Like Archives • INGO VOGELMANN https://ingovogelmann.net/tag/like/ Composer • Producer • Audio Engineer Fri, 12 Jan 2024 15:19:41 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.2 https://ingovogelmann.net/wp-content/uploads/2023/03/cropped-iv_icon_2023.png Like Archives • INGO VOGELMANN https://ingovogelmann.net/tag/like/ 32 32 120855996 Peter Gabriel’s “i/o” Album Review: He’s Back, Better Than Ever Before https://ingovogelmann.net/2024/01/12/peter-gabriels-i-o-album-review-hes-back-better-than-ever-before/ https://ingovogelmann.net/2024/01/12/peter-gabriels-i-o-album-review-hes-back-better-than-ever-before/#respond Fri, 12 Jan 2024 18:00:00 +0000 https://ingovogelmann.net/?p=29637 Peter Gabriel’s latest album “i/o” stands not only as a testament to his enduring creativity but also as a potential crowning achievement in a career already brimming with groundbreaking work. Gabriel, a legend in the music industry, has been known for his innovative approach to music, particularly through the 80s and 90s, and “i/o” might very well be considered his best work to date. The Legacy of Peter Gabriel Gabriel’s influence on the music world has been profound and multifaceted. Rising to fame with Genesis in the 1970s, he quickly established himself as a visionary artist. His departure from Genesis and subsequent solo career in the 1980s and 90s saw him breaking new ground, particularly with albums like “So” and “Us.” These works were not just commercially successful; they were also artistically daring, blending world music with electronic and art-rock elements, and they solidified his reputation as an innovative and fearless artist. Groundbreaking Work in the 80s and 90s During the 80s and 90s, Gabriel was at the forefront of the world music movement, integrating sounds and rhythms from various cultures into his music. His use of innovative recording techniques and embrace of new technologies set him apart. Albums like “So” (1986), with its hit “Sledgehammer,” showcased his ability to merge artistic depth with mainstream appeal, featuring groundbreaking music videos that revolutionized the medium. “i/o”: A Culmination of Artistic Evolution Now, with “i/o,” Gabriel seems to have distilled his decades of musical exploration into a singularly impressive work. The album encapsulates his signature sound while pushing into new territories. The dual “Bright-Side” and “Dark-Side” mixes are a clear indication of his continued innovation, offering listeners two distinct ways to experience…

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An Homage to Danny Tenaglia https://ingovogelmann.net/2023/11/10/an-homage-to-danny-tenaglia/ https://ingovogelmann.net/2023/11/10/an-homage-to-danny-tenaglia/#respond Fri, 10 Nov 2023 18:00:00 +0000 https://ingovogelmann.net/?p=29594 In the rich tapestry of electronic music, Danny Tenaglia stands as an artist whose works transcend genre boundaries and touch the heartstrings of listeners. His latest magnum opus, “GU45: Brooklyn,” is more than just a DJ mix album; it is the essence of a life dedicated to curating soundscapes that defy norms and embody the soul of a city. It’s a journey through House music, and it bangs like only Danny Tenaglia can make it bang. Brooklyn: A Love Letter “Brooklyn” is an homage to Williamsburg, Brooklyn – the cradle of Danny’s musical odyssey. Comprising 42 tracks, the album is a rich collection of stories narrated through the beats of artists like Guy J, Moderat, Ralph Falcon, and Monika Kruse. It serves as the perfect finale to the Global Underground series, which already features milestones in Tenaglia’s career like “Athens” and “London” which I as a young DJ grew up with. In my opinion, “Brooklyn” is the best of Danny. Ever. Tenaglia’s career is a sequence of moments that have shaped not just a genre but the entire club culture. From his beginnings at Paradise Garage to his influential stint at Cheers in Miami, he has always created soundscapes that cross boundaries. His remix of “Surrender Yourself” in 1992 was more than just a hit; it was an expression of his musical ethos. “Mix This Pussy” (1994) and his residency at Twilo (1996) further solidified his status as a visionary. When I met Danny about 15 years ago at the Winter Music Conference in Miami, I encountered a person whose warmth and attentiveness were as profound as his music. He is just the the nicest and sweetest guy, and an…

