The Power of Simplicity: Unraveling the Secret to Crafting Memorable Music

I can’t stop thinking about the beauty that lies in the simplicity of things. In all kinds of things, including music. And so the idea for a small blogpost on this topic was born.

In the world of music, simplicity can be a powerful and often overlooked tool. Many musicians and composers – me too, at times – may be tempted to believe that complexity and technical prowess are the keys to creating compelling and memorable music. This is not always the case. It is often the simplest melodies and arrangements that resonate most deeply with listeners and stand the test of time.

In this blog post, we will explore the concept of simplicity in music, why it works so well, and provide examples of iconic musical works that have harnessed the power of simplicity to achieve greatness.

The Importance of Simplicity in Music

Simplicity allows music to be easily understood and enjoyed by a wide range of listeners. A simple melody or chord progression can often evoke a stronger emotional response than a complex, intricate arrangement. This is because our brains are wired to appreciate patterns and predictability, making simpler music more accessible and memorable.

Some of history’s most iconic songs and compositions have utilized simplicity to create a lasting impact. For example, Beethoven’s Symphony No. 5 begins with a simple four-note motif that is instantly recognizable and has become synonymous with the composer’s genius. This motif, known as the “fate motif,” is repeated and developed throughout the symphony, demonstrating the power of a simple musical idea.

And just by the way, this is a great video as well.

Another example is The Beatles’ “Let It Be.” This song features a simple piano melody accompanied by basic chords and a straightforward lyrical message. The song’s simplicity allows listeners to easily connect with its message of hope and comfort during times of trouble, making it one of The Beatles’ most enduring and beloved songs.

“Someone Like You” by Adele showcases the power of simplicity. The song relies on a minimal piano arrangement and Adele’s soulful voice to convey a heartfelt message of lost love and longing. The simplicity of the music makes it easy for listeners to connect with the emotions expressed in the song, contributing to its immense popularity.

Tips for Embracing Simplicity in Your Music

Focus on a strong, memorable melody: A catchy melody can be the backbone of a successful song. Don’t be afraid to start with a simple melody and build your arrangement around it.

Use repetition wisely: Repeating musical phrases and motifs can create a sense of familiarity and cohesion in your music. However, be careful not to overuse repetition, as it can become monotonous.

Strip it down: Sometimes, less is more. Experiment with removing elements from your arrangement and see how it affects the overall feel of the song. This can help you identify the most essential parts of your music.

Embrace simplicity in your lyrics: Simple, relatable lyrics can have a powerful impact on listeners. Focus on conveying your message as clearly and directly as possible.

Trust your instincts: If something feels too complex or convoluted, it probably is. Trust your instincts and simplify where necessary.

Simplicity in music can be a powerful tool for connecting with listeners and creating memorable, lasting works of art. By embracing simplicity, musicians and composers can ensure their music resonates with a wide audience and stands the test of time. So, the next time you sit down to create music, remember the immortal words of Albert Einstein:

Everything should be made as simple as possible, but not simpler.

Sometimes, the simplest path is the one that leads straight to the heart.

But…

As much as I’ve praised the virtues of simplicity in music, I must sheepishly admit that I have a penchant for creating more complex musical arrangements myself.

Complex music can be an adventure for both the creator and the listener, offering a labyrinth of intricate layers, challenging harmonies, and enigmatic lyrics that can be deciphered like a musical puzzle. While it might not be everyone’s cup of tea, for those who revel in untangling the mysteries hidden within a composition, it can be a truly rewarding experience.

When I dive headfirst into the world of complex music, I’m like a mad scientist experimenting with sound and structure, pushing the boundaries of my craft. Sure, I might get a little carried away at times, but that’s half the fun! After all, what better way to test my own musical limits and explore new artistic horizons?

Some of the most revered artists in history have dabbled in complex music, from daring jazz improvisations to mind-bending prog-rock epics. These musicians have shown us that complexity, when executed well, can yield captivating and memorable results.

So, while I may have waxed poetic about the power of simplicity earlier, let’s not forget that there’s a place for complexity in music too. As an artist who frequently indulges in more intricate arrangements, I’m living proof that there’s beauty to be found in both simplicity and complexity. Sometimes, it’s all about striking the right balance and embracing the creative chaos that ensues. And, who knows? Maybe one day, I’ll finally master the delicate art of keeping things simple… or not!

Nuno, the God of Guitar, Is Back!

Extreme is one of my all-time favorite bands, and Nuno Bettencourt for me at least technically the best guitarist ever.

Can we all please kneel down and worship this god for this incredible guitar solo? It starts at 2:20.

There really isn’t anything like this anymore. There hasn’t been in the last 30 years. Nuno is back! I mean … holy shit, have a look and listen to this:

This was worth a little post from a fanboy.

The Ultimate Harmonic Mixing & Composing Chart

Before you dig in…

The Ultimate Harmonic Mixing & Composing Chart is a visual aid for musicians, producers, composers and DJs to easily create music that always has harmonic chord progressions. This sheet is now widely used worldwide as a teaching and practical tool in music and DJ schools and has been downloaded hundreds of thousands of times.

The situation

As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t).

