underground Archives • INGO VOGELMANN

An Homage to Danny Tenaglia

Ingo — Fri, 10 Nov 2023 18:00:00 +0000

In the rich tapestry of electronic music, Danny Tenaglia stands as an artist whose works transcend genre boundaries and touch the heartstrings of listeners. His latest magnum opus, “GU45: Brooklyn,” is more than just a DJ mix album; it is the essence of a life dedicated to curating soundscapes that defy norms and embody the soul of a city. It’s a journey through House music, and it bangs like only Danny Tenaglia can make it bang. Brooklyn: A Love Letter “Brooklyn” is an homage to Williamsburg, Brooklyn – the cradle of Danny’s musical odyssey. Comprising 42 tracks, the album is a rich collection of stories narrated through the beats of artists like Guy J, Moderat, Ralph Falcon, and Monika Kruse. It serves as the perfect finale to the Global Underground series, which already features milestones in Tenaglia’s career like “Athens” and “London” which I as a young DJ grew up with. In my opinion, “Brooklyn” is the best of Danny. Ever. Tenaglia’s career is a sequence of moments that have shaped not just a genre but the entire club culture. From his beginnings at Paradise Garage to his influential stint at Cheers in Miami, he has always created soundscapes that cross boundaries. His remix of “Surrender Yourself” in 1992 was more than just a hit; it was an expression of his musical ethos. “Mix This Pussy” (1994) and his residency at Twilo (1996) further solidified his status as a visionary. When I met Danny about 15 years ago at the Winter Music Conference in Miami, I encountered a person whose warmth and attentiveness were as profound as his music. He is just the the nicest and sweetest guy, and an…

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A Psychological Guide to Harmonic Mixing and Composing

Ingo — Sat, 26 Aug 2023 09:21:18 +0000

Harmonic mixing is an advanced technique used by top DJs and producers worldwide. It involves mixing tracks that are in the same or related keys, enabling long blends and mashups. The Simple Harmonic Mixing Tool on my website is designed to make this process even more straightforward. It’s an evolution of the Camelot Wheel, providing you with a unique code for each of the 24 possible musical keys (12 major and 12 minor keys). This tool is not just for DJs but also for music theory students and musicians who want to better understand the relationships between different musical keys. The Emotional Landscape of Musical Keys Understanding the emotional nuances of each key can add another layer of depth to your mixes or compositions. Let’s delve into the psychological characteristics of each key, along with examples from the electronic music world to illustrate these points. Major Keys Minor Keys Practical Uses and Personal Recommendations The Camelot Wheel and the Simple Harmonic Mixing Tool are primarily used by DJs and music producers to group keys based on their harmonic relationships. Keys adjacent to each other on the wheel are considered compatible and can be mixed or transitioned between more easily than keys that are further apart. This avoids dissonance or clashes between different musical keys, making your mixes smoother and more emotionally resonant. It’s worth noting that my recommendations for chord progressions are based on my personal experience and expertise as a musician and composer. There are 7 possible following keys that I find harmonious or serve a meaningful corresponding purpose. However, these are my personal recommendations and should always be taken with a grain of salt. Conclusion Understanding the emotional…

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The Best Albums of All Time, According to Me (With Occasional Commentary)

Ingo — Sun, 26 Feb 2023 14:12:26 +0000

They say you are what you like, and if that’s true, then my taste in music speaks volumes about my private and musical personality. These albums have been with me for ages, some newer than others, but all of them share a common thread: they’re all incredibly good. I’m not trying to sound like an old fogey pining for the good old days, but I do feel sorry for the youngins who missed out on the era when this music was being created. Luckily for them, it still exists and is audible. But buyer beware: just because something’s labeled “remastered” doesn’t necessarily mean it’s an improvement. Some remasters are, dare I say it, worse than the original tracks. It’s not ideal, but we can’t control the rights holders who sometimes replace the original tracks with these subpar versions. Fortunately, the listening technology these days is better than ever, so there’s that. Back in the day, getting noticed as an artist was almost as hard as finding a needle in a haystack because there was no internet. Record managers were the gatekeepers who decided who was worth investing in, and when they did, they invested big. I’m talking piles of cash, enough to set everyone up for life. But hey, that’s what you had to do to get the best musicians, sound engineers, and technology available. Producing an album was a massive undertaking, and failure wasn’t an option. Sure, that whole process might seem a bit shady, but there were some advantages to it. If you could sing or play your instrument like nobody’s business, you had a chance to become a superstar. If you looked good too, well, let’s just…

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Why I Abandoned Social Media

Ingo — Mon, 07 Nov 2022 16:04:05 +0000

When social media became “the new thing” and every artist was recommended to join the hype, I was very skeptical at first. I came late to the party of the two top dogs, Twitter in 2007, Facebook only in 2009, after the pressure on me from all sides grew too great. At least that’s how it felt to me at the time, or what I told myself… but there’s a good chance I just had the same need for recognition as everyone else and was afraid of missing out and not being recognized appropriately. As you grow older, fortunately that disappears. Instagram was about photography once I thought Instagram was pretty good at first… the filters looked cool and it was more about the photos than anything else. Until Facebook took over and turned it into a drug for people with an inferiority complex. Anti-Social Media I’ve never really felt comfortable with anti-social media, and I’ve also struggled to generate huge followings. There were decent numbers lately, but not enormous. That may have something to do with the fact that my audience has a rather limited affinity for social media. Something like that always has a direct connection with the kind of music you make. In all these years, I have experienced everything on social media that internet experts and psychologists are now warning of: abuse, hate, completely pointless and unnecessary discussions, exposing the private to the public (something I don’t like at all) and a very stupid thing: living out conflicts in public, in front of people you don’t really know. Necessary for artists? For a long time, I myself succumbed to the belief that as an artist you…

From INGO VOGELMANN.