Cover Extreme Six

REVIEW: Extreme’s “SIX” – A Symphony of Sonic Surprises and Unapologetic Authenticity

(Isn’t the album cover extremely awesome?)

As a grizzled veteran of the rock ‘n’ roll rollercoaster, having clocked up a half-century on this spinning rock we call Earth, I’ve been a passenger on the Extreme journey since the band’s genesis in 1985. Their latest offering, “SIX”, is a testament to their musical evolution, a sonic tapestry that weaves together the threads of their past while boldly striding into uncharted territory.

“SIX” opens with “Rise“, a track that hits you like a shot of adrenaline straight to the heart. It’s a powerful opener that sets the tone for the album, a narrative about the fickle nature of fame that resonates with anyone who’s been around the block a few times. It’s a reminder that success is transient, a theme that echoes through the annals of rock history and reverberates in the hearts of seasoned fans like me.

Next up is “#Rebel“, a track that lives up to its name in every sense. It’s a rebellious anthem that channels the spirit of Marilyn Manson, a stark departure from Extreme’s usual style. It’s a bold move, but it’s this willingness to push boundaries and experiment with new sounds that has kept Extreme relevant over the years.

Banshee” and “Other Side of the Rainbow” offer a softer side of Extreme, with their intimate ballads that hark back to the band’s earlier days. These tracks are a comforting reminder of the band’s roots, a nostalgic nod to the past that old fans like me can appreciate. They’re like a warm blanket on a cold night, a familiar comfort that wraps you in a cocoon of melodic memories.

Small Town Beautiful” and “The Mask” continue this trend, with their well-crafted rock music that breathes the spirit of the 90s yet finds its place in the here and now. These tracks are a testament to Extreme’s ability to evolve while staying true to their unique sound. They’re like a fine wine, maturing with age yet retaining the essence of their original flavor.

Thicker Than Blood” and “Save Me” are where the album takes a turn. These tracks are a departure from the band’s usual style, with a modern, US mainstream rock sound. It’s a surprising twist, but one that showcases the band’s versatility. It’s like stepping into a time machine and being catapulted into the future, a thrilling ride that leaves you breathless and eager for more.

X Out” is undoubtedly the standout track on the album. It’s a kaleidoscope of influences and styles that highlights Extreme’s musical range. Bettencourt’s guitar work here is particularly noteworthy, with dazzling riffs reminiscent of Van Halen and a musical structure that echoes U2’s modern phase. It’s a sonic masterpiece that showcases the band’s musical prowess and creativity.

On the other end of the spectrum is “Beautiful Girls“, a track that can only be described as an inexplicable mishap on an otherwise flawless album. Despite the band’s obvious musical prowess, this song seems to fall out of line and doesn’t quite fit with the rest of the album. It’s like a jigsaw puzzle piece that doesn’t quite fit, a perplexing anomaly in an otherwise seamless sonic landscape.

The album concludes with “Here’s to the Losers“, a poignant ballad that serves as a fitting end to the musical journey that is “SIX”. It’s a reminder of the band’s ability to evoke emotion through their music, a skill that has remained consistent throughout their career. It’s a heartfelt farewell that leaves you with a sense of satisfaction and a longing for more.

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Nuno Bettencourt (right) probably is the best guitarist this planet has ever seen.

“SIX” is an impressive album that showcases Extreme’s musical maturity and creative diversity. It’s a testament to the band’s ability to evolve while preserving their unique sound. It’s an album that will delight long-time fans of the band, like me, as well as those being introduced to their music for the first time. It’s a rollercoaster ride of musical mastery and unexpected turns, and one that I’m glad to have been a part of.

To further immerse myself in the Extreme experience, I plan to attend one or two live shows in 2023. There’s nothing quite like the electrifying atmosphere of a live concert, the raw energy of the band, and the collective excitement of the crowd. It’s an opportunity to witness the magic of Extreme firsthand, and I’m eagerly looking forward to it.

For those who wish to join me in this musical journey, you can purchase the album and merchandise on the band’s official website here. The site also provides updates on the band’s upcoming live shows, including dates in the US, Australia, Japan, the United Kingdom, and several European countries.

