rave Archives • INGO VOGELMANN https://ingovogelmann.net/tag/rave/ Composer • Producer • Audio Engineer Thu, 18 May 2023 13:20:10 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.2 https://ingovogelmann.net/wp-content/uploads/2023/03/cropped-iv_icon_2023.png rave Archives • INGO VOGELMANN https://ingovogelmann.net/tag/rave/ 32 32 120855996 The Best-Selling Songs of the 80s in the UK and Germany https://ingovogelmann.net/2023/05/21/the-best-selling-songs-of-the-80s-in-the-uk-and-germany/ https://ingovogelmann.net/2023/05/21/the-best-selling-songs-of-the-80s-in-the-uk-and-germany/#respond Sun, 21 May 2023 07:00:00 +0000 https://ingovogelmann.net/?p=29325 I’m delighted to take you on a nostalgic journey again, back to the heart of my youth and a remarkable decade in music – the 1980s. Being born in 1973, my formative years were spent in the midst of an explosive era of music innovation and creativity. The unforgettable melodies, the iconic artists, and the cultural movements that framed this period have left a lasting imprint on me. Each song on this list sparks a unique memory, a moment of time encapsulated within the chords and lyrics of these classic tunes. Back then, we saw a massive shift in the music landscape, from the raw acoustic and earthy sounds of the 70s, transitioning into the vibrant, electronic, and synthesized beats of the 80s. This era was marked by its pioneering use of new technology, synthesizers, and production techniques, a stark contrast to today’s music that thrives on digital platforms, streaming services, and social media influence. And of course, let’s not forget the extraordinary fashion statements – the big hair, the neon colors, and the shoulder pads that were as bold as the music itself! Now, join me as we travel back in time, revisit the top-selling and most popular songs in the UK and Germany for each year of the 80s, and explore how these hits shaped the music and culture of the time. Right before we dive into this musical journey, a little surprise awaits you at the end of this post – a link to a carefully curated Spotify playlist featuring all the top-selling songs from the 80s in the UK and Germany that we’re about to explore. Keep reading and enjoy this nostalgic trip, knowing that a…

From INGO VOGELMANN.

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The Power of Simplicity: Unraveling the Secret to Crafting Memorable Music https://ingovogelmann.net/2023/04/20/the-power-of-simplicity-unraveling-the-secret-to-crafting-memorable-music/ https://ingovogelmann.net/2023/04/20/the-power-of-simplicity-unraveling-the-secret-to-crafting-memorable-music/#respond Thu, 20 Apr 2023 06:00:00 +0000 https://ingovogelmann.net/?p=29227 I can’t stop thinking about the beauty that lies in the simplicity of things. In all kinds of things, including music. And so the idea for a small blogpost on this topic was born. In the world of music, simplicity can be a powerful and often overlooked tool. Many musicians and composers – me too, at times – may be tempted to believe that complexity and technical prowess are the keys to creating compelling and memorable music. This is not always the case. It is often the simplest melodies and arrangements that resonate most deeply with listeners and stand the test of time. In this blog post, we will explore the concept of simplicity in music, why it works so well, and provide examples of iconic musical works that have harnessed the power of simplicity to achieve greatness. The Importance of Simplicity in Music Simplicity allows music to be easily understood and enjoyed by a wide range of listeners. A simple melody or chord progression can often evoke a stronger emotional response than a complex, intricate arrangement. This is because our brains are wired to appreciate patterns and predictability, making simpler music more accessible and memorable. Some of history’s most iconic songs and compositions have utilized simplicity to create a lasting impact. For example, Beethoven’s Symphony No. 5 begins with a simple four-note motif that is instantly recognizable and has become synonymous with the composer’s genius. This motif, known as the “fate motif,” is repeated and developed throughout the symphony, demonstrating the power of a simple musical idea. Another example is The Beatles’ “Let It Be.” This song features a simple piano melody accompanied by basic chords and a straightforward…

From INGO VOGELMANN.

