Why I Abandoned Social Media

Ingo — Mon, 07 Nov 2022 16:04:05 +0000

When social media became “the new thing” and every artist was recommended to join the hype, I was very skeptical at first. I came late to the party of the two top dogs, Twitter in 2007, Facebook only in 2009, after the pressure on me from all sides grew too great. At least that’s how it felt to me at the time, or what I told myself… but there’s a good chance I just had the same need for recognition as everyone else and was afraid of missing out and not being recognized appropriately. As you grow older, fortunately that disappears. Instagram was about photography once I thought Instagram was pretty good at first… the filters looked cool and it was more about the photos than anything else. Until Facebook took over and turned it into a drug for people with an inferiority complex. Anti-Social Media I’ve never really felt comfortable with anti-social media, and I’ve also struggled to generate huge followings. There were decent numbers lately, but not enormous. That may have something to do with the fact that my audience has a rather limited affinity for social media. Something like that always has a direct connection with the kind of music you make. In all these years, I have experienced everything on social media that internet experts and psychologists are now warning of: abuse, hate, completely pointless and unnecessary discussions, exposing the private to the public (something I don’t like at all) and a very stupid thing: living out conflicts in public, in front of people you don’t really know. Necessary for artists? For a long time, I myself succumbed to the belief that as an artist you…

From INGO VOGELMANN.

The Ultimate Harmonic Mixing & Composing Chart

Ingo — Wed, 22 Oct 2014 05:09:57 +0000

Before you dig in… The Ultimate Harmonic Mixing & Composing Chart is a visual aid for musicians, producers, composers and DJs to easily create music that always has harmonic chord progressions. This sheet is now widely used worldwide as a teaching and practical tool in music and DJ schools and has been downloaded hundreds of thousands of times. The situation As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t). So yes, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always. As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, Mark Davis came up with Camelot Keys (used in Mixed in Key, which I prefer, because of its accuracy) and then there are the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key). In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This…

From INGO VOGELMANN.

Proximity effect (audio) Archives • INGO VOGELMANN

Why I Abandoned Social Media

The Ultimate Harmonic Mixing & Composing Chart