Footnote: In my enthusiasm for the album, I sought to purchase the t-shirt featuring the striking gorilla album cover, only to find it was sold out. A testament, perhaps, to the widespread appeal of this latest offering from Extreme. Here’s hoping for a restock soon. After all, what better way to celebrate the release of “SIX” than by wearing it on your chest?

assorted-title books on display

The Top 50 Most Successful Albums of All Time

Music has the power to move us, to make us feel, and to bring us together. Each song carries its own story, but when songs are woven together into an album, they form a narrative that’s bigger than the sum of its parts. And while every album tells a story, there are those that resonate on such a profound level that they transcend time and place, becoming cultural phenomena in their own right.

In this post, we’ll journey through the annals of music history, exploring the top 50 most successful albums of all time. These albums have left an indelible mark not just on the music industry, but on society at large. We’ll look at the incredible artists behind these masterpieces, the years they were released, and the net worth these musicians have amassed over their careers. From The Beatles to Michael Jackson, from Madonna to Pink Floyd, this list encompasses a diverse range of musical styles and eras.

So, whether you’re a music aficionado seeking a nostalgic trip down memory lane, or a newcomer wanting to discover some of the greatest albums ever made, join me as I delve into the tales of triumph, creativity, and innovation that have made these albums the most successful in music history. Let’s tune in to their stories!

  1. Thriller by Michael Jackson* (1982) – Estimated net worth at death: $500 million

    Michael Jackson’s “Thriller” not only set the benchmark for pop music, but it also broke racial barriers on radio and MTV, ushering in the era of music videos and changing the music industry forever. Jackson enlisted producer Quincy Jones to create a pop album that had mass appeal. With tracks like “Beat It,” which featured a guitar solo by Eddie Van Halen, and the title track, “Thriller,” with its iconic choreographed dance, the album broke records and remains the best-selling album of all time.

  2. Back in Black by AC/DC (1980) – Band’s estimated net worth: $380 million

    This was the band’s first album following the death of lead singer Bon Scott, marking Brian Johnson’s debut as the new lead singer. It was a tribute to Scott, and its dark cover signified the band’s mourning. Despite the circumstances, the album was a huge success, boasting hits like “You Shook Me All Night Long” and “Hells Bells.”

  3. The Dark Side of the Moon by Pink Floyd (1973) – Band’s estimated net worth: $800 million

    Pink Floyd’s eighth studio album is a concept album with themes of greed, conflict, and time. It spent a record 950 weeks on the Billboard charts and transformed Pink Floyd from a psychedelic cult band into global rock stars. The album is famous for its sonic experimentation, thought-provoking lyrics, and the iconic cover featuring a prism dispersing light into color.

  4. Bat Out of Hell by Meat Loaf (1977) – Estimated net worth at death: $40 million

    The seminal rock opera album, packed with grandiose, theatrical, and passionate songs, was initially a tough sell. Producers were skeptical about the album’s unconventional mix of pop, rock, and theatre, but the public loved it. “Bat Out of Hell” went on to become one of the best-selling albums of all time.

  5. Their Greatest Hits (1971–1975) by Eagles (1976) – Band’s estimated net worth: $250 million

    This compilation album by the Eagles is one of the best-selling albums of all time, with over 38 million copies sold. The album contains a selection of songs from the Eagles’ first four albums, showcasing their blend of rock and country music. It remains a quintessential slice of ’70s Californian soft rock.

  6. The Bodyguard (Soundtrack) by Whitney Houston (1992) – Estimated net worth at death: -$20 million

    The soundtrack to Whitney Houston’s film debut “The Bodyguard” features some of the artist’s most famous songs. “I Will Always Love You,” a cover of the Dolly Parton song, was the album’s centerpiece and one of the best-selling singles of all time. The soundtrack won the Grammy Award for Album of the Year and solidified Houston’s status as a global superstar.

  7. The White Album” by The Beatles (1968) – Band’s estimated net worth: $2.2 billion

    The band’s self-titled album, universally known as “The White Album” for its stark white cover, is a sprawling double album that showcased the band’s diverse musical explorations. From the raucous “Helter Skelter” to the gentle “Blackbird,” this album encompasses a wide array of styles and moods, revealing each Beatles member’s distinct creative direction.

  8. Abbey Road” by The Beatles (1969) – Band’s estimated net worth: $2.2 billion

    “Abbey Road” is the Beatles’ last recorded album, known for its rich production and the medley of songs on side two. The iconic cover photo, showing the band crossing the street outside the Abbey Road Studios, has become one of the most imitated images in popular music. Songs like “Come Together” and “Here Comes the Sun” are staples in the band’s catalog.

