Philosophical Archives • INGO VOGELMANN https://ingovogelmann.net/category/philosophical/ Composer • Producer • Audio Engineer Sat, 28 Oct 2023 08:47:51 +0000 en-US hourly 1 https://wordpress.org/?v=6.4.2 https://ingovogelmann.net/wp-content/uploads/2023/03/cropped-iv_icon_2023.png Philosophical Archives • INGO VOGELMANN https://ingovogelmann.net/category/philosophical/ 32 32 120855996 You Need to Fail to Succeed https://ingovogelmann.net/2023/10/28/you-need-to-fail-to-succeed/ https://ingovogelmann.net/2023/10/28/you-need-to-fail-to-succeed/#respond Sat, 28 Oct 2023 08:47:45 +0000 https://ingovogelmann.net/?p=29578 And I did, many times. That doesn’t mean I always succeeded after I failed, but whenever I succeeded it never came without failure before. That said… A New Paradigm for Music Makers In an industry that’s constantly evolving, The Crow Hill Company emerges as a breath of fresh air. While still in its early stages, the platform promises an ever-growing collection of free professional resources for music makers. But what sets it apart is its philosophy: it aims to be a “love letter to music makers.” This isn’t just a repository of tools; it’s a community, a support system, and most importantly, a philosophy that values the process as much as the product. What’s in the Vault? While the company is tight-lipped about upcoming content, they’ve teased that it’s something they’re “incredibly reluctant to share,” which only adds to the intrigue. Given the secrecy, one can only speculate about the revolutionary tools and resources that might be in store for members. The Maestro Behind the Mission Christian Henson is a name that commands respect in the world of music composition. With a career that boasts multiple nominations and awards, he’s a versatile talent who’s worked on everything from TV shows to epic sci-fi films. But what truly sets him apart is his unique, self-taught approach to working with the orchestra, a skill honed through collaborations with a diverse range of artists. The Spitfire Legacy Before The Crow Hill Company, Henson made waves with Spitfire Audio, a company that provides essential tools for composers. Spitfire developed a cult following and became a significant supporter of the music industry. This experience undoubtedly informs his new venture, bringing a level of expertise and…

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My 50 Simple Pleasures in Life https://ingovogelmann.net/2023/09/08/my-50-simple-pleasures-in-life/ https://ingovogelmann.net/2023/09/08/my-50-simple-pleasures-in-life/#respond Fri, 08 Sep 2023 17:00:00 +0000 https://ingovogelmann.net/?p=29504 Life is a series of moments, some grand and some simple. While the grand moments often steal the spotlight, it’s the simple pleasures that really make my journey worthwhile. As someone who has lived in various corners of the world and experienced life’s many facets, I’ve come to appreciate these small joys most. They are the unsung heroes that add color to my days and warmth to my soul. Here’s a list of 50 simple pleasures – inspired by this – that make my life great. While the list is personal, I believe that the essence of these joys is universal. They remind us to pause, to breathe, and to savor the small moments that often go unnoticed. In a world that’s increasingly complex and demanding, these simple pleasures are my sanctuary, my moments of zen. I hope you find your own simple pleasures that make your journey just as rewarding. Tags: Contentment, Conversation, Electric bicycle, Essence, Exercise, Extreme, Feeling, Gratitude, guitar, Hearing, Hiking, house, Joy, Joy of Cooking, Life, Man, mix, music, Nature, ost, Recording studio, Rib eye steak, Solitude, Song, sound, Star, Sunset, The Grand Moments, The Smell of Rain, Thunderstorm, Zen Related posts Peter Gabriel’s “i/o” Album Review: He’s Back, Better Than Ever Before (0) An Homage to Danny Tenaglia (0) A Psychological Guide to Harmonic Mixing and Composing (0) The Ultimate Harmonic Mixing & Composing Chart (12) The Top 50 Most Successful Albums of All Time (0)