So yes, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always.

As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, Mark Davis came up with Camelot Keys (used in Mixed in Key, which I prefer, because of its accuracy) and then there are the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key).

In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This example is the very basic part of harmonic mixing or composing. And also, a bit boring if you do that all the time. It becomes really good and interesting when you use all the options within the world of chord progressions.

What I was missing in all those years of composing and mixing was ONE chart (to rule them all) that shows me ALL key/chord systems and their equivalents, their piano keys (very useful for composing) and their harmonic keys/chords. I searched the interwebs in order to find out if someone did this, but no one did.

The solution

So, I did it myself. 8 hours work and I had what I was looking for. And since I guess this could be useful for every musician/DJ, I want to share it here with you. This is how it looks like (click to open the full resolution file):

The Ultimate Harmonic Mixing Composing Chart
Click to open large version, right-click to save

You can download the high-res PNG image above, print it out and use it for yourself, if you like. Here’s a PDF and the original EXCEL version of it, in case you want to edit/modify something for your needs (let me know when you find mistakes or when you improved it!):

PDF | EXCEL

What does it do, how do I use this?

Let’s take an example for a composing or mixing situation:

The chord we’re working with at the moment is A minor (or 8A, or 1m). What shall be next? Everything in the table below — around the 8A — is possible, it will be harmonic. The closer to the 8A it is the more harmonic it’ll be.

Composing Keys

DJ Keys

Harmonic Keys

Western Music Scale
Piano Chord Keys
Camelot Key
Open Key
Scale Degree
DJ Keys up/down
D minor D + F + A 7A 12m Fourth (Sub-Dominant) -1
C major C + E + G 8B 1d Relative major

A minor

A + C + E

8A

1m

Same key (tonic)

E minor E + G + B 9A 2m Fifth (Dominant) 1
B-flat/â™­ minor A# + C# + F 3A 8m Low energy boost 7
B minor B + D + F# 10A 3m High energy boost (supertonic) 2
A-flat/â™­ minor G + B + D# 1A 6m Low energy drain -7
G minor G + A# + D 6A 11m High energy drain (leading tone) -2

But your decision what to do next is depending on the purpose. What kind of “feel” do you want to give your mix or composition?

Examples

Here are some possible chord progression scenarios, working with the Camelot Keys (which I prefer, at least for DJing), starting with 8A:

The “River”

That’s how I call it, it’s kind of a “secure standard”, nothing special, it’s just flowing along:

8A > 9A > 10A … 12A > 1A > 2A and so forth, until you’re at 7A and back into 8A again

Audio sample:

Music used: Ingo Vogelmann “Albert” (8A) > Tripswitch “Proximity Effect” (9A) > Mike Griego “What Lies Beyond” (10A) 

You can’t go wrong with this one, you just rock “around the clock”. Depending on the energy level of actual music/sequence used, transitions changes can be very energetic, though.

The “Little Ocean Wave”

The energy of this chord progression has the shape of an ocean wave or a sawtooth:

8A > 9A > 11A (+2 DJ keys, high energy boost) > 12A > 1a and so forth

Audio sample:

Music used: Ingo Vogelmann “Albert” (8A) > Tripswitch “Proximity Effect” (9A) > Bobby Deep “Egopunk” (11A) 

You can do this once in a while to give your mix a little energy boost, which makes it more interesting than the “River”.

The “Big Ocean Wave”

8A > 9A > 4A (+7 DJ keys, low energy boost) > 6A (+2 DJ keys, high energy boost) > 7a and so forth

Audio sample:

Music used: Ingo Vogelmann “Albert” (8A) > Tripswitch “Proximity Effect” (9A) > Michael A “Storm” (4A) > Robert Babicz “Kinect” (6A) 

Here you have a longer and progressive wave of energy rising, until it falls back to normal at 7A again, just like an ocean wave crashing and the next one building up again.

The “Wild Ocean”

It’s a bit stormy, and the waters stirred up, but everything is still harmonic and in place. This is the most “interesting” way of mixing, things shouldn’t become boring:

8A > 8B (relative major) > 9A > 4A (+7 DJ keys, low energy boost) > 4B (relative major) > 6B (+2 DJ keys, high energy boost) > 7B > 2B (+7 DJ keys, low energy boost) > 4B (+2 DJ keys, high energy boost) > 5B and so forth

Audio sample:

Music used: Third Son & Wally Lopez “Geometry” (8A) > Ingo Vogelmann “Empire On Fire” (8B) > Antrim “The Mystic Lovers” (9A) > Michael A “Storm” (4A) > Raw District Feat. Jinadu “Taking You Down” (Habischman Remix) (4B)

I could make up a hell of a lot more examples now (with even sillier names), but you most probably already get the idea. The options are really endless, and you’ll always be composing or DJing harmonic. The above scenarios are just examples. Find out what works for yourself, I’m sure you’ll have fun experimenting with chord progressions, using this nifty chart. Oh, and don’t mind the silly names … it’s just about giving things a name. 😉

It’s free! Download, share, modify, re-publish and generally do with it whatever you want. But please, don’t pretend you did this. Credit would be nice (and fair) but is no condition.