  9. Rumours” by Fleetwood Mac (1977) – Band’s estimated net worth: $120 million

    Considered Fleetwood Mac’s magnum opus, “Rumours” was created amid rising tensions within the band. The emotional turmoil, including two breakups and a divorce, fed into the songwriting, resulting in an album that resonated with its audience. Hits like “Go Your Own Way,” “Don’t Stop,” and “The Chain” remain classic rock staples.

  10. Saturday Night Fever” (Soundtrack) by Bee Gees (1977) – Band’s estimated net worth: $200 million

    The “Saturday Night Fever” soundtrack, dominated by the Bee Gees’ disco hits, became a cultural phenomenon that propelled the movie and the music to stratospheric success. The album turned the Bee Gees into disco icons, with songs like “Stayin’ Alive” and “How Deep Is Your Love” becoming synonymous with the era.

  11. Hotel California” by The Eagles (1976) – Band’s estimated net worth: $250 million

    This album marked a shift in The Eagles’ sound towards more rock and is best known for its title track, “Hotel California,” a song known for its evocative lyrics and groundbreaking guitar work. The song and the album explore the promise, disillusionment, and excesses of the American dream.

  12. Led Zeppelin IV” by Led Zeppelin (1971) – Band’s estimated net worth: $800 million

    The band’s fourth album, often referred to as “Led Zeppelin IV,” is a high point in their career, featuring classics like “Stairway to Heaven,” “Black Dog,” and “Rock and Roll.” It showcases the band’s diverse musical influences, from hard rock and metal to folk and blues.

  13. Come On Over” by Shania Twain (1997) – Estimated net worth: $400 million

    Produced by Twain’s then-husband Mutt Lange, “Come On Over” blends country with pop and global music influences. The album was a massive crossover success, becoming the best-selling album by a female artist and the best-selling country album of all time.

  14. The Beatles” by The Beatles (often known as the “Blue Album”) (1967-1970) – Band’s estimated net worth: $2.2 billion

    This double-LP compilation album includes tracks from the later part of The Beatles’ career (1967–1970). It complements the “Red Album,” which covers the earlier years. Notable songs include “Lucy in the Sky with Diamonds,” “Hey Jude,” and “Let It Be.”

  15. Bad” by Michael Jackson (1987) – Estimated net worth at death: $500 million

    “Bad” is the follow-up to “Thriller” and the first album to produce five Billboard Hot 100 number-one singles. Its music videos, including the Martin Scorsese-directed “Bad” and the iconic “Smooth Criminal,” continued Jackson’s reputation for groundbreaking visuals. The album is noted for its edgier, more aggressive sound compared to “Thriller.”

  16. Greatest Hits Volume I & Volume II” by Billy Joel (1985) – Estimated net worth: $225 million

    This compilation album is a comprehensive collection of Billy Joel’s hits from 1973 to 1985. With songs like “Piano Man,” “Uptown Girl,” and “We Didn’t Start the Fire,” the album captures Joel’s knack for storytelling and his range of styles, from pop-rock to soft ballads and doo-wop influenced tunes.

  17. Appetite for Destruction” by Guns N’ Roses (1987) – Band’s estimated net worth: $200 million

    This debut album by Guns N’ Roses, featuring a volatile mix of hard rock, blues, and punk, shattered the slick synth-pop sound dominating the ’80s music scene. The album features hits like “Welcome to the Jungle,” “Sweet Child o’ Mine,” and “Paradise City,” establishing Guns N’ Roses as a major force in rock music.

  18. Slippery When Wet” by Bon Jovi (1986) – Band’s estimated net worth: $410 million

    Bon Jovi’s third studio album, “Slippery When Wet,” catapulted the band to global stardom. Tracks like “Livin’ On A Prayer” and “You Give Love A Bad Name” have become quintessential ’80s rock anthems. The album’s combination of hard rock with a pop sensibility made it a massive commercial success.

  19. My personal favorite:Brothers in Arms” by Dire Straits (1985) – Band’s estimated net worth: $120 million

    “Brothers in Arms” is best known for its opening track, “Money for Nothing,” a commentary on rock star excess with backing vocals by Sting. The album was one of the first to be directed at the CD market, and it was a full digital recording at a time when most were recorded analog, making it a landmark in the transition to digital music.

    My personal background story

    I was a tender twelve years of age, the world still unfurling before me like a novel waiting to be read, when my life was forever changed in an unassuming KARSTADT department store located within the bustling heart of the Rhein-Ruhr-Center. Amidst the everyday hustle and bustle, a singular entity called out to me, a gleaming Mini Cooper, modest in size but colossal in its allure.