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Are We Consuming Too Much Low-Effort Content? https://ingovogelmann.net/2023/03/20/are-we-consuming-too-much-low-effort-content/ https://ingovogelmann.net/2023/03/20/are-we-consuming-too-much-low-effort-content/#respond Mon, 20 Mar 2023 07:00:00 +0000 https://ingovogelmann.net/?p=29046 There was a time when video footage of hilarious mishaps was a rare and valuable commodity. It was 1987, and every week on German television, viewers tuned in to “Pleiten, Pech und Pannen” (“Disasters, Bad Luck and Breakdowns”) hosted by a not-so-funny, but charmingly coiffed Max Schautzer. This was a show dedicated to sharing amateur footage of people’s embarrassing moments and mishaps. The audience then voted on the “funniest video of the week” and the winner walked away with the coveted “Golden Raven” trophy and some cold hard cash. Back then, capturing these moments on video was like striking gold. Camcorders were an expensive luxury item, and it was rare to catch these moments on camera. Having a compilation of the best camcorder clips in one place was something special. But now, things are different. Thanks to smartphones and social media, we can watch videos of people slipping on banana peels all day long. There’s an endless stream of videos on TikTok and Instagram, and we can scroll through them for hours on end. We’ve gone from limited supply to a never-ending stream of content. But why are we so obsessed with these videos? Some might argue that our desire for this type of content has grown to ridiculous proportions, especially since March 2020. When the pandemic hit, millions of people found themselves stuck at home, bored, and unhappy. They turned to low-effort, easily consumable content to pass the time. Even with billions of people posting videos online, only a few are actually good enough to satisfy our insatiable appetite for entertainment. As someone born in 1973, I remember a time when real life was the primary source of entertainment.…

From INGO VOGELMANN.

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The Best Albums of All Time, According to Me (With Occasional Commentary) https://ingovogelmann.net/2023/02/26/the-best-albums-of-all-time-according-to-me-with-occasional-commentary/ https://ingovogelmann.net/2023/02/26/the-best-albums-of-all-time-according-to-me-with-occasional-commentary/#comments Sun, 26 Feb 2023 14:12:26 +0000 https://ingovogelmann.net/?p=27558 They say you are what you like, and if that’s true, then my taste in music speaks volumes about my private and musical personality. These albums have been with me for ages, some newer than others, but all of them share a common thread: they’re all incredibly good. I’m not trying to sound like an old fogey pining for the good old days, but I do feel sorry for the youngins who missed out on the era when this music was being created. Luckily for them, it still exists and is audible. But buyer beware: just because something’s labeled “remastered” doesn’t necessarily mean it’s an improvement. Some remasters are, dare I say it, worse than the original tracks. It’s not ideal, but we can’t control the rights holders who sometimes replace the original tracks with these subpar versions. Fortunately, the listening technology these days is better than ever, so there’s that. Back in the day, getting noticed as an artist was almost as hard as finding a needle in a haystack because there was no internet. Record managers were the gatekeepers who decided who was worth investing in, and when they did, they invested big. I’m talking piles of cash, enough to set everyone up for life. But hey, that’s what you had to do to get the best musicians, sound engineers, and technology available. Producing an album was a massive undertaking, and failure wasn’t an option. Sure, that whole process might seem a bit shady, but there were some advantages to it. If you could sing or play your instrument like nobody’s business, you had a chance to become a superstar. If you looked good too, well, let’s just…

From INGO VOGELMANN.

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Interview With Myself (And Then You) https://ingovogelmann.net/2023/02/13/interview-with-myself-and-then-you/ https://ingovogelmann.net/2023/02/13/interview-with-myself-and-then-you/#respond Mon, 13 Feb 2023 18:00:00 +0000 https://ingovogelmann.net/?p=26989 I did this many years ago, and here is a very recent (2023) version. The template for this comes from here: 33 Questions For An Interview With Yourself Feel free to pick this up and do it yourself. Link back to this post, so I can see it. 1. What Do You Do for a Living? Well, the fact that you ended up here means you already know at least part of the answer. I’m a music producer, composer and sound engineer, mainly. I work for myself, so I make my own music, and I work for others whose music I either write and produce or edit. I also have a “day job” that feeds me reliably and pays the bills, because I could no longer make a living from music alone. That used to be different, but unfortunately, that’s the way it is today. But I really like my second job. I work with great people, and I can do my work in a relatively free and creative way. I am a marketing manager and board member in the textile industry. There is no good reason to complain. 2. Who Do You Love? Okay, then I’ll be completely honest. You asked for it. I love my friends, some of whom I’ve had for a very long time, and my partner and our dogs. To put it succinctly to the point. Of course, the issue is more complicated. I have a big and fucked up family history that could be described as broken. In this respect, love is not dripping from every crack. I love certain people in this family in a certain way, but that’s more through blood ties…

From INGO VOGELMANN.

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The Ultimate Harmonic Mixing & Composing Chart https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/ https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/#comments Wed, 22 Oct 2014 05:09:57 +0000 http://vogelmann.me/?p=6300 Before you dig in… The Ultimate Harmonic Mixing & Composing Chart is a visual aid for musicians, producers, composers and DJs to easily create music that always has harmonic chord progressions. This sheet is now widely used worldwide as a teaching and practical tool in music and DJ schools and has been downloaded hundreds of thousands of times. The situation As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t). So yes, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always. As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, Mark Davis came up with Camelot Keys (used in Mixed in Key, which I prefer, because of its accuracy) and then there are the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key). In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This…

From INGO VOGELMANN.

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