people, emotions, feelings

The Exasperating Trilogy of Modern Speech: Upspeak, Vocal Fry, and the ‘Like’ Epidemic

Modern communication – a brilliant, marvelous tapestry weaved with an array of eloquent sounds, linguistic acrobatics, and… upspeak, vocal fry, and the incessant use of “like”. The grand opera of language has been hijacked by these three renegade stars, ensuring every sentence sounds like a question, a dying engine, or a Facebook algorithm’s dream.

Upspeak: The Question that Never Ends

Upspeak is fascinating in its ability to leave listeners in a perpetual state of suspense. Imagine listening to a thrilling murder mystery where every sentence ends on a cliffhanger. Now, apply that to every conversation in your life. Every declarative statement, every assertion is turned into an open-ended question. The suspense, initially thrilling, soon becomes like a song stuck on loop – it’s fun at first, then it starts to grate on your nerves.

Moreover, upspeak can undermine the speaker’s authority and credibility. In professional settings, constant questioning inflections can signal uncertainty or a lack of confidence. It’s as if the speaker is continually seeking validation, which can be quite irksome when you’re looking for decisive, assertive communication.

Example:

This linguistic accident has become pretty popular among the younger demographic. Gone are the days of confident, assertive statements. Instead, we’re now serenaded by a constant stream of interrogatives. Whether you’re ordering coffee or presenting a groundbreaking scientific discovery, with upspeak, everything sounds like you’re asking for directions to the nearest surf shop.

Vocal Fry: The Groan that Grows on You

Vocal fry is the audio equivalent of nails on a chalkboard for some. That low, creaky vibration that has become extremely popular is grating to the ear, especially when it’s used excessively. It makes conversations sound tedious and monotonous, sucking the energy out of interactions.

Furthermore, the overuse of vocal fry can come across as affectation, an attempt to emulate celebrities or fit into a certain image. This pretense is quite irritating, especially when it masks genuine emotion and intonation. It also impacts the clarity of speech, making it challenging to follow a conversation.

Example:

I find this also extremely well and funny acted.

Vocal fry is fabulous for those who want to add a touch of mystery to their persona. Why sound enthusiastic or lively when you can emulate a bored crocodile, right? Nothing screams ‘I’m interested in this conversation’ quite like making every word sound like an effort.

The Everlasting “Like”

Finally, we come to the pièce de résistance of modern linguistic quirks: the excessive use of “like.” No longer satisfied with its humble origins as a preposition or a verb, “like” has metamorphosed into a filler word, a verbal crutch that has lodged itself firmly in the lexicon of the masses.

And why not? Why say, “I went to the store,” when you can say, “I was like, going to the store”? Why describe things as they are when you can add a few extra “likes” to ensure your listener has the time to zone out, make a sandwich, and plan their weekend getaway in the time it takes for you to finish your sentence?

Example:

They do this in every episode. “Like” … “like” … “like” … “like” … “like” … “like” …

Perhaps the most charming aspect of this trend is how “like” robs sentences of their impact. “I’m scared” is a clear, powerful statement. “I’m, like, scared?” Well, that just leaves room for doubt. Are you scared, or are you “like” scared? Is this a genuine emotion or are we in simile territory?

So?

Upspeak, vocal fry, and the overuse of “like” are less of charming idiosyncrasies and more of constant tests to our auditory endurance. They are the linguistic equivalent of running nails across a chalkboard, an endless loop of linguistic calamities that prickle our nerves and boggle our minds.

Upspeak, with its insistent questioning, shreds the fabric of assertive communication, leaving in its wake a trail of needless uncertainty. Vocal fry, on the other hand, grates against the harmony of conversation, replacing the musicality of varied intonations with a monotonous drone that could bore even the most patient listeners.

And then we have “like,” the reigning monarch of verbal fillers. Its relentless presence in every sentence, every phrase, is a testament to our collective inability to utter a single coherent thought without resorting to linguistic crutches. It’s a constant, gnawing distraction that turns even the simplest of narratives into a labyrinth of superfluous words.

These linguistic trends, in their unyielding persistence, have managed to take the art of conversation, a dance of words and meanings, and turn it into an obstacle course of irritation and frustration. They’ve proven that language, in all its dynamic glory, is not immune to trends that test the limits of our patience and our fondness for effective communication.

So, here’s a plea to the speakers of the world: Let’s reclaim the beauty of language, the clarity of thought, and the assertiveness of well-formed sentences. Let’s bid adieu to the eternal question mark of upspeak, the sizzling ennui of vocal fry, and the relentless filler that is “like.” After all, isn’t it high time our conversations mirrored the richness and precision of our thoughts, instead of sounding like a broken record of linguistic annoyances?