    The year was 1985 and technology was breaking boundaries at an exhilarating pace. There, on the showroom floor, the Mini Cooper beckoned me with a cutting-edge feature that was nothing short of a sensation – an in-built Hi-Fi system, complete with a CD player, something of a technological marvel for those days.

    Enraptured by the allure of the Cooper, I climbed into its welcoming interior, my curious fingers finding their way to the CD player, an unknown disc already waiting in its grasp. As I pressed the play button, my world was enveloped in the mesmerizing chords of a tune that would shape my musical inclinations forever.

    “Money for Nothing” by Dire Straits began to play, its unique distorted guitar riff cutting through my body, resonating within me. Its powerful notes and sound, so unlike anything I’d heard before, struck a massive chord within my young heart, the profound musicianship and fully digital recording, mix and mastering (CDs were labeled “DDD” at that time, which indicated that the audio was recorded, mixed, and mastered using digital methods) knocking me off my feet in a figurative sense.

    From that singular moment, nestled within the gleaming Mini Cooper in the heart of the KARSTADT department store, my affinity for Dire Straits was forged. I became, and remain to this day, a die-hard fan of this extraordinary band, the memory of that first encounter forever imprinted on my soul. The music has accompanied me throughout life’s journey, and I know that it will continue to do so, a comforting and inspiring presence amidst life’s ebb and flow.

  20. The Joshua Tree” by U2 (1987) – Band’s estimated net worth: $700 million

    This album is a turning point in U2’s career, marking their shift from alternative rock heroes to global rock icons. With hits like “With or Without You,” “I Still Haven’t Found What I’m Looking For,” and “Where the Streets Have No Name,” the album explores social and political issues, inspired by the band’s experiences in America.

  21. Boston” by Boston (1976) – Band’s estimated net worth: $30 million

    The debut album by Boston revolutionized the sound of rock music with its pristine, harmonized guitar work and impeccable production. Powered by hits like “More Than a Feeling” and “Peace of Mind,” it remains one of the best-selling debut albums in U.S. history.

  22. Born in the U.S.A.” by Bruce Springsteen (1984) – Estimated net worth: $500 million

    “Born in the U.S.A.” is Springsteen’s most commercially successful album, producing a record-tying string of seven Top 10 singles. The title track, often mistaken for a patriotic anthem, is a critique of the U.S. government’s treatment of Vietnam War veterans.

  23. Millennium” by Backstreet Boys (1999) – Band’s estimated net worth: $200 million

    “Millennium” represents the peak of the late ’90s boy band craze. It set a record for most albums sold in the first week and features fan favorites like “I Want It That Way” and “Larger Than Life.”

  24. 1” by The Beatles (2000) – Band’s estimated net worth: $2.2 billion

    “1” is a compilation album featuring all 27 of The Beatles’ British and American number-one hits. This single-disc collection is a quick journey through some of the band’s most popular songs, from “Love Me Do” through “Let It Be.”

  25. Jagged Little Pill” by Alanis Morissette (1995) – Estimated net worth: $45 million

    “Jagged Little Pill” became a defining album of the 1990s, propelled by Morissette’s raw emotion and blunt lyrics. Hits like “You Oughta Know,” “Hand in My Pocket,” and “Ironic” resonated with audiences, and the album became one of the biggest selling albums by a female artist.

  26. Falling into You” by Celine Dion (1996) – Estimated net worth: $800 million

    Celine Dion’s “Falling into You” won two Grammy Awards, including Album of the Year, and features the hits “Because You Loved Me” and the cover of Eric Carmen’s “All by Myself.” The album displayed Dion’s vocal prowess and emotive delivery, helping her to achieve international superstar status.

  27. Let’s Talk About Love” by Celine Dion (1997) – Estimated net worth: $800 million

    This album includes Dion’s biggest hit, “My Heart Will Go On,” the theme song for the movie Titanic. The album, featuring collaborations with artists like Barbra Streisand and Luciano Pavarotti, showcased Dion’s vocal range and emotional depth.

  28. No Jacket Required” by Phil Collins (1985) – Estimated net worth: $260 million

    This album marked Phil Collins’ transition from drummer/frontman of Genesis to a successful solo artist. It includes hits like “Sussudio” and “Take Me Home” and won the Grammy Award for Album of the Year in 1986.

