tools Archives • INGO VOGELMANN https://ingovogelmann.net/tag/tools-2/ Composer • Producer • Audio Engineer Sat, 28 Oct 2023 08:47:51 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.2 https://ingovogelmann.net/wp-content/uploads/2023/03/cropped-iv_icon_2023.png tools Archives • INGO VOGELMANN https://ingovogelmann.net/tag/tools-2/ 32 32 120855996 You Need to Fail to Succeed https://ingovogelmann.net/2023/10/28/you-need-to-fail-to-succeed/ https://ingovogelmann.net/2023/10/28/you-need-to-fail-to-succeed/#respond Sat, 28 Oct 2023 08:47:45 +0000 https://ingovogelmann.net/?p=29578 And I did, many times. That doesn’t mean I always succeeded after I failed, but whenever I succeeded it never came without failure before. That said… A New Paradigm for Music Makers In an industry that’s constantly evolving, The Crow Hill Company emerges as a breath of fresh air. While still in its early stages, the platform promises an ever-growing collection of free professional resources for music makers. But what sets it apart is its philosophy: it aims to be a “love letter to music makers.” This isn’t just a repository of tools; it’s a community, a support system, and most importantly, a philosophy that values the process as much as the product. What’s in the Vault? While the company is tight-lipped about upcoming content, they’ve teased that it’s something they’re “incredibly reluctant to share,” which only adds to the intrigue. Given the secrecy, one can only speculate about the revolutionary tools and resources that might be in store for members. The Maestro Behind the Mission Christian Henson is a name that commands respect in the world of music composition. With a career that boasts multiple nominations and awards, he’s a versatile talent who’s worked on everything from TV shows to epic sci-fi films. But what truly sets him apart is his unique, self-taught approach to working with the orchestra, a skill honed through collaborations with a diverse range of artists. The Spitfire Legacy Before The Crow Hill Company, Henson made waves with Spitfire Audio, a company that provides essential tools for composers. Spitfire developed a cult following and became a significant supporter of the music industry. This experience undoubtedly informs his new venture, bringing a level of expertise and…

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Beyond Words: Why the Generic Masculine Still Holds Value https://ingovogelmann.net/2023/09/05/beyond-words-why-the-generic-masculine-still-holds-value/ https://ingovogelmann.net/2023/09/05/beyond-words-why-the-generic-masculine-still-holds-value/#respond Tue, 05 Sep 2023 16:01:19 +0000 https://ingovogelmann.net/?p=29499 In a world that’s constantly changing, where every word is dissected and every phrase analyzed, the debate over the generic masculine stands as a testament to the complexities of language and society. Words are tools, yes, but they are also more than that. They are the framework through which we interpret the world, and yet they are not the world itself. They are symbols, and like all symbols, they are subject to interpretation. Just like my music, which is mostly without lyrics. But despite that, music is a form of communication. It’s language, subject to interpretation. The generic masculine has come under fire. Critics argue that it’s a relic, a leftover from a time when men were the default, the standard, the norm. They call for new language, inclusive language, language that reflects the diversity of human experience. But here’s the thing: language is a reflection of the mind, and the mind is where discrimination takes root. You can change the words all you want, but if the mind remains unaltered, you’ve achieved nothing. You’ve put a new coat of paint on a crumbling wall. Before we go any further, let’s make one thing clear: the issue of gender identity is a separate matter altogether. My stance on the generic masculine should not be conflated with my views on gender identity. I am the best man to a queer couple, comprised of a trans woman and a cis woman. I understand that there are individuals who feel they were born into the wrong gender, and I respect their journey. This is not about denying the complexities of gender identity; it’s about the complexities of language and interpretation. Equality, for me,…