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Aaron Spears: A Rhythm That Never Ends https://ingovogelmann.net/2023/11/01/aaron-spears-a-rhythm-that-never-ends/ https://ingovogelmann.net/2023/11/01/aaron-spears-a-rhythm-that-never-ends/#respond Wed, 01 Nov 2023 17:00:00 +0000 https://ingovogelmann.net/?p=29585 The music world has been left with a void that’s hard to fill with the sudden passing of Aaron Spears. Although I never had the chance to witness his artistry live, his music and influence have deeply resonated with me. Aaron was not just a drummer; he was a musical savant whose talents transcended what one might expect from a “typical” musician. He had an uncanny ability to craft complex rhythms and melodies that were not just technically demanding but emotionally profound. His drumming was a language of its own, speaking to the hearts of those who listened. Interestingly, while the artists he drummed for – names like Ariana Grande, Justin Bieber, Usher, and Chris Brown – never quite aligned with my musical taste, Aaron’s drumming itself was a different story. His skill and artistry were so compelling that they transcended genre and personal preference, serving as an inspiration to me and countless others. Aaron was a pioneer, always pushing the boundaries of what music could be. He was a master at blending different musical styles, creating something entirely new and groundbreaking. His work in various genres, from pop to jazz to gospel, showcased his versatility and depth as an artist. But Aaron was more than just an extraordinary musician. He was a man filled with warmth and humor, inspiring those around him. He had the rare gift of creating an atmosphere of community and cohesion in a room full of strangers. His humility and genuine love for his craft made him not just respected, but deeply loved by his peers and fans alike. The news of his sudden death at the age of just 47 has shaken us all.…

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The Complexity of Engaging With My Russian Fans https://ingovogelmann.net/2023/09/26/the-complexity-of-engaging-with-my-russian-fans/ https://ingovogelmann.net/2023/09/26/the-complexity-of-engaging-with-my-russian-fans/#respond Tue, 26 Sep 2023 17:00:00 +0000 https://ingovogelmann.net/?p=29525 Disclaimer for Russian Readers Before we proceed, I want to make it abundantly clear that I fully support Ukraine in the ongoing conflict. This post may contain viewpoints that are upsetting to some, particularly my Russian fans. While I appreciate your support for my music, it’s crucial to be transparent about where I stand on this issue. As you might know, I have a diverse fan base that spans across the globe. I’m grateful for the love and support I receive from all corners of the world. Especially strong are the Latin American countries, the Baltic region, but also Turkey, Northern Africa, Southeast Asia, Japan and – of course – Russia. However, the ongoing Russian invasion of Ukraine has put me in a difficult position, particularly when it comes to engaging with my Russian fans. I feel compelled to address this issue openly, as it’s something that has been weighing heavily on my mind. Music has an unparalleled ability to bring people together, regardless of their geographical location, cultural background, or political affiliations. However, in a world increasingly divided by geopolitical conflicts – most notably the ongoing crisis between Russia and Ukraine – I find myself grappling with a complex moral dilemma. Specifically, how do I navigate interactions with my fans from countries embroiled in such conflicts? To delve deeper into this issue, I’ve compiled a comprehensive Top 50 ranking of countries where my music is most popular, based on data from SoundCloud, Spotify, and Apple Music. The Global Footprint of My Music: A Comprehensive Top 50 Ranking First and foremost, I want to express my deepest gratitude to all my fans around the globe. Your unwavering support has been…