  29. Gold: Greatest Hits” by ABBA (1992) – Band’s estimated net worth: $900 million

    This compilation album showcases the timeless appeal of ABBA’s infectious pop melodies. It includes all of their biggest hits, like “Dancing Queen,” “Mamma Mia,” and “Take a Chance on Me,” which continue to gain new generations of fans.

  30. Let’s Dance” by David Bowie (1983) – Estimated net worth at death: $230 million

    “Let’s Dance” is David Bowie’s most commercially successful album, representing a shift towards dance-pop and away from the more experimental styles of his earlier career. The title track, along with hits like “China Girl” and “Modern Love,” helped the album reach a wider audience.

  31. Tapestry” by Carole King (1971) – Estimated net worth: $70 million

    Carole King’s “Tapestry” is a landmark in the singer-songwriter genre. Its introspective lyrics and heartfelt performances, including hits like “It’s Too Late” and “I Feel the Earth Move,” have made it one of the best-selling albums of all time. The album won four Grammy Awards, including Album of the Year.

  32. Supernatural” by Santana (1999) – Estimated net worth: $80 million

    After a few commercially lean years, “Supernatural” marked a comeback for Santana, led by the hit single “Smooth,” featuring Rob Thomas of Matchbox Twenty. The album’s mix of rock, Latin music, and pop was a critical and commercial success, winning nine Grammy Awards, including Album of the Year.

  33. Tubular Bells” by Mike Oldfield (1973) – Estimated net worth: $45 million

    “Tubular Bells” is an instrumental progressive rock album, best known for its opening theme, which was used in the soundtrack of the horror film The Exorcist. The album, which Mike Oldfield played nearly all the instruments, helped to pioneer the new age genre and was the first release on Richard Branson’s Virgin Records.

  34. The Marshall Mathers LP” by Eminem (2000) – Estimated net worth: $230 million

    “The Marshall Mathers LP” is Eminem’s third studio album and solidified his position as one of the most influential and controversial figures in rap music. It includes hits like “The Real Slim Shady” and “Stan” and delves into themes of personal struggles, fame, and societal critique.

  35. The Wall” by Pink Floyd (1979) – Band’s estimated net worth: $800 million

    “The Wall” is a rock opera and concept album by Pink Floyd, exploring themes of alienation, isolation, and the construction of emotional barriers. The album, with iconic tracks like “Another Brick in the Wall (Part 2)” and “Comfortably Numb,” is a testament to the band’s artistic ambition and musical craftsmanship.

  36. The Immaculate Collection” by Madonna (1990) – Estimated net worth: $850 million

    “The Immaculate Collection” is a compilation album featuring Madonna’s greatest hits from the 1980s. It showcases her ability to reinvent herself, combining dance-pop, R&B, and ballads. The album includes classics like “Like a Virgin,” “Material Girl,” and “Vogue,” solidifying Madonna’s status as the Queen of Pop.

  37. Purple Rain” by Prince (1984) – Estimated net worth at death: $300 million

    “Purple Rain” is the soundtrack album to Prince’s film of the same name. It became Prince’s most successful release and features iconic hits like the title track, “When Doves Cry,” and “Let’s Go Crazy.” The album showcased Prince’s musical virtuosity, blending rock, pop, and funk into a distinctive sound.

  38. Dookie” by Green Day (1994) – Band’s estimated net worth: $165 million

    “Dookie” was Green Day’s breakthrough album, ushering in the revival of punk rock in the mid-1990s. With songs like “Basket Case” and “Longview,” the album captured the angst and energy of youth, resonating with a generation of fans and propelling Green Day to international fame.

  39. Sgt. Pepper’s Lonely Hearts Club Band” by The Beatles (1967) – Band’s estimated net worth: $2.2 billion

    “Sgt. Pepper’s Lonely Hearts Club Band” is regarded as one of the greatest and most influential albums in music history. The Beatles pushed the boundaries of studio recording, experimenting with innovative techniques and incorporating a wide range of musical styles. The album’s concept and vivid cover art contributed to its status as a symbol of the counterculture movement of the 1960s.

  40. Legend” by Bob Marley (1984) – Estimated net worth at death: $30 million

    “Legend” is a compilation album that became a posthumous celebration of Bob Marley’s music and legacy. It features his most beloved songs, including “One Love/People Get Ready,” “No Woman, No Cry,” and “Redemption Song.” The album played a crucial role in introducing reggae music to a global audience.