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Harmonic Mixing and Composing with the Camelot Wheel https://ingovogelmann.net/2023/03/29/harmonic-mixing-and-composing-with-the-camelot-wheel/ https://ingovogelmann.net/2023/03/29/harmonic-mixing-and-composing-with-the-camelot-wheel/#respond Wed, 29 Mar 2023 06:00:00 +0000 https://ingovogelmann.net/?p=29077 Harmonic mixing and composing have become essential skills for modern DJs and music producers, as they strive to create seamless, engaging, and emotionally resonant mixes and compositions. The Camelot Wheel, a popular tool in the electronic dance music scene, offers a systematic and intuitive approach to harmonic mixing, making it easier for artists to identify compatible musical keys and create harmonious transitions between songs. This essay explores the concept of harmonic mixing, the functionality of the Camelot Wheel, and its practical applications in both mixing and composing. Harmonic Mixing Harmonic mixing refers to the process of blending two or more musical tracks that are harmonically compatible, meaning they share the same key or a closely related key. This technique allows DJs and producers to create smooth transitions between tracks, enhancing the overall flow and emotional impact of a mix or composition. By paying close attention to the harmonic relationships between songs, artists can build tension, create moments of release, and maintain a consistent musical narrative throughout their sets or compositions. The Camelot Wheel: A Practical Tool for Harmonic Mixing The Camelot Wheel, also known as the Circle of Fifths, is a circular diagram that visually represents the relationships between the twelve major and twelve minor keys in Western music. Each key is assigned a unique alphanumeric code, with major keys labeled from 1B to 12B and minor keys labeled from 1A to 12A. Adjacent keys on the wheel share a close harmonic relationship, making them suitable for mixing or composing. The simplicity of the Camelot Wheel lies in its ability to quickly identify harmonically compatible keys. DJs and producers can easily find the next track by moving one step clockwise,…

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The Simple Harmonic Mixing Tool https://ingovogelmann.net/2023/03/21/the-simple-harmonic-mixing-tool/ https://ingovogelmann.net/2023/03/21/the-simple-harmonic-mixing-tool/#respond Tue, 21 Mar 2023 18:36:56 +0000 https://ingovogelmann.net/?p=29131 Ladies and gentlemen, allow me to present to you: The Simple Harmonic Mixing Tool, which is designed to help you always mix or compose harmoniously. No matter which recommendation you follow, the result will always fit. All you have to do is decide on the direction you want your mix or composition to go. Here you will find the very simple tool, easy to use for everyone. You can also find it at the top of the menu under “Stuff“. Let me know what your experience with the tool is, and I wish you much joy and success with it! Tags: camelot, chord progression, chord progressions, chords, compose, composing music, composition, dance, Disc jockey, DJ, dj mixing, djing, electronic, Electronic dance music, electronic music, Energy, harmonic, harmonic mix, harmonic mixing, harmonics, harmonies, help, how to, how to dj, key, mix, mixed, mixed in key, mixing, music, music production, music theory, musical, recommendation, Relative key, sound, techno, tips, tools, traktor Related posts The Ultimate Harmonic Mixing & Composing Chart (12) Harmonic Mixing and Composing with the Camelot Wheel (0) Why I Abandoned Social Media (3) The Best Albums of All Time, According to Me (With Occasional Commentary) (2) A Psychological Guide to Harmonic Mixing and Composing (0)

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Spotify vs. Apple Music — Distribution — How to Pursue a Musical Career — From an Artist’s Perspective https://ingovogelmann.net/2022/12/16/spotify-vs-apple-music-distribution-how-to-pursue-a-musical-career-from-an-artists-perspective/ https://ingovogelmann.net/2022/12/16/spotify-vs-apple-music-distribution-how-to-pursue-a-musical-career-from-an-artists-perspective/#respond Fri, 16 Dec 2022 19:31:53 +0000 https://ingovogelmann.net/?p=26860 In this article, I’ll look at the two biggest music streaming providers, we’ll look at a good distribution service, and we’ll look at if and how you can or should pursue a music career. The two big boys in the music streaming business As an artist, it is important to choose the right streaming platform to showcase and distribute your music. There are many options available, but two of the most popular are Spotify and Apple Music. While both platforms have their pros and cons, it is important to weigh the options and consider which one is the best fit for your needs as an artist. First, let’s take a look at Spotify. With over 345 million monthly active users, Spotify is the largest streaming platform in the world. It offers a wide range of features for both artists and listeners, including personalized playlists, podcasts, and live audio. For artists, Spotify provides a variety of tools to help promote and monetize their music, including the ability to create artist profiles, upload music, and track streams and listeners. One of the biggest benefits of Spotify for artists is the potential to reach a large audience. With millions of users, there is a good chance that your music will be discovered by new listeners. Additionally, Spotify offers a program called Spotify for Artists, which provides resources and insights for artists to help them grow their careers. However, there are some downsides to consider as well. For one, the royalty rates on Spotify can be relatively low, with artists earning around $0.004 to $0.0084 per stream. This can make it difficult for independent artists to earn a significant amount of money from their…