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Beyond Words: Why the Generic Masculine Still Holds Value https://ingovogelmann.net/2023/09/05/beyond-words-why-the-generic-masculine-still-holds-value/ https://ingovogelmann.net/2023/09/05/beyond-words-why-the-generic-masculine-still-holds-value/#respond Tue, 05 Sep 2023 16:01:19 +0000 https://ingovogelmann.net/?p=29499 In a world that’s constantly changing, where every word is dissected and every phrase analyzed, the debate over the generic masculine stands as a testament to the complexities of language and society. Words are tools, yes, but they are also more than that. They are the framework through which we interpret the world, and yet they are not the world itself. They are symbols, and like all symbols, they are subject to interpretation. Just like my music, which is mostly without lyrics. But despite that, music is a form of communication. It’s language, subject to interpretation. The generic masculine has come under fire. Critics argue that it’s a relic, a leftover from a time when men were the default, the standard, the norm. They call for new language, inclusive language, language that reflects the diversity of human experience. But here’s the thing: language is a reflection of the mind, and the mind is where discrimination takes root. You can change the words all you want, but if the mind remains unaltered, you’ve achieved nothing. You’ve put a new coat of paint on a crumbling wall. Before we go any further, let’s make one thing clear: the issue of gender identity is a separate matter altogether. My stance on the generic masculine should not be conflated with my views on gender identity. I am the best man to a queer couple, comprised of a trans woman and a cis woman. I understand that there are individuals who feel they were born into the wrong gender, and I respect their journey. This is not about denying the complexities of gender identity; it’s about the complexities of language and interpretation. Equality, for me,…

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Why I’m a Pantheist. And What About My Album “GOD”? https://ingovogelmann.net/2023/08/28/why-im-a-pantheist-and-what-about-my-album-god/ https://ingovogelmann.net/2023/08/28/why-im-a-pantheist-and-what-about-my-album-god/#respond Mon, 28 Aug 2023 19:37:51 +0000 https://ingovogelmann.net/?p=29489 From my earliest memories, the universe has always been a source of profound fascination. The night sky, a tapestry of stars and cosmic wonder, seemed to pose questions that penetrated the very core of my being. My quest for answers led me through various domains – religion, philosophy, and empirical science. Yet, none offered the holistic understanding I yearned for. That is, until I discovered Pantheism. At its core, Pantheism is a worldview that is both elegantly simple and profoundly deep: the universe and everything within it is divine. But let’s clarify what I mean by “divine,” as it’s a term often misunderstood. For me, divinity is not about an anthropomorphic God sitting on a celestial throne. I’m an atheist in that regard, finding no logical or empirical basis for such a deity. Instead, my sense of the divine is rooted in the inherent order that permeates the universe – an order that allows for the existence and functioning of all things. This divine order is not a set of commandments but a natural, self-organizing system that can be observed in everything from the laws of physics to the complexity of biological systems. It’s the reason why planets orbit stars, why ecosystems maintain their balance, and why we, as conscious beings, can ponder our place in the cosmos. This order is the closest thing to “God” in my Pantheistic view, and it’s an understanding that fills me with awe and wonder. When I first encountered the concept of quantum entanglement, it felt like a scientific affirmation of this divine order. Here were particles, separated by vast distances, yet intrinsically connected in a way that defied classical understanding. It was as…

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My DNA: A Restless Globetrotter with Viking Echoes https://ingovogelmann.net/2023/08/11/my-dna-a-restless-globetrotter-with-viking-echoes/ https://ingovogelmann.net/2023/08/11/my-dna-a-restless-globetrotter-with-viking-echoes/#respond Fri, 11 Aug 2023 16:19:34 +0000 https://ingovogelmann.net/?p=29450 Every one of us is a unique tapestry of stories, experiences, and ancestral whispers. Born in Germany, a land steeped in history and culture, I always believed it to be the anchor of my identity. But life, with its intricate twists, had other plans. While Germany provided the canvas for my early years and ignited my passion for electronic music, it never truly felt like home. An inner restlessness, a yearning for distant shores, always stirred within me. My mother – never too fond of my adventurous mind – often called me “restless” and a “globetrotter,” and she couldn’t have been more accurate. An exploration into my DNA paints a vivid picture that resonates deeply with my inner wanderer: While the Germanic heritage was evident, it was the Northern influences that truly resonates. Every journey to the North, whether to England, Sweden, or Denmark, feels like a homecoming. The landscapes, the people, the very ethos of the North seem familiar. With a a bit of a physical appearance reminiscent of a Viking and a northern-like seriousness, coupled with a dry and dark humor, I often feel more at home among the fjords and northern lights than in the center of Europe. And amidst these revelations was another that leaves me in awe: Ernest Hemingway, the literary titan, is my 9th cousin, meaning we share common relatives 9 generations back. To think that I share a lineage with a man whose words have touched the very soul of humanity is both humbling and exhilarating. This exploration into my DNA is a testament to the intricate web of existence. We are more than the sum of our parts, shaped by a myriad…