  41. Backstreet’s Back” by Backstreet Boys (1997) – Band’s estimated net worth: $200 million

    “Backstreet’s Back” marked the Backstreet Boys’ international breakthrough, solidifying their status as one of the most successful boy bands of the ’90s. The album features hits like “Everybody (Backstreet’s Back)” and “As Long As You Love Me,” showcasing their harmonies, infectious pop hooks, and synchronized dance moves.

  42. Human Clay” by Creed (1999) – Band’s estimated net worth: $30 million

    “Human Clay” propelled Creed to mainstream success with its blend of alternative rock and post-grunge. The album features the chart-topping single “Higher” and the emotionally charged “With Arms Wide Open,” establishing the band’s signature sound and resonating with a wide audience.

  43. Oops!… I Did It Again” by Britney Spears (2000) – Estimated net worth: $70 million

    “Oops!… I Did It Again” solidified Britney Spears’ status as a pop phenomenon. The album showcased her growth as an artist, combining infectious pop hooks with a more mature image. Hits like the title track and “Lucky” became anthems of the early 2000s pop music scene.

  44. Spice” by Spice Girls (1996) – Band’s estimated net worth: $115 million

    “Spice” introduced the world to the Spice Girls and the concept of “Girl Power.” The album features infectious pop tracks like “Wannabe” and “Say You’ll Be There,” capturing the spirit of the ’90s and empowering a generation of young girls with their message of female empowerment and friendship.

  45. True Blue” by Madonna (1986) – Estimated net worth: $850 million

    “True Blue” showcased Madonna’s evolution as an artist, blending pop, dance, and rock influences. The album spawned hits like “Papa Don’t Preach,” “Open Your Heart,” and the title track, cementing Madonna’s position as a pop culture icon and establishing her as a boundary-pushing artist.

  46. The Colour of My Love” by Celine Dion (1993) – Estimated net worth: $800 million

    “The Colour of My Love” marked a significant turning point in Celine Dion’s career. The album showcases her powerful vocals and includes timeless ballads like “The Power of Love” and “Because You Loved Me.” It catapulted Dion to global superstardom and solidified her status as one of the most successful female artists of all time.

  47. Like a Virgin” by Madonna (1984) – Estimated net worth: $850 million

    “Like a Virgin” was a breakthrough album for Madonna, establishing her as a pop provocateur. The title track became a cultural phenomenon, challenging societal norms, and pushing boundaries. The album showcases Madonna’s ability to blend infectious pop hooks with provocative lyrics and solidified her status as a pop icon.

  48. Please Hammer Don’t Hurt ‘Em” by MC Hammer (1990) – Estimated net worth: $2 million

    “Please Hammer Don’t Hurt ‘Em” catapulted MC Hammer to global stardom with his unique blend of hip-hop and pop. The album features the mega-hit “U Can’t Touch This,” which became an anthem of the early ’90s. MC Hammer’s catchy hooks and dance-driven style captured the attention of mainstream audiences and left an indelible mark on pop culture.

  49. The Eminem Show” by Eminem (2002) – Estimated net worth: $230 million

    “The Eminem Show” is a raw and introspective album by Eminem. It represents a pivotal point in Eminem’s career, showcasing his unfiltered storytelling and unapologetic expression. Through his lyrics, Eminem takes listeners on a journey into his life, addressing his struggles with addiction, his complicated relationships, and the pressures of fame. With a mix of raw emotions and powerful wordplay, Eminem offers a glimpse into his personal battles and invites listeners to connect with his experiences on a profound level.

  50. 25” by Adele (2015) – Estimated net worth: $190 million

    “25” is a soul-stirring album by Adele that serves as a poignant reflection on her growth and experiences as she turned 25 years old. Through her powerful voice and heartfelt lyrics, Adele explores themes of love, heartbreak, and self-discovery. Each song carries its own emotional weight, capturing the essence of Adele’s personal journey. From the powerful opening track “Hello” to the vulnerable ballad “Someone Like You,” Adele’s storytelling touches the depths of human emotions, resonating with listeners and creating an intimate connection through her music.

The Playlist

Here’s the playlist containing each album with every song (763 songs, 51 hours and 38 minutes) in it in the order of the list above:

Artist’s Net Worth Ranking

Based on the above, I’ve compiled a list of artists ordered by their estimated net worth. These figures are associated with the success of some of the world’s most iconic albums, with releases spanning decades. The musicians and bands listed have made substantial contributions to the music industry, shaping genres and influencing countless other artists. From pop to rock, and from soul to metal, these artists have left an indelible mark on music history. The wealth mentioned here is only an estimation based on publicly available data and may not be 100% accurate.

