Tue, 21 Mar 2023 18:36:56 +0000 https://ingovogelmann.net/?p=29131 Ladies and gentlemen, allow me to present to you: The Simple Harmonic Mixing Tool, which is designed to help you always mix or compose harmoniously. No matter which recommendation you follow, the result will always fit. All you have to do is decide on the direction you want your mix or composition to go. Here you will find the very simple tool, easy to use for everyone. You can also find it at the top of the menu under “Stuff“. Let me know what your experience with the tool is, and I wish you much joy and success with it! Tags: camelot, chord progression, chord progressions, chords, compose, composing music, composition, dance, Disc jockey, DJ, dj mixing, djing, electronic, Electronic dance music, electronic music, Energy, harmonic, harmonic mix, harmonic mixing, harmonics, harmonies, help, how to, how to dj, key, mix, mixed, mixed in key, mixing, music, music production, music theory, musical, recommendation, Relative key, sound, techno, tips, tools, traktor Related posts The Ultimate Harmonic Mixing & Composing Chart (12) Harmonic Mixing and Composing with the Camelot Wheel (0) Why I Abandoned Social Media (3) The Best Albums of All Time, According to Me (With Occasional Commentary) (2) A Psychological Guide to Harmonic Mixing and Composing (0)

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The Best Albums of All Time, According to Me (With Occasional Commentary) https://ingovogelmann.net/2023/02/26/the-best-albums-of-all-time-according-to-me-with-occasional-commentary/ https://ingovogelmann.net/2023/02/26/the-best-albums-of-all-time-according-to-me-with-occasional-commentary/#comments Sun, 26 Feb 2023 14:12:26 +0000 https://ingovogelmann.net/?p=27558 They say you are what you like, and if that’s true, then my taste in music speaks volumes about my private and musical personality. These albums have been with me for ages, some newer than others, but all of them share a common thread: they’re all incredibly good. I’m not trying to sound like an old fogey pining for the good old days, but I do feel sorry for the youngins who missed out on the era when this music was being created. Luckily for them, it still exists and is audible. But buyer beware: just because something’s labeled “remastered” doesn’t necessarily mean it’s an improvement. Some remasters are, dare I say it, worse than the original tracks. It’s not ideal, but we can’t control the rights holders who sometimes replace the original tracks with these subpar versions. Fortunately, the listening technology these days is better than ever, so there’s that. Back in the day, getting noticed as an artist was almost as hard as finding a needle in a haystack because there was no internet. Record managers were the gatekeepers who decided who was worth investing in, and when they did, they invested big. I’m talking piles of cash, enough to set everyone up for life. But hey, that’s what you had to do to get the best musicians, sound engineers, and technology available. Producing an album was a massive undertaking, and failure wasn’t an option. Sure, that whole process might seem a bit shady, but there were some advantages to it. If you could sing or play your instrument like nobody’s business, you had a chance to become a superstar. If you looked good too, well, let’s just…

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My Take on AI like ChatGPT (and the Real Threats) https://ingovogelmann.net/2023/02/16/my-take-on-ai-like-chatgpt-and-the-real-threats/ https://ingovogelmann.net/2023/02/16/my-take-on-ai-like-chatgpt-and-the-real-threats/#respond Thu, 16 Feb 2023 06:14:18 +0000 https://ingovogelmann.net/?p=27868 I fear slowing down the development and implementation of AI more than the everyday use of it. AI is not inherently good or evil, it’s basically a tool that can be used for a variety of purposes, and it is up to humans to decide how to use it. Many of the concerns about AI are based on science fiction and exaggerations rather than real-world applications and limitations of current AI technology. The development of AI is still in its early stages, and while it has shown significant progress recently, it is still far from reaching a point where it can pose a threat to humanity. AI like ChatGPT is useful and somewhat impressive (or not) but far from dangerous. It knows less than humanity actually does. It has no capacity for opinion, emotion or decision-making. And it is precisely these 3 things that get us into trouble as humans. Artificial intelligence is only as “intelligent” as we feed such a system with data. So, it always depends on how intelligent the feeder is and how extensive and balanced the data is. I highly doubt very stupid people would have access to this feeding process or even understand how to feed. That brings me to our real problem: ignorant or stupid people. Now if you think I’m about to bash people with a lack of mental abilities, read on first. The actions of unintelligent or ignorant people have a greater negative impact on society than those of intentionally malicious individuals, like say Donald Trump (who is both stupid and ignorant, the most dangerous combination). While both ignorance and intentional malice can and do certainly have negative consequences, it is also…