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The 10 Best Drummers of All Time (According to Me) https://ingovogelmann.net/2023/08/04/the-10-best-drummers-of-all-time-according-to-me/ https://ingovogelmann.net/2023/08/04/the-10-best-drummers-of-all-time-according-to-me/#respond Fri, 04 Aug 2023 18:18:55 +0000 https://ingovogelmann.net/?p=29420 In the world of music, there are legends who have the power to move souls with their rhythmic magic. Among them, the drummers stand tall as the untamed giants of the beat, the fiery guardians of the groove. Spanning across genres, from the smoky realms of jazz to the thunderous realms of rock, these sonic revolutionaries ignite fires within our hearts. Now, behold the divine pantheon of the ten awe-inspiring drummers who have transcended mere virtuosity to become symbols of passion, power, and pure musical wizardry! (In no particular order, although Gavin Harrison and Simon Phillips are my 2 absolute favorites) 🥁 Drum roll, please! 🥁 Gavin Harrison Simon Phillips Mike Mangini Gergo Borlai Nick D’Virgilio Sarah Thawer Buddy Rich Jeff Porcaro Marco Minnemann Chris Coleman So, there you have it, my personal top 10 drummers who’ve ever graced a drum throne. From legends of the past to modern maestros, these drummers have shaped the way I hear and feel music. 🥁💥 Tags: album, Albums, Autodidacticism, Avedis Zildjian Company, Beat (music), Big Big Train, Buddy Rich, Creativity, DJ, Dream Theater, Drum, Drum kit, Drum stick, Drum Workshop, Drummer, education, Evolution, Extreme, Facial expression, Finesse (song), Funk, Gavin Harrison, Genesis (band), Germany, Groove (music), guitar, Heavy metal music, History, how, jazz, Jazz drumming, Jazz fusion, Jeff Porcaro, Joe Satriani, King Crimson, Like, love, Ludwig Drums, Marco Minnemann, Meinl Percussion, Michael Jackson, music, musical, Musician, Musicians, Nick D'Virgilio, ost, Paiste, Pearl Drums, play, pop, Porcupine Tree, Pro-Mark, Progressive metal, Progressive rock, Pure Genius, Remo, Rhythm, Rhythm section, Rock music, Rosanna (song), Sabian Cymbals, Session musician, Simon Phillips (drummer), singer, Slingerland Drum Company, Solo (music), Sonor, sound, Spock's Beard, Star, Steve Vai, Steven…

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Who Gets to Stay Afloat? https://ingovogelmann.net/2023/06/21/who-gets-to-stay-afloat/ https://ingovogelmann.net/2023/06/21/who-gets-to-stay-afloat/#respond Wed, 21 Jun 2023 20:08:18 +0000 https://ingovogelmann.net/?p=29407 Alright, let’s get this straight. We’ve got five business dudes who thought it would be a hoot to drop $250,000 each to get up close and personal with the Titanic wreck. You heard that right. A quarter of a million bucks to see a sunken ship. Now, they’re lost at sea and the world is on the edge of its seat, biting its nails, waiting for news. And don’t get me wrong, I feel for them. I really do. And for their loved ones waiting in agony for any shred of news. It’s a fsitucked up and rather sad situation, no doubt about it. Meanwhile, hundreds of refugees are drowning in the Mediterranean and it’s like everyone collectively decided to play a giant game of ‘see no evil, hear no evil’. Why? Because they aren’t rich? Because their journey wasn’t some luxury adventure, but a desperate escape from war and poverty? Here’s the thing. Both these groups of people are (one even literally) in deep shit. But for entirely different reasons. The adventurers are in trouble because they chose to be, because they wanted a thrill, a story to tell. The refugees? They’re in trouble because they had no other choice. Because staying where they were was even more dangerous than the perilous journey they embarked on. And yet, we’re more invested in the fate of five rich guys who willingly put themselves in danger than in the lives of thousands of people who had no other choice. So, what can we do? We can start by shifting our attention and compassion to those who need it most. And that’s not the rich adventurers in their luxury submarine, but the…

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Brexit: The Massive After Party Hangover https://ingovogelmann.net/2023/06/20/brexit-the-massive-after-party-hangover/ https://ingovogelmann.net/2023/06/20/brexit-the-massive-after-party-hangover/#respond Tue, 20 Jun 2023 16:57:34 +0000 https://ingovogelmann.net/?p=29396 Ah, Brexit. The political equivalent of deciding to break up with your long-term partner because you’re tired of them leaving the cap off the toothpaste. It was a decision that promised sovereignty, prosperity, and control. But, like waking up after a night of heavy drinking, the reality has been a little less rosy. Let’s take a look at the ‘morning after’ effects of this political bender. So, there you have it. The ‘Brexit Bonanza’ in all its glory. A smorgasbord of economic contraction, trade disruptions, labor shortages, and a whole lot more. But hey, at least they’ve got control, right? And isn’t that what it’s all about? Control over your own destiny, even if that destiny looks a bit like a car crash in slow motion. But don’t worry, I’m sure it’ll all work out in the end. After all, they’re British. A stiff upper lip, a love of queuing, and a knack for making the best of a bad situation. Let’s raise a cup of tea to Brexit, the gift that keeps on giving. Cheers! And remember, that’s what happens when you decide to jump off a cliff and then try to build a parachute on the way down. Tags: BBC News, Brexit, Business, Consumer, Cost, Economic effects of Brexit, Economy, European Union, Euroscepticism in the United Kingdom, Export, Extreme, Food, Germany, Globalization, Goods, how, Impact of Brexit, Inflation, Labour economics, Like, love, OECD, ost, play, Price, Real income, Reality, Shortage, Sovereignty, Trade, Uncertainty, United Kingdom, Withdrawal from the European Union, Workforce Related posts The Complexity of Engaging With My Russian Fans (0) The 10 Best Drummers of All Time (According to Me) (0) Who Gets to Stay Afloat?…

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REVIEW: Extreme’s “SIX” – A Symphony of Sonic Surprises and Unapologetic Authenticity https://ingovogelmann.net/2023/06/09/review-extremes-six-a-symphony-of-sonic-surprises-and-unapologetic-authenticity/ https://ingovogelmann.net/2023/06/09/review-extremes-six-a-symphony-of-sonic-surprises-and-unapologetic-authenticity/#respond Fri, 09 Jun 2023 16:11:50 +0000 https://ingovogelmann.net/?p=29375 (Isn’t the album cover extremely awesome?) As a grizzled veteran of the rock ‘n’ roll rollercoaster, having clocked up a half-century on this spinning rock we call Earth, I’ve been a passenger on the Extreme journey since the band’s genesis in 1985. Their latest offering, “SIX”, is a testament to their musical evolution, a sonic tapestry that weaves together the threads of their past while boldly striding into uncharted territory. “SIX” opens with “Rise“, a track that hits you like a shot of adrenaline straight to the heart. It’s a powerful opener that sets the tone for the album, a narrative about the fickle nature of fame that resonates with anyone who’s been around the block a few times. It’s a reminder that success is transient, a theme that echoes through the annals of rock history and reverberates in the hearts of seasoned fans like me. Next up is “#Rebel“, a track that lives up to its name in every sense. It’s a rebellious anthem that channels the spirit of Marilyn Manson, a stark departure from Extreme’s usual style. It’s a bold move, but it’s this willingness to push boundaries and experiment with new sounds that has kept Extreme relevant over the years. “Banshee” and “Other Side of the Rainbow” offer a softer side of Extreme, with their intimate ballads that hark back to the band’s earlier days. These tracks are a comforting reminder of the band’s roots, a nostalgic nod to the past that old fans like me can appreciate. They’re like a warm blanket on a cold night, a familiar comfort that wraps you in a cocoon of melodic memories. “Small Town Beautiful” and “The Mask” continue this…

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A Personal Take On Rammstein https://ingovogelmann.net/2023/06/07/a-personal-take-on-rammstein/ https://ingovogelmann.net/2023/06/07/a-personal-take-on-rammstein/#respond Wed, 07 Jun 2023 18:57:40 +0000 https://ingovogelmann.net/?p=29363 I’ve always been one to appreciate a wide range of music, but there’s one band that I’ve never been able to get on board with: Rammstein. The German metal band has long been a source of controversy, and for me, their actions and representations have always been a step too far. Let’s start with their performances. Rammstein is known for their grandiose shows, complete with pyrotechnics and dramatic theatrics. Generally, not really my thing. Plus, beneath the spectacle, there’s an element that’s deeply unsettling. The band’s use of Nazi propaganda aesthetics and right-wing iconography is, in my opinion, a blatant disregard for the historical trauma associated with these symbols. As the taz article “Verharmlosung von Rammstein: Eiertanz ums Eiserne Kreuz” aptly points out, their shows “[deliver] a celebration of flame-encircled masses as updated staging strategies of the NS propagandists Leni Riefenstahl and Albert Speer and imitate these models under the insignia of the musical shock troop, an Iron Cross.” Some might argue that this is all part of their artistic expression. But let’s cut the crap here. This isn’t just about pushing boundaries or being edgy. This is about using loaded symbols for shock value and, as some suggest, as a marketing strategy. And that, my friends, is where I draw the line. But the controversy doesn’t end there. The band’s lead singer, Till Lindemann, is currently embroiled in a MeToo scandal, facing allegations of sexual assaults against young female fans. This, coupled with Lindemann’s past lyrics that fantasize about the rape of a drugged woman, paints a troubling picture. The taz article states, “If the just exploding scandal gains further substance in the face of the alleged pattern of…

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The Best-Selling Songs of the 80s in the UK and Germany https://ingovogelmann.net/2023/05/21/the-best-selling-songs-of-the-80s-in-the-uk-and-germany/ https://ingovogelmann.net/2023/05/21/the-best-selling-songs-of-the-80s-in-the-uk-and-germany/#respond Sun, 21 May 2023 07:00:00 +0000 https://ingovogelmann.net/?p=29325 I’m delighted to take you on a nostalgic journey again, back to the heart of my youth and a remarkable decade in music – the 1980s. Being born in 1973, my formative years were spent in the midst of an explosive era of music innovation and creativity. The unforgettable melodies, the iconic artists, and the cultural movements that framed this period have left a lasting imprint on me. Each song on this list sparks a unique memory, a moment of time encapsulated within the chords and lyrics of these classic tunes. Back then, we saw a massive shift in the music landscape, from the raw acoustic and earthy sounds of the 70s, transitioning into the vibrant, electronic, and synthesized beats of the 80s. This era was marked by its pioneering use of new technology, synthesizers, and production techniques, a stark contrast to today’s music that thrives on digital platforms, streaming services, and social media influence. And of course, let’s not forget the extraordinary fashion statements – the big hair, the neon colors, and the shoulder pads that were as bold as the music itself! Now, join me as we travel back in time, revisit the top-selling and most popular songs in the UK and Germany for each year of the 80s, and explore how these hits shaped the music and culture of the time. Right before we dive into this musical journey, a little surprise awaits you at the end of this post – a link to a carefully curated Spotify playlist featuring all the top-selling songs from the 80s in the UK and Germany that we’re about to explore. Keep reading and enjoy this nostalgic trip, knowing that a…

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The Top 50 Most Successful Albums of All Time https://ingovogelmann.net/2023/05/18/the-top-50-most-successful-albums-of-all-time/ https://ingovogelmann.net/2023/05/18/the-top-50-most-successful-albums-of-all-time/#respond Thu, 18 May 2023 12:26:47 +0000 https://ingovogelmann.net/?p=29272 Music has the power to move us, to make us feel, and to bring us together. Each song carries its own story, but when songs are woven together into an album, they form a narrative that’s bigger than the sum of its parts. And while every album tells a story, there are those that resonate on such a profound level that they transcend time and place, becoming cultural phenomena in their own right. In this post, we’ll journey through the annals of music history, exploring the top 50 most successful albums of all time. These albums have left an indelible mark not just on the music industry, but on society at large. We’ll look at the incredible artists behind these masterpieces, the years they were released, and the net worth these musicians have amassed over their careers. From The Beatles to Michael Jackson, from Madonna to Pink Floyd, this list encompasses a diverse range of musical styles and eras. So, whether you’re a music aficionado seeking a nostalgic trip down memory lane, or a newcomer wanting to discover some of the greatest albums ever made, join me as I delve into the tales of triumph, creativity, and innovation that have made these albums the most successful in music history. Let’s tune in to their stories! The Playlist Here’s the playlist containing each album with every song (763 songs, 51 hours and 38 minutes) in it in the order of the list above: Artist’s Net Worth Ranking Based on the above, I’ve compiled a list of artists ordered by their estimated net worth. These figures are associated with the success of some of the world’s most iconic albums, with releases spanning…

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The Exasperating Trilogy of Modern Speech: Upspeak, Vocal Fry, and the ‘Like’ Epidemic https://ingovogelmann.net/2023/05/10/the-exasperating-trilogy-of-modern-speech-upspeak-vocal-fry-and-the-like-epidemic/ https://ingovogelmann.net/2023/05/10/the-exasperating-trilogy-of-modern-speech-upspeak-vocal-fry-and-the-like-epidemic/#respond Wed, 10 May 2023 15:00:00 +0000 https://ingovogelmann.net/?p=29074 Modern communication – a brilliant, marvelous tapestry weaved with an array of eloquent sounds, linguistic acrobatics, and… upspeak, vocal fry, and the incessant use of “like”. The grand opera of language has been hijacked by these three renegade stars, ensuring every sentence sounds like a question, a dying engine, or a Facebook algorithm’s dream. Upspeak: The Question that Never Ends Upspeak is fascinating in its ability to leave listeners in a perpetual state of suspense. Imagine listening to a thrilling murder mystery where every sentence ends on a cliffhanger. Now, apply that to every conversation in your life. Every declarative statement, every assertion is turned into an open-ended question. The suspense, initially thrilling, soon becomes like a song stuck on loop – it’s fun at first, then it starts to grate on your nerves. Moreover, upspeak can undermine the speaker’s authority and credibility. In professional settings, constant questioning inflections can signal uncertainty or a lack of confidence. It’s as if the speaker is continually seeking validation, which can be quite irksome when you’re looking for decisive, assertive communication. Example: This linguistic accident has become pretty popular among the younger demographic. Gone are the days of confident, assertive statements. Instead, we’re now serenaded by a constant stream of interrogatives. Whether you’re ordering coffee or presenting a groundbreaking scientific discovery, with upspeak, everything sounds like you’re asking for directions to the nearest surf shop. Vocal Fry: The Groan that Grows on You Vocal fry is the audio equivalent of nails on a chalkboard for some. That low, creaky vibration that has become extremely popular is grating to the ear, especially when it’s used excessively. It makes conversations sound tedious and monotonous, sucking…

From INGO VOGELMANN.

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