  1. The Beatles: $2.2 billion
  2. ABBA: $900 million
  3. Madonna: $850 million
  4. Pink Floyd: $800 million
  5. Led Zeppelin: $800 million
  6. Celine Dion: $800 million
  7. U2: $700 million
  8. Michael Jackson: $500 million
  9. Bruce Springsteen: $500 million
  10. Bon Jovi: $410 million
  11. Shania Twain: $400 million
  12. AC/DC: $380 million
  13. Prince: $300 million
  14. Phil Collins: $260 million
  15. Eagles: $250 million
  16. David Bowie: $230 million
  17. Eminem: $230 million
  18. Billy Joel: $225 million
  19. Bee Gees: $200 million
  20. Guns N’ Roses: $200 million
  21. Backstreet Boys: $200 million
  22. Green Day: $165 million
  23. Fleetwood Mac: $120 million
  24. Dire Straits: $120 million
  25. Spice Girls: $115 million
  26. Santana: $80 million
  27. Carole King: $70 million
  28. Britney Spears: $70 million
  29. Alanis Morissette: $45 million
  30. Mike Oldfield: $45 million
  31. Meat Loaf: $40 million
  32. Boston: $30 million
  33. Bob Marley & The Wailers: $30 million
  34. Creed: $30 million
  35. MC Hammer: $2 million
  36. Whitney Houston: -$20 million

This ranking provides a fascinating insight into the financial success of some of the world’s most influential musicians and bands, demonstrating the remarkable wealth that has been accrued in the music industry.

Topping the list are The Beatles, whose net worth is estimated at a staggering $2.2 billion, showcasing the longevity of their music’s appeal. They’re followed closely by Madonna and ABBA, both renowned for their contributions to pop music.

Artists like Pink Floyd, Led Zeppelin, and Celine Dion, each with an estimated net worth of $800 million, further demonstrate how different musical genres, from rock to pop, could lead to substantial financial success.

It’s interesting to note the wide range in the wealth of these musicians, reflecting the different paths their careers have taken. For example, Green Day, known for their punk rock music, has accrued an estimated net worth of $165 million, while pop sensation Britney Spears stands at around $70 million.

Most notably, Whitney Houston is an exception on this list, with a net worth stated as negative $20 million. Houston, who was one of the most celebrated singers of her time, struggled with financial and a lot of other difficulties in her career, providing a sobering reminder that the music industry was and is a dangerous place.

Deceased Artists

  1. Michael Jackson (Thriller, Bad) – Died in 2009 from acute propofol and benzodiazepine intoxication, which was later ruled a homicide.

  2. Members of The Beatles:

    John Lennon – Assassinated in 1980.
    George Harrison – Died from lung cancer in 2001.

  3. Meat Loaf (Bat Out of Hell) – Meat Loaf died in 2022. No official cause of death was released. He was reportedly ill with COVID-19 earlier and reporting suggested that he died from COVID-19 complications.

  4. Whitney Houston (The Bodyguard) – Accidentally drowned in a bathtub in 2012, with heart disease and cocaine use listed as contributing factors.

  5. Members of AC/DC:

    Bon Scott – Died in 1980 due to acute alcohol poisoning.
    Malcolm Young – Died in 2017 from complications of dementia.

  6. Prince (Purple Rain) – Died in 2016 from an accidental fentanyl overdose.

  7. David Bowie (Let’s Dance) – Died in 2016 from liver cancer.

  8. Bob Marley (Legend) – Died in 1981 from skin cancer (a type of malignant melanoma).

Please note that for bands, not all members may be deceased. I’ve only listed the ones who have passed away.

*A Personal Comment on Michael Jackson

Mentioning Michael Jackson in whatever context does not feel comfortable for me at all. The allegations of child molestation against Michael Jackson are deeply troubling, and many individuals, including myself, believe that he did commit these acts.

It is a painful and uncomfortable reality to confront when discussing his music. What he did casts a dark cloud over his legacy, making it difficult for me to separate the artist from the alleged actions.

people, emotions, feelings

The Exasperating Trilogy of Modern Speech: Upspeak, Vocal Fry, and the ‘Like’ Epidemic

Modern communication – a brilliant, marvelous tapestry weaved with an array of eloquent sounds, linguistic acrobatics, and… upspeak, vocal fry, and the incessant use of “like”. The grand opera of language has been hijacked by these three renegade stars, ensuring every sentence sounds like a question, a dying engine, or a Facebook algorithm’s dream.

