War Archives • INGO VOGELMANN https://ingovogelmann.net/tag/war/ Composer • Producer • Audio Engineer Fri, 12 Jan 2024 15:19:41 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.2 https://ingovogelmann.net/wp-content/uploads/2023/03/cropped-iv_icon_2023.png War Archives • INGO VOGELMANN https://ingovogelmann.net/tag/war/ 32 32 120855996 Peter Gabriel’s “i/o” Album Review: He’s Back, Better Than Ever Before https://ingovogelmann.net/2024/01/12/peter-gabriels-i-o-album-review-hes-back-better-than-ever-before/ https://ingovogelmann.net/2024/01/12/peter-gabriels-i-o-album-review-hes-back-better-than-ever-before/#respond Fri, 12 Jan 2024 18:00:00 +0000 https://ingovogelmann.net/?p=29637 Peter Gabriel’s latest album “i/o” stands not only as a testament to his enduring creativity but also as a potential crowning achievement in a career already brimming with groundbreaking work. Gabriel, a legend in the music industry, has been known for his innovative approach to music, particularly through the 80s and 90s, and “i/o” might very well be considered his best work to date. The Legacy of Peter Gabriel Gabriel’s influence on the music world has been profound and multifaceted. Rising to fame with Genesis in the 1970s, he quickly established himself as a visionary artist. His departure from Genesis and subsequent solo career in the 1980s and 90s saw him breaking new ground, particularly with albums like “So” and “Us.” These works were not just commercially successful; they were also artistically daring, blending world music with electronic and art-rock elements, and they solidified his reputation as an innovative and fearless artist. Groundbreaking Work in the 80s and 90s During the 80s and 90s, Gabriel was at the forefront of the world music movement, integrating sounds and rhythms from various cultures into his music. His use of innovative recording techniques and embrace of new technologies set him apart. Albums like “So” (1986), with its hit “Sledgehammer,” showcased his ability to merge artistic depth with mainstream appeal, featuring groundbreaking music videos that revolutionized the medium. “i/o”: A Culmination of Artistic Evolution Now, with “i/o,” Gabriel seems to have distilled his decades of musical exploration into a singularly impressive work. The album encapsulates his signature sound while pushing into new territories. The dual “Bright-Side” and “Dark-Side” mixes are a clear indication of his continued innovation, offering listeners two distinct ways to experience…

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An Homage to Danny Tenaglia https://ingovogelmann.net/2023/11/10/an-homage-to-danny-tenaglia/ https://ingovogelmann.net/2023/11/10/an-homage-to-danny-tenaglia/#respond Fri, 10 Nov 2023 18:00:00 +0000 https://ingovogelmann.net/?p=29594 In the rich tapestry of electronic music, Danny Tenaglia stands as an artist whose works transcend genre boundaries and touch the heartstrings of listeners. His latest magnum opus, “GU45: Brooklyn,” is more than just a DJ mix album; it is the essence of a life dedicated to curating soundscapes that defy norms and embody the soul of a city. It’s a journey through House music, and it bangs like only Danny Tenaglia can make it bang. Brooklyn: A Love Letter “Brooklyn” is an homage to Williamsburg, Brooklyn – the cradle of Danny’s musical odyssey. Comprising 42 tracks, the album is a rich collection of stories narrated through the beats of artists like Guy J, Moderat, Ralph Falcon, and Monika Kruse. It serves as the perfect finale to the Global Underground series, which already features milestones in Tenaglia’s career like “Athens” and “London” which I as a young DJ grew up with. In my opinion, “Brooklyn” is the best of Danny. Ever. Tenaglia’s career is a sequence of moments that have shaped not just a genre but the entire club culture. From his beginnings at Paradise Garage to his influential stint at Cheers in Miami, he has always created soundscapes that cross boundaries. His remix of “Surrender Yourself” in 1992 was more than just a hit; it was an expression of his musical ethos. “Mix This Pussy” (1994) and his residency at Twilo (1996) further solidified his status as a visionary. When I met Danny about 15 years ago at the Winter Music Conference in Miami, I encountered a person whose warmth and attentiveness were as profound as his music. He is just the the nicest and sweetest guy, and an…