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I Suffer From Sensorineural Hearing Loss https://ingovogelmann.net/2023/02/09/i-suffer-from-sensorineural-hearing-loss/ https://ingovogelmann.net/2023/02/09/i-suffer-from-sensorineural-hearing-loss/#comments Thu, 09 Feb 2023 18:00:00 +0000 https://ingovogelmann.net/?p=27856 During my lifetime I developed a condition known as sensorineural hearing loss which resulted in permanent loss of high frequency hearing. My right ear is affected a little more than the left, albeit due to a congenital auditory canal that is somewhat narrowed. This condition makes it difficult for me to hear certain frequencies like human speech, especially in noisy environments. A prominent example of someone having the same problem is Phil Collins. This type of hearing loss is caused by damage to the inner ear, specifically to the hair cells in the cochlea, and are — in my case — the result of many years of exposure to loud music both as a performer and as a producer. Today I want to be open about my hearing loss and speak about the challenges I’m facing as a result. Living with sensorineural hearing loss is a reality that I never thought I would face when I was younger, but it’s something that I have learned to live with over the years. Looking back today, I couldn’t hear certain frequencies too well very early on when I began playing music, especially when I was surrounded by background noise or chatting people. It’s a condition that has affected my (social) life significantly, and it’s something quite serious. I’m sharing my story in the hope that it will inspire others to take steps to protect their hearing, and to avoid the same fate that I’m enduring. Diagnosis I was officially diagnosed with sensorineural hearing loss in 2011, after I noticed that I was having more and more trouble hearing in even only lightly noisy environments, like a dish washer in a kitchen that…

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Spotify vs. Apple Music — Distribution — How to Pursue a Musical Career — From an Artist’s Perspective https://ingovogelmann.net/2022/12/16/spotify-vs-apple-music-distribution-how-to-pursue-a-musical-career-from-an-artists-perspective/ https://ingovogelmann.net/2022/12/16/spotify-vs-apple-music-distribution-how-to-pursue-a-musical-career-from-an-artists-perspective/#respond Fri, 16 Dec 2022 19:31:53 +0000 https://ingovogelmann.net/?p=26860 In this article, I’ll look at the two biggest music streaming providers, we’ll look at a good distribution service, and we’ll look at if and how you can or should pursue a music career. The two big boys in the music streaming business As an artist, it is important to choose the right streaming platform to showcase and distribute your music. There are many options available, but two of the most popular are Spotify and Apple Music. While both platforms have their pros and cons, it is important to weigh the options and consider which one is the best fit for your needs as an artist. First, let’s take a look at Spotify. With over 345 million monthly active users, Spotify is the largest streaming platform in the world. It offers a wide range of features for both artists and listeners, including personalized playlists, podcasts, and live audio. For artists, Spotify provides a variety of tools to help promote and monetize their music, including the ability to create artist profiles, upload music, and track streams and listeners. One of the biggest benefits of Spotify for artists is the potential to reach a large audience. With millions of users, there is a good chance that your music will be discovered by new listeners. Additionally, Spotify offers a program called Spotify for Artists, which provides resources and insights for artists to help them grow their careers. However, there are some downsides to consider as well. For one, the royalty rates on Spotify can be relatively low, with artists earning around $0.004 to $0.0084 per stream. This can make it difficult for independent artists to earn a significant amount of money from their…

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Why I Abandoned Social Media https://ingovogelmann.net/2022/11/07/why-i-abandoned-social-media/ https://ingovogelmann.net/2022/11/07/why-i-abandoned-social-media/#comments Mon, 07 Nov 2022 16:04:05 +0000 https://ingovogelmann.net/?p=24470 When social media became “the new thing” and every artist was recommended to join the hype, I was very skeptical at first. I came late to the party of the two top dogs, Twitter in 2007, Facebook only in 2009, after the pressure on me from all sides grew too great. At least that’s how it felt to me at the time, or what I told myself… but there’s a good chance I just had the same need for recognition as everyone else and was afraid of missing out and not being recognized appropriately. As you grow older, fortunately that disappears. Instagram was about photography once I thought Instagram was pretty good at first… the filters looked cool and it was more about the photos than anything else. Until Facebook took over and turned it into a drug for people with an inferiority complex. Anti-Social Media I’ve never really felt comfortable with anti-social media, and I’ve also struggled to generate huge followings. There were decent numbers lately, but not enormous. That may have something to do with the fact that my audience has a rather limited affinity for social media. Something like that always has a direct connection with the kind of music you make. In all these years, I have experienced everything on social media that internet experts and psychologists are now warning of: abuse, hate, completely pointless and unnecessary discussions, exposing the private to the public (something I don’t like at all) and a very stupid thing: living out conflicts in public, in front of people you don’t really know. Necessary for artists? For a long time, I myself succumbed to the belief that as an artist you…

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The Ultimate Harmonic Mixing & Composing Chart https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/ https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/#comments Wed, 22 Oct 2014 05:09:57 +0000 http://vogelmann.me/?p=6300 Before you dig in… The Ultimate Harmonic Mixing & Composing Chart is a visual aid for musicians, producers, composers and DJs to easily create music that always has harmonic chord progressions. This sheet is now widely used worldwide as a teaching and practical tool in music and DJ schools and has been downloaded hundreds of thousands of times. The situation As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t). So yes, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always. As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, Mark Davis came up with Camelot Keys (used in Mixed in Key, which I prefer, because of its accuracy) and then there are the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key). In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This…

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