Upspeak: The Question that Never Ends

Upspeak is fascinating in its ability to leave listeners in a perpetual state of suspense. Imagine listening to a thrilling murder mystery where every sentence ends on a cliffhanger. Now, apply that to every conversation in your life. Every declarative statement, every assertion is turned into an open-ended question. The suspense, initially thrilling, soon becomes like a song stuck on loop – it’s fun at first, then it starts to grate on your nerves.

Moreover, upspeak can undermine the speaker’s authority and credibility. In professional settings, constant questioning inflections can signal uncertainty or a lack of confidence. It’s as if the speaker is continually seeking validation, which can be quite irksome when you’re looking for decisive, assertive communication.

Example:

This linguistic accident has become pretty popular among the younger demographic. Gone are the days of confident, assertive statements. Instead, we’re now serenaded by a constant stream of interrogatives. Whether you’re ordering coffee or presenting a groundbreaking scientific discovery, with upspeak, everything sounds like you’re asking for directions to the nearest surf shop.

Vocal Fry: The Groan that Grows on You

Vocal fry is the audio equivalent of nails on a chalkboard for some. That low, creaky vibration that has become extremely popular is grating to the ear, especially when it’s used excessively. It makes conversations sound tedious and monotonous, sucking the energy out of interactions.

Furthermore, the overuse of vocal fry can come across as affectation, an attempt to emulate celebrities or fit into a certain image. This pretense is quite irritating, especially when it masks genuine emotion and intonation. It also impacts the clarity of speech, making it challenging to follow a conversation.

Example:

I find this also extremely well and funny acted.

Vocal fry is fabulous for those who want to add a touch of mystery to their persona. Why sound enthusiastic or lively when you can emulate a bored crocodile, right? Nothing screams ‘I’m interested in this conversation’ quite like making every word sound like an effort.

The Everlasting “Like”

Finally, we come to the pièce de résistance of modern linguistic quirks: the excessive use of “like.” No longer satisfied with its humble origins as a preposition or a verb, “like” has metamorphosed into a filler word, a verbal crutch that has lodged itself firmly in the lexicon of the masses.

And why not? Why say, “I went to the store,” when you can say, “I was like, going to the store”? Why describe things as they are when you can add a few extra “likes” to ensure your listener has the time to zone out, make a sandwich, and plan their weekend getaway in the time it takes for you to finish your sentence?

Example:

They do this in every episode. “Like” … “like” … “like” … “like” … “like” … “like” …

Perhaps the most charming aspect of this trend is how “like” robs sentences of their impact. “I’m scared” is a clear, powerful statement. “I’m, like, scared?” Well, that just leaves room for doubt. Are you scared, or are you “like” scared? Is this a genuine emotion or are we in simile territory?

So?

Upspeak, vocal fry, and the overuse of “like” are less of charming idiosyncrasies and more of constant tests to our auditory endurance. They are the linguistic equivalent of running nails across a chalkboard, an endless loop of linguistic calamities that prickle our nerves and boggle our minds.

Upspeak, with its insistent questioning, shreds the fabric of assertive communication, leaving in its wake a trail of needless uncertainty. Vocal fry, on the other hand, grates against the harmony of conversation, replacing the musicality of varied intonations with a monotonous drone that could bore even the most patient listeners.

And then we have “like,” the reigning monarch of verbal fillers. Its relentless presence in every sentence, every phrase, is a testament to our collective inability to utter a single coherent thought without resorting to linguistic crutches. It’s a constant, gnawing distraction that turns even the simplest of narratives into a labyrinth of superfluous words.

These linguistic trends, in their unyielding persistence, have managed to take the art of conversation, a dance of words and meanings, and turn it into an obstacle course of irritation and frustration. They’ve proven that language, in all its dynamic glory, is not immune to trends that test the limits of our patience and our fondness for effective communication.

So, here’s a plea to the speakers of the world: Let’s reclaim the beauty of language, the clarity of thought, and the assertiveness of well-formed sentences. Let’s bid adieu to the eternal question mark of upspeak, the sizzling ennui of vocal fry, and the relentless filler that is “like.” After all, isn’t it high time our conversations mirrored the richness and precision of our thoughts, instead of sounding like a broken record of linguistic annoyances?