soundtrack Archives • INGO VOGELMANN

The Top 50 Most Successful Albums of All Time

Ingo — Thu, 18 May 2023 12:26:47 +0000

Music has the power to move us, to make us feel, and to bring us together. Each song carries its own story, but when songs are woven together into an album, they form a narrative that’s bigger than the sum of its parts. And while every album tells a story, there are those that resonate on such a profound level that they transcend time and place, becoming cultural phenomena in their own right. In this post, we’ll journey through the annals of music history, exploring the top 50 most successful albums of all time. These albums have left an indelible mark not just on the music industry, but on society at large. We’ll look at the incredible artists behind these masterpieces, the years they were released, and the net worth these musicians have amassed over their careers. From The Beatles to Michael Jackson, from Madonna to Pink Floyd, this list encompasses a diverse range of musical styles and eras. So, whether you’re a music aficionado seeking a nostalgic trip down memory lane, or a newcomer wanting to discover some of the greatest albums ever made, join me as I delve into the tales of triumph, creativity, and innovation that have made these albums the most successful in music history. Let’s tune in to their stories! The Playlist Here’s the playlist containing each album with every song (763 songs, 51 hours and 38 minutes) in it in the order of the list above: Artist’s Net Worth Ranking Based on the above, I’ve compiled a list of artists ordered by their estimated net worth. These figures are associated with the success of some of the world’s most iconic albums, with releases spanning…

From INGO VOGELMANN.

The Best Albums of All Time, According to Me (With Occasional Commentary)

Ingo — Sun, 26 Feb 2023 14:12:26 +0000

They say you are what you like, and if that’s true, then my taste in music speaks volumes about my private and musical personality. These albums have been with me for ages, some newer than others, but all of them share a common thread: they’re all incredibly good. I’m not trying to sound like an old fogey pining for the good old days, but I do feel sorry for the youngins who missed out on the era when this music was being created. Luckily for them, it still exists and is audible. But buyer beware: just because something’s labeled “remastered” doesn’t necessarily mean it’s an improvement. Some remasters are, dare I say it, worse than the original tracks. It’s not ideal, but we can’t control the rights holders who sometimes replace the original tracks with these subpar versions. Fortunately, the listening technology these days is better than ever, so there’s that. Back in the day, getting noticed as an artist was almost as hard as finding a needle in a haystack because there was no internet. Record managers were the gatekeepers who decided who was worth investing in, and when they did, they invested big. I’m talking piles of cash, enough to set everyone up for life. But hey, that’s what you had to do to get the best musicians, sound engineers, and technology available. Producing an album was a massive undertaking, and failure wasn’t an option. Sure, that whole process might seem a bit shady, but there were some advantages to it. If you could sing or play your instrument like nobody’s business, you had a chance to become a superstar. If you looked good too, well, let’s just…

From INGO VOGELMANN.

NEW ALBUM: “As Above, So Below”

Ingo — Thu, 22 Dec 2022 09:41:05 +0000

I made a new record titled “As Above, So Below“. It’s electronic, atmospheric, and dark. It will be released on January 4th, 2023 (on my 50th birthday) first on bandcamp as high resolution 24bit 48khz lossless files. On that day I’ll be celebrating my birthday in a hut somewhere at 3,000 meters in the Swiss Alps and I’ll be happy if you buy the album. You can listen to one track before the release on bandcamp. 4 weeks later, on February 3rd, 2023, it will be released on every imaginable streaming platform and store worldwide. It will be available on Spotify, Apple Music, iTunes, Instagram, Facebook, TikTok, Resso, Luna, YouTube Music, Amazon, Soundtrack by Twitch, Pandora, Deezer, Tidal, iHeartRadio, ClaroMusica, Saavn, Boomplay, Anghami, KKBox, NetEase, Tencent, Qobuz, Triller, Joox, Kuack Media, Yandex Music, Adaptr, Flo, MediaNet, Snapchat. Tags: album, ambient, Ambient music, Apple Music, bandcamp, electro, electronic, electronic music, facebook, hd, Instagram, music, play, sound, soundtrack, Spotify, Streaming music services Related posts The Best Albums of All Time, According to Me (With Occasional Commentary) (2) The Best-Selling Songs of the 80s in the UK and Germany (0) Peter Gabriel’s “i/o” Album Review: He’s Back, Better Than Ever Before (0) The Ultimate Harmonic Mixing & Composing Chart (12) Spotify: My Love-Hate Relationship with the World’s No. 1 Streaming Service (0)

From INGO VOGELMANN.

The Ultimate Harmonic Mixing & Composing Chart

Ingo — Wed, 22 Oct 2014 05:09:57 +0000

Before you dig in… The Ultimate Harmonic Mixing & Composing Chart is a visual aid for musicians, producers, composers and DJs to easily create music that always has harmonic chord progressions. This sheet is now widely used worldwide as a teaching and practical tool in music and DJ schools and has been downloaded hundreds of thousands of times. The situation As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t). So yes, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always. As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, Mark Davis came up with Camelot Keys (used in Mixed in Key, which I prefer, because of its accuracy) and then there are the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key). In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This…

From INGO VOGELMANN.