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Why I’m a Pantheist. And What About My Album “GOD”? https://ingovogelmann.net/2023/08/28/why-im-a-pantheist-and-what-about-my-album-god/ https://ingovogelmann.net/2023/08/28/why-im-a-pantheist-and-what-about-my-album-god/#respond Mon, 28 Aug 2023 19:37:51 +0000 https://ingovogelmann.net/?p=29489 From my earliest memories, the universe has always been a source of profound fascination. The night sky, a tapestry of stars and cosmic wonder, seemed to pose questions that penetrated the very core of my being. My quest for answers led me through various domains – religion, philosophy, and empirical science. Yet, none offered the holistic understanding I yearned for. That is, until I discovered Pantheism. At its core, Pantheism is a worldview that is both elegantly simple and profoundly deep: the universe and everything within it is divine. But let’s clarify what I mean by “divine,” as it’s a term often misunderstood. For me, divinity is not about an anthropomorphic God sitting on a celestial throne. I’m an atheist in that regard, finding no logical or empirical basis for such a deity. Instead, my sense of the divine is rooted in the inherent order that permeates the universe – an order that allows for the existence and functioning of all things. This divine order is not a set of commandments but a natural, self-organizing system that can be observed in everything from the laws of physics to the complexity of biological systems. It’s the reason why planets orbit stars, why ecosystems maintain their balance, and why we, as conscious beings, can ponder our place in the cosmos. This order is the closest thing to “God” in my Pantheistic view, and it’s an understanding that fills me with awe and wonder. When I first encountered the concept of quantum entanglement, it felt like a scientific affirmation of this divine order. Here were particles, separated by vast distances, yet intrinsically connected in a way that defied classical understanding. It was as…

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Who Gets to Stay Afloat? https://ingovogelmann.net/2023/06/21/who-gets-to-stay-afloat/ https://ingovogelmann.net/2023/06/21/who-gets-to-stay-afloat/#respond Wed, 21 Jun 2023 20:08:18 +0000 https://ingovogelmann.net/?p=29407 Alright, let’s get this straight. We’ve got five business dudes who thought it would be a hoot to drop $250,000 each to get up close and personal with the Titanic wreck. You heard that right. A quarter of a million bucks to see a sunken ship. Now, they’re lost at sea and the world is on the edge of its seat, biting its nails, waiting for news. And don’t get me wrong, I feel for them. I really do. And for their loved ones waiting in agony for any shred of news. It’s a fsitucked up and rather sad situation, no doubt about it. Meanwhile, hundreds of refugees are drowning in the Mediterranean and it’s like everyone collectively decided to play a giant game of ‘see no evil, hear no evil’. Why? Because they aren’t rich? Because their journey wasn’t some luxury adventure, but a desperate escape from war and poverty? Here’s the thing. Both these groups of people are (one even literally) in deep shit. But for entirely different reasons. The adventurers are in trouble because they chose to be, because they wanted a thrill, a story to tell. The refugees? They’re in trouble because they had no other choice. Because staying where they were was even more dangerous than the perilous journey they embarked on. And yet, we’re more invested in the fate of five rich guys who willingly put themselves in danger than in the lives of thousands of people who had no other choice. So, what can we do? We can start by shifting our attention and compassion to those who need it most. And that’s not the rich adventurers in their luxury submarine, but the…

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The Exasperating Trilogy of Modern Speech: Upspeak, Vocal Fry, and the ‘Like’ Epidemic https://ingovogelmann.net/2023/05/10/the-exasperating-trilogy-of-modern-speech-upspeak-vocal-fry-and-the-like-epidemic/ https://ingovogelmann.net/2023/05/10/the-exasperating-trilogy-of-modern-speech-upspeak-vocal-fry-and-the-like-epidemic/#respond Wed, 10 May 2023 15:00:00 +0000 https://ingovogelmann.net/?p=29074 Modern communication – a brilliant, marvelous tapestry weaved with an array of eloquent sounds, linguistic acrobatics, and… upspeak, vocal fry, and the incessant use of “like”. The grand opera of language has been hijacked by these three renegade stars, ensuring every sentence sounds like a question, a dying engine, or a Facebook algorithm’s dream. Upspeak: The Question that Never Ends Upspeak is fascinating in its ability to leave listeners in a perpetual state of suspense. Imagine listening to a thrilling murder mystery where every sentence ends on a cliffhanger. Now, apply that to every conversation in your life. Every declarative statement, every assertion is turned into an open-ended question. The suspense, initially thrilling, soon becomes like a song stuck on loop – it’s fun at first, then it starts to grate on your nerves. Moreover, upspeak can undermine the speaker’s authority and credibility. In professional settings, constant questioning inflections can signal uncertainty or a lack of confidence. It’s as if the speaker is continually seeking validation, which can be quite irksome when you’re looking for decisive, assertive communication. Example: This linguistic accident has become pretty popular among the younger demographic. Gone are the days of confident, assertive statements. Instead, we’re now serenaded by a constant stream of interrogatives. Whether you’re ordering coffee or presenting a groundbreaking scientific discovery, with upspeak, everything sounds like you’re asking for directions to the nearest surf shop. Vocal Fry: The Groan that Grows on You Vocal fry is the audio equivalent of nails on a chalkboard for some. That low, creaky vibration that has become extremely popular is grating to the ear, especially when it’s used excessively. It makes conversations sound tedious and monotonous, sucking…

