News Archives • INGO VOGELMANN

An Homage to Danny Tenaglia

Ingo — Fri, 10 Nov 2023 18:00:00 +0000

In the rich tapestry of electronic music, Danny Tenaglia stands as an artist whose works transcend genre boundaries and touch the heartstrings of listeners. His latest magnum opus, “GU45: Brooklyn,” is more than just a DJ mix album; it is the essence of a life dedicated to curating soundscapes that defy norms and embody the soul of a city. It’s a journey through House music, and it bangs like only Danny Tenaglia can make it bang. Brooklyn: A Love Letter “Brooklyn” is an homage to Williamsburg, Brooklyn – the cradle of Danny’s musical odyssey. Comprising 42 tracks, the album is a rich collection of stories narrated through the beats of artists like Guy J, Moderat, Ralph Falcon, and Monika Kruse. It serves as the perfect finale to the Global Underground series, which already features milestones in Tenaglia’s career like “Athens” and “London” which I as a young DJ grew up with. In my opinion, “Brooklyn” is the best of Danny. Ever. Tenaglia’s career is a sequence of moments that have shaped not just a genre but the entire club culture. From his beginnings at Paradise Garage to his influential stint at Cheers in Miami, he has always created soundscapes that cross boundaries. His remix of “Surrender Yourself” in 1992 was more than just a hit; it was an expression of his musical ethos. “Mix This Pussy” (1994) and his residency at Twilo (1996) further solidified his status as a visionary. When I met Danny about 15 years ago at the Winter Music Conference in Miami, I encountered a person whose warmth and attentiveness were as profound as his music. He is just the the nicest and sweetest guy, and an…

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Aaron Spears: A Rhythm That Never Ends

Ingo — Wed, 01 Nov 2023 17:00:00 +0000

The music world has been left with a void that’s hard to fill with the sudden passing of Aaron Spears. Although I never had the chance to witness his artistry live, his music and influence have deeply resonated with me. Aaron was not just a drummer; he was a musical savant whose talents transcended what one might expect from a “typical” musician. He had an uncanny ability to craft complex rhythms and melodies that were not just technically demanding but emotionally profound. His drumming was a language of its own, speaking to the hearts of those who listened. Interestingly, while the artists he drummed for – names like Ariana Grande, Justin Bieber, Usher, and Chris Brown – never quite aligned with my musical taste, Aaron’s drumming itself was a different story. His skill and artistry were so compelling that they transcended genre and personal preference, serving as an inspiration to me and countless others. Aaron was a pioneer, always pushing the boundaries of what music could be. He was a master at blending different musical styles, creating something entirely new and groundbreaking. His work in various genres, from pop to jazz to gospel, showcased his versatility and depth as an artist. But Aaron was more than just an extraordinary musician. He was a man filled with warmth and humor, inspiring those around him. He had the rare gift of creating an atmosphere of community and cohesion in a room full of strangers. His humility and genuine love for his craft made him not just respected, but deeply loved by his peers and fans alike. The news of his sudden death at the age of just 47 has shaken us all.…

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Who Gets to Stay Afloat?

Ingo — Wed, 21 Jun 2023 20:08:18 +0000

Alright, let’s get this straight. We’ve got five business dudes who thought it would be a hoot to drop $250,000 each to get up close and personal with the Titanic wreck. You heard that right. A quarter of a million bucks to see a sunken ship. Now, they’re lost at sea and the world is on the edge of its seat, biting its nails, waiting for news. And don’t get me wrong, I feel for them. I really do. And for their loved ones waiting in agony for any shred of news. It’s a fsitucked up and rather sad situation, no doubt about it. Meanwhile, hundreds of refugees are drowning in the Mediterranean and it’s like everyone collectively decided to play a giant game of ‘see no evil, hear no evil’. Why? Because they aren’t rich? Because their journey wasn’t some luxury adventure, but a desperate escape from war and poverty? Here’s the thing. Both these groups of people are (one even literally) in deep shit. But for entirely different reasons. The adventurers are in trouble because they chose to be, because they wanted a thrill, a story to tell. The refugees? They’re in trouble because they had no other choice. Because staying where they were was even more dangerous than the perilous journey they embarked on. And yet, we’re more invested in the fate of five rich guys who willingly put themselves in danger than in the lives of thousands of people who had no other choice. So, what can we do? We can start by shifting our attention and compassion to those who need it most. And that’s not the rich adventurers in their luxury submarine, but the…

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A Personal Take On Rammstein

Ingo — Wed, 07 Jun 2023 18:57:40 +0000

I’ve always been one to appreciate a wide range of music, but there’s one band that I’ve never been able to get on board with: Rammstein. The German metal band has long been a source of controversy, and for me, their actions and representations have always been a step too far. Let’s start with their performances. Rammstein is known for their grandiose shows, complete with pyrotechnics and dramatic theatrics. Generally, not really my thing. Plus, beneath the spectacle, there’s an element that’s deeply unsettling. The band’s use of Nazi propaganda aesthetics and right-wing iconography is, in my opinion, a blatant disregard for the historical trauma associated with these symbols. As the taz article “Verharmlosung von Rammstein: Eiertanz ums Eiserne Kreuz” aptly points out, their shows “[deliver] a celebration of flame-encircled masses as updated staging strategies of the NS propagandists Leni Riefenstahl and Albert Speer and imitate these models under the insignia of the musical shock troop, an Iron Cross.” Some might argue that this is all part of their artistic expression. But let’s cut the crap here. This isn’t just about pushing boundaries or being edgy. This is about using loaded symbols for shock value and, as some suggest, as a marketing strategy. And that, my friends, is where I draw the line. But the controversy doesn’t end there. The band’s lead singer, Till Lindemann, is currently embroiled in a MeToo scandal, facing allegations of sexual assaults against young female fans. This, coupled with Lindemann’s past lyrics that fantasize about the rape of a drugged woman, paints a troubling picture. The taz article states, “If the just exploding scandal gains further substance in the face of the alleged pattern of…

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