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Why I Abandoned Social Media https://ingovogelmann.net/2022/11/07/why-i-abandoned-social-media/ https://ingovogelmann.net/2022/11/07/why-i-abandoned-social-media/#comments Mon, 07 Nov 2022 16:04:05 +0000 https://ingovogelmann.net/?p=24470 When social media became “the new thing” and every artist was recommended to join the hype, I was very skeptical at first. I came late to the party of the two top dogs, Twitter in 2007, Facebook only in 2009, after the pressure on me from all sides grew too great. At least that’s how it felt to me at the time, or what I told myself… but there’s a good chance I just had the same need for recognition as everyone else and was afraid of missing out and not being recognized appropriately. As you grow older, fortunately that disappears. Instagram was about photography once I thought Instagram was pretty good at first… the filters looked cool and it was more about the photos than anything else. Until Facebook took over and turned it into a drug for people with an inferiority complex. Anti-Social Media I’ve never really felt comfortable with anti-social media, and I’ve also struggled to generate huge followings. There were decent numbers lately, but not enormous. That may have something to do with the fact that my audience has a rather limited affinity for social media. Something like that always has a direct connection with the kind of music you make. In all these years, I have experienced everything on social media that internet experts and psychologists are now warning of: abuse, hate, completely pointless and unnecessary discussions, exposing the private to the public (something I don’t like at all) and a very stupid thing: living out conflicts in public, in front of people you don’t really know. Necessary for artists? For a long time, I myself succumbed to the belief that as an artist you…

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The Ultimate Harmonic Mixing & Composing Chart https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/ https://ingovogelmann.net/2014/10/22/the-ultimate-harmonic-mixing-composing-chart/#comments Wed, 22 Oct 2014 05:09:57 +0000 http://vogelmann.me/?p=6300 Before you dig in… The Ultimate Harmonic Mixing & Composing Chart is a visual aid for musicians, producers, composers and DJs to easily create music that always has harmonic chord progressions. This sheet is now widely used worldwide as a teaching and practical tool in music and DJ schools and has been downloaded hundreds of thousands of times. The situation As both a DJ and composer, the Circle of Fifth or the Camelot Key Wheel system — amongst others — have always been handy tools for me to write and mix music harmonically. There are just too many options in chord progressions than I could ever have in my memory (maybe you can, but I don’t). So yes, I could always have a look at above mentioned helpers to orientate myself through the notes and chords jungle, in case needed, which is not always the case. I have the most common chords in my head. Just not always. As a composer I’m fine with the musical key/chord system, i.e. “A minor“, but as a DJ it isn’t very likely (for me, again) to remember all the musical chords to know what to mix into what. So, Mark Davis came up with Camelot Keys (used in Mixed in Key, which I prefer, because of its accuracy) and then there are the Open Keys (Traktor). Which is basically a range of 12 keys for each gender, major and minor chords. “A minor” is 8A (Camelot Key) or 1m (Open Key). In a nutshell: if you mix 1A into 2A (and so forth, up until 12A and then into 1A again) you’re generally fine. Your mixing transitions will always be harmonic, no key clashes. This…

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