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The Future of Jobs in the Music Industry https://ingovogelmann.net/2023/03/24/the-future-of-jobs-in-the-music-industry/ https://ingovogelmann.net/2023/03/24/the-future-of-jobs-in-the-music-industry/#respond Fri, 24 Mar 2023 07:00:00 +0000 https://ingovogelmann.net/?p=28939 As we enter the age of automation and artificial intelligence, many industries are undergoing significant changes, and the music industry is no exception. From the way music is produced and distributed to how it is consumed, the music industry is evolving rapidly. But what does the future hold for jobs in the music industry? Will machines take over and leave musicians out of work? Let’s take a closer look. The music industry has always been notoriously difficult to break into. Even with the advent of digital technology and social media, it’s still a highly competitive industry that requires talent, perseverance, and a little bit lot of luck. That said, the digital age has created a whole host of new opportunities for musicians, songwriters, and producers. With platforms like YouTube, SoundCloud and whatnot, artists can now reach a global audience from the comfort of their bedroom, without the need for a record label or a massive marketing budget. But what about the more traditional jobs in the music industry? The jobs that require certain expertise? Well, it’s true that some of these jobs may become automated in the future. For example, there are already AI programs that can compose music and even write lyrics. However, machines can’t replace the human touch when it comes to music. Music is an art form, and there will always be a demand for talented musicians who can connect with audiences on an emotional level. In fact, the rise of technology in the music industry has created new job opportunities that didn’t exist before. For example, there is now a growing demand for experts in music data analysis. With the rise of streaming services, record labels…

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Are We Consuming Too Much Low-Effort Content? https://ingovogelmann.net/2023/03/20/are-we-consuming-too-much-low-effort-content/ https://ingovogelmann.net/2023/03/20/are-we-consuming-too-much-low-effort-content/#respond Mon, 20 Mar 2023 07:00:00 +0000 https://ingovogelmann.net/?p=29046 There was a time when video footage of hilarious mishaps was a rare and valuable commodity. It was 1987, and every week on German television, viewers tuned in to “Pleiten, Pech und Pannen” (“Disasters, Bad Luck and Breakdowns”) hosted by a not-so-funny, but charmingly coiffed Max Schautzer. This was a show dedicated to sharing amateur footage of people’s embarrassing moments and mishaps. The audience then voted on the “funniest video of the week” and the winner walked away with the coveted “Golden Raven” trophy and some cold hard cash. Back then, capturing these moments on video was like striking gold. Camcorders were an expensive luxury item, and it was rare to catch these moments on camera. Having a compilation of the best camcorder clips in one place was something special. But now, things are different. Thanks to smartphones and social media, we can watch videos of people slipping on banana peels all day long. There’s an endless stream of videos on TikTok and Instagram, and we can scroll through them for hours on end. We’ve gone from limited supply to a never-ending stream of content. But why are we so obsessed with these videos? Some might argue that our desire for this type of content has grown to ridiculous proportions, especially since March 2020. When the pandemic hit, millions of people found themselves stuck at home, bored, and unhappy. They turned to low-effort, easily consumable content to pass the time. Even with billions of people posting videos online, only a few are actually good enough to satisfy our insatiable appetite for entertainment. As someone born in 1973, I remember a time when real life was the primary source of entertainment.…