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Aaron Spears: A Rhythm That Never Ends https://ingovogelmann.net/2023/11/01/aaron-spears-a-rhythm-that-never-ends/ https://ingovogelmann.net/2023/11/01/aaron-spears-a-rhythm-that-never-ends/#respond Wed, 01 Nov 2023 17:00:00 +0000 https://ingovogelmann.net/?p=29585 The music world has been left with a void that’s hard to fill with the sudden passing of Aaron Spears. Although I never had the chance to witness his artistry live, his music and influence have deeply resonated with me. Aaron was not just a drummer; he was a musical savant whose talents transcended what one might expect from a “typical” musician. He had an uncanny ability to craft complex rhythms and melodies that were not just technically demanding but emotionally profound. His drumming was a language of its own, speaking to the hearts of those who listened. Interestingly, while the artists he drummed for – names like Ariana Grande, Justin Bieber, Usher, and Chris Brown – never quite aligned with my musical taste, Aaron’s drumming itself was a different story. His skill and artistry were so compelling that they transcended genre and personal preference, serving as an inspiration to me and countless others. Aaron was a pioneer, always pushing the boundaries of what music could be. He was a master at blending different musical styles, creating something entirely new and groundbreaking. His work in various genres, from pop to jazz to gospel, showcased his versatility and depth as an artist. But Aaron was more than just an extraordinary musician. He was a man filled with warmth and humor, inspiring those around him. He had the rare gift of creating an atmosphere of community and cohesion in a room full of strangers. His humility and genuine love for his craft made him not just respected, but deeply loved by his peers and fans alike. The news of his sudden death at the age of just 47 has shaken us all.…

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You Need to Fail to Succeed https://ingovogelmann.net/2023/10/28/you-need-to-fail-to-succeed/ https://ingovogelmann.net/2023/10/28/you-need-to-fail-to-succeed/#respond Sat, 28 Oct 2023 08:47:45 +0000 https://ingovogelmann.net/?p=29578 And I did, many times. That doesn’t mean I always succeeded after I failed, but whenever I succeeded it never came without failure before. That said… A New Paradigm for Music Makers In an industry that’s constantly evolving, The Crow Hill Company emerges as a breath of fresh air. While still in its early stages, the platform promises an ever-growing collection of free professional resources for music makers. But what sets it apart is its philosophy: it aims to be a “love letter to music makers.” This isn’t just a repository of tools; it’s a community, a support system, and most importantly, a philosophy that values the process as much as the product. What’s in the Vault? While the company is tight-lipped about upcoming content, they’ve teased that it’s something they’re “incredibly reluctant to share,” which only adds to the intrigue. Given the secrecy, one can only speculate about the revolutionary tools and resources that might be in store for members. The Maestro Behind the Mission Christian Henson is a name that commands respect in the world of music composition. With a career that boasts multiple nominations and awards, he’s a versatile talent who’s worked on everything from TV shows to epic sci-fi films. But what truly sets him apart is his unique, self-taught approach to working with the orchestra, a skill honed through collaborations with a diverse range of artists. The Spitfire Legacy Before The Crow Hill Company, Henson made waves with Spitfire Audio, a company that provides essential tools for composers. Spitfire developed a cult following and became a significant supporter of the music industry. This experience undoubtedly informs his new venture, bringing a level of expertise and…

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The Complexity of Engaging With My Russian Fans https://ingovogelmann.net/2023/09/26/the-complexity-of-engaging-with-my-russian-fans/ https://ingovogelmann.net/2023/09/26/the-complexity-of-engaging-with-my-russian-fans/#respond Tue, 26 Sep 2023 17:00:00 +0000 https://ingovogelmann.net/?p=29525 Disclaimer for Russian Readers Before we proceed, I want to make it abundantly clear that I fully support Ukraine in the ongoing conflict. This post may contain viewpoints that are upsetting to some, particularly my Russian fans. While I appreciate your support for my music, it’s crucial to be transparent about where I stand on this issue. As you might know, I have a diverse fan base that spans across the globe. I’m grateful for the love and support I receive from all corners of the world. Especially strong are the Latin American countries, the Baltic region, but also Turkey, Northern Africa, Southeast Asia, Japan and – of course – Russia. However, the ongoing Russian invasion of Ukraine has put me in a difficult position, particularly when it comes to engaging with my Russian fans. I feel compelled to address this issue openly, as it’s something that has been weighing heavily on my mind. Music has an unparalleled ability to bring people together, regardless of their geographical location, cultural background, or political affiliations. However, in a world increasingly divided by geopolitical conflicts – most notably the ongoing crisis between Russia and Ukraine – I find myself grappling with a complex moral dilemma. Specifically, how do I navigate interactions with my fans from countries embroiled in such conflicts? To delve deeper into this issue, I’ve compiled a comprehensive Top 50 ranking of countries where my music is most popular, based on data from SoundCloud, Spotify, and Apple Music. The Global Footprint of My Music: A Comprehensive Top 50 Ranking First and foremost, I want to express my deepest gratitude to all my fans around the globe. Your unwavering support has been…

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