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My Take on AI like ChatGPT (and the Real Threats) https://ingovogelmann.net/2023/02/16/my-take-on-ai-like-chatgpt-and-the-real-threats/ https://ingovogelmann.net/2023/02/16/my-take-on-ai-like-chatgpt-and-the-real-threats/#respond Thu, 16 Feb 2023 06:14:18 +0000 https://ingovogelmann.net/?p=27868 I fear slowing down the development and implementation of AI more than the everyday use of it. AI is not inherently good or evil, it’s basically a tool that can be used for a variety of purposes, and it is up to humans to decide how to use it. Many of the concerns about AI are based on science fiction and exaggerations rather than real-world applications and limitations of current AI technology. The development of AI is still in its early stages, and while it has shown significant progress recently, it is still far from reaching a point where it can pose a threat to humanity. AI like ChatGPT is useful and somewhat impressive (or not) but far from dangerous. It knows less than humanity actually does. It has no capacity for opinion, emotion or decision-making. And it is precisely these 3 things that get us into trouble as humans. Artificial intelligence is only as “intelligent” as we feed such a system with data. So, it always depends on how intelligent the feeder is and how extensive and balanced the data is. I highly doubt very stupid people would have access to this feeding process or even understand how to feed. That brings me to our real problem: ignorant or stupid people. Now if you think I’m about to bash people with a lack of mental abilities, read on first. The actions of unintelligent or ignorant people have a greater negative impact on society than those of intentionally malicious individuals, like say Donald Trump (who is both stupid and ignorant, the most dangerous combination). While both ignorance and intentional malice can and do certainly have negative consequences, it is also…

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Interview With Myself (And Then You) https://ingovogelmann.net/2023/02/13/interview-with-myself-and-then-you/ https://ingovogelmann.net/2023/02/13/interview-with-myself-and-then-you/#respond Mon, 13 Feb 2023 18:00:00 +0000 https://ingovogelmann.net/?p=26989 I did this many years ago, and here is a very recent (2023) version. The template for this comes from here: 33 Questions For An Interview With Yourself Feel free to pick this up and do it yourself. Link back to this post, so I can see it. 1. What Do You Do for a Living? Well, the fact that you ended up here means you already know at least part of the answer. I’m a music producer, composer and sound engineer, mainly. I work for myself, so I make my own music, and I work for others whose music I either write and produce or edit. I also have a “day job” that feeds me reliably and pays the bills, because I could no longer make a living from music alone. That used to be different, but unfortunately, that’s the way it is today. But I really like my second job. I work with great people, and I can do my work in a relatively free and creative way. I am a marketing manager and board member in the textile industry. There is no good reason to complain. 2. Who Do You Love? Okay, then I’ll be completely honest. You asked for it. I love my friends, some of whom I’ve had for a very long time, and my partner and our dogs. To put it succinctly to the point. Of course, the issue is more complicated. I have a big and fucked up family history that could be described as broken. In this respect, love is not dripping from every crack. I love certain people in this family in a certain way, but that’s more through blood ties…

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Why I Abandoned Social Media https://ingovogelmann.net/2022/11/07/why-i-abandoned-social-media/ https://ingovogelmann.net/2022/11/07/why-i-abandoned-social-media/#comments Mon, 07 Nov 2022 16:04:05 +0000 https://ingovogelmann.net/?p=24470 When social media became “the new thing” and every artist was recommended to join the hype, I was very skeptical at first. I came late to the party of the two top dogs, Twitter in 2007, Facebook only in 2009, after the pressure on me from all sides grew too great. At least that’s how it felt to me at the time, or what I told myself… but there’s a good chance I just had the same need for recognition as everyone else and was afraid of missing out and not being recognized appropriately. As you grow older, fortunately that disappears. Instagram was about photography once I thought Instagram was pretty good at first… the filters looked cool and it was more about the photos than anything else. Until Facebook took over and turned it into a drug for people with an inferiority complex. Anti-Social Media I’ve never really felt comfortable with anti-social media, and I’ve also struggled to generate huge followings. There were decent numbers lately, but not enormous. That may have something to do with the fact that my audience has a rather limited affinity for social media. Something like that always has a direct connection with the kind of music you make. In all these years, I have experienced everything on social media that internet experts and psychologists are now warning of: abuse, hate, completely pointless and unnecessary discussions, exposing the private to the public (something I don’t like at all) and a very stupid thing: living out conflicts in public, in front of people you don’t really know. Necessary for artists? For a long time, I myself succumbed to the belief